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@silvi.naci

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weaving bodies. L/Albania. Radical Sense. PhD Student UCI; anti-colonial-trans-queer-feminist praxis

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Public Program ♡ Programi Publik

Saturday, 10 October 2026
E shtunë, 10 tetor 2026

14.00
Write (Right) Your Wrongs with @anularttt

15.00
Morley House presents UNTITLED. Act V: Text as a Shared Space @morley.house

16.00
"Flamingo Revolution: Notes from the Streets" @paolailjazi @tea.paci @joanameraja @sindikaraj @adagio.stuff

17.00
Radical Sense: An Ecofeminist Reader @dorvinca @silvi.naci

18.00
Community Condiment Bar and Hot Dog Eating Contest

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ooo na thej!

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3 months old
1000 + followers
10,000 + views on google maps

Classes, workshops, community practices, events… I’ve already lost count by now. I just know I’ve poured a lot of sweat, and heart into this. :)

Not that numbers are what matter most, but every now and then, they tell a story. A story of growth, of showing up, of a community slowly taking shape.

Thank you for being part of it. Your support means more than you know.

With awe, love & gratitude,
D.

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🌸🌷🌹🌻Lule m’lule🌼🪻🌺🌸

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Dita e tretë dhe e fundit e Studiove të Hapura në Vilën 31 x Art Explora u mbyll me një program që ndërthuri biseda me artistë, aktivitete për familjet, diskutime mbi natyrën dhe mjedisin, performanca, projeksione filmash dhe një mbrëmje muzikore. 🌸

Faleminderit të gjithë artistëve, partnerëve dhe mbi 2,000 vizitorëve që u bënë pjesë e këtyre tre ditëve, duke i kthyer Studiot e Hapura në një hapësirë takimi, dialogu dhe shkëmbimi.

Studiot e Hapura do të rikthehen në sesionin e tretë të artistëve rezidentë, ndërkohë programi publik në Vilën 31 x Art Explora vazhdon si gjithmonë, i hapur dhe i lirë për të gjithë. ✨

……

The third and final day of the Open Studios at Villa 31 x Art Explora concluded with a program that combined artist talks, family activities, nature and environment discussions, performances, film screenings, and a musical evening. 🌸

Thank you to all the artists, partners, and over 2,000 visitors who joined us for these three days, turning the Open Studios into a space for meeting, dialogue, and exchange.

The Open Studios will return for the third session of resident artists, while the public program at Villa 31 x Art Explora continues as always, open and free for all. ✨

Fotot nga | Photos by Blerta Kambo @blerta.kambo

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Përgjatë gjithë vitit, Vila 31 x Art Explora ndërton hapësira takimi, krijimi dhe shkëmbimi për komunitete të ndryshme, duke e konsideruar edukimin artistik dhe pjesëmarrjen publike si pjesë thelbësore të misionit të saj. 🫧

Gjatë Studiove të Hapura, nga 17 deri më 19 korrik, ky angazhim merr formë përmes një programi të dedikuar për familjet, fëmijët dhe të gjithë ata që dëshirojnë të eksplorojnë artin në mënyrë aktive dhe krijuese.

Përmes punëtorive ndërvepruese, programit të familjes, aktiviteteve kolektive dhe eksperiencave artistike të udhëhequra nga artistët rezidentë si dhe ata mysafirë, vizitorët do të kenë mundësinë të zbulojnë procese krijuese, të eksperimentojnë me materiale të ndryshme dhe të bëhen pjesë e një dialogu të hapur mes artit, komunitetit dhe imagjinatës.

Ju ftojmë të na bashkoheni në këto tri ditë të Studiove të Hapura dhe të përjetoni nga afër një program ku krijimtaria bëhet një përvojë e përbashkët. ✨

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Të premten, 17 korrik, ju ftojmë në një punëtori me pjesëmarrje ku një copë e bardhë tekstili do të shndërrohet në një vepër arti e krijuar bashkarisht.🧵

Duke përdorur pigmente dhe ngjyra natyrale, pjesëmarrësit do të lënë gjurmët dhe shenjat e tyre për të ndërtuar së bashku një arkiv të gjallë kujtimesh, ngjyrash dhe përvojash të përbashkëta.

E udhëhequr nga artisti rezident Hashel Al Lamki, punëtoria fton komunitetin të eksplorojë fuqinë e krijimit kolektiv, kujdesit të përbashkët dhe praktikave të qëndrueshme artistike përmes përdorimit të materialeve natyrore.

Aktiviteti është i hapur për të gjitha moshat dhe nuk kërkon përvojë të mëparshme.

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Të dielën, 19 korrik, sjellim një punëtori krijuese që fton fëmijë, familje dhe të rritur të eksplorojnë artin e krijimit të kurorave me lule, duke punuar me materiale natyrore dhe lule të freskëta.

Thurja është një nga gjestet më të hershme të krijimit, një mënyrë për të lidhur fijet, bimët, kujtimet dhe historitë. Në këtë punëtori të udhëhequr nga Silvi Naçi, fëmijët do të zbulojnë traditën e thurjes përmes krijimit të kurorave me lule, duke përdorur materiale natyrore dhe imagjinatën e tyre.

Duke thurur lule, gjethe dhe degëza, secili pjesëmarrës do të krijojë një kurorë unik

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the aunties gathered in Phoenix, Umizona back in February to love up on our cactus cutie and badquarius gal Lulu 🥰 #latepost #gay

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Petrit Halilaj’s @xixellojme exhibition at the hamburger Bahnhof closed with a twinkling marrionnette-opera last weekend. What struck me and stayed was the deft design of the central room, made to be enlivened by the performance. The backdrop, pieces of the set, and sloping qilim-seating all held their own as exhibition elements, keeping the space from feeling sparse, a danger in this kind of dual-use. Catherine Nichols’ @catherinenichols567 long curatorial conversation with Halilaj is palpable in thoughtful choices of works, and recurrent motifs from his oeuvre embedded throughout.

Halilaj’s delightful story of the rooster and fox who celebrate their love in Syringana against all odds, offers a bridge across tradition and equality, for those who see it. In evoking Albanian wedding songs for a queer ceremony, these poles come together in soft, cautious communion. It reminds me of Silvi Naçi’s @silvi.naci tender qilims, handwoven by veteran weavers in Shkodra. The two pieces we showed in ‘Wrapped in the Shadow of Freedom’ (Prishtina, 2024), both made in conversation with Deshira Maja, hold memories from Naci’s life in LA, with their partner and two cats, their chosen family inscribed into a quotidian object, hallmark of Balkas households.

Forging paths between queerness and tradition—sometimes in the form of confused or subborn parents—is often like a dance, you get some floor and then you open some to them, laborious but bears beautiful fruits, caveated by the acknowledgement of many violent circumstances like the urging of Halilaj’s trailer. When there is reciprocal intention, however fragile, it can be a process of repairing rupture, of generating warm in these fragmented times.

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