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HUGE THANK YOU!! to everyone who came to the opening of TRUE COLORS last Sat. I’m especially grateful for all your efforts in being there knowing it was the KNICK’s Championship 🏀 game. Happy Summer, everyone! 👋 ❤️🙏🌻🥰. TRUE COLORS runs through August 29 @freightandvolumegallery 

A summer group exhibition featuring 8 artists working in abstraction: thrilled to be exhibiting with these artist!! 
 Julia Rooney,  Cordy Ryman, Ilses Murdock,  Jai Hart, Riad Miah, Mary DeVincentis, Meghan Brady,  Paul  Sevigny . 

TRUE COLORS: 
Conceived as an antidote to the political turbulence of the present moment, True Colors celebrates the joy of painting, a love of color, and artistic freedom. The title nods to Anthony Haden-Guest’s account of the 1980s New York art world—a moment defined by intensity, experimentation, and creative freedom.

📍 Freight + Volume Gallery
39 Lispenard Street
New York, NY 10013
📅 June 13 – July 18. 
  @cordyrymanstudio  @somehightide @mairedev @hart.jai  @riad_miah @meghanbrady @ilsesmurdock  #paulsevignypainting @freightandvolumegallery
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TRUE COLORS opened Saturday night at Freight + Volume! I forgot to take some snaps with the great group of artists in the show. I was too distracted by the Knicks!! Anyhow, I did get a pic with a glimpse of my caps pieces tucked in the back, figures for scale ; )) TRUE COLORS runs through mid-July. Big thanks to the F + V team for your support of my work!!
🧡💚💛🖤💜💙❤️

Featuring work by Meghan Brady, Mary DeVincentis, Jai Hart, Riad Miah, Ilse Sørensen Murdock, Julia Rooney, Cordy Ryman, and Paul Sevigny.

On view June 13-July 18, 2026
39 Lispenard Street.
New York, NY

@freightandvolumegallery

Through distinct material and formal strategies, these conditions circulate within True Colors, shaping the work of the participating artists. Cordy Ryman’s linked wooden constructions make color inseparable from materiality, structure, and residue, while Mary DeVincentis’s psychologically charged compositions hover at the edge of dissolution. Jai Hart’s sewn, stuffed, and densely patterned fabric works push painting toward bodily objecthood. Julia Rooney’s intimate paintings filter abstraction through the visual logic of illuminated screens and digital interfaces, while Ilse Sørensen Murdock’s landscape-derived works suspend color and imagery between immediacy and atmosphere. Riad Miah’s illusionistic shaped canvases compress gesture and process into dense chromatic configurations; Paul Sevigny’s compositional constraints test how little is required for color to generate spatial and structural variation; and Meghan Brady’s cut-paper-like geometries transform color into rhythms, intervals, and movement.

@somehightide 
@meghanbrady 
@mairedev 
@hart.jai 
@cordyrymanstudio 
@riad_miah 

Cover image: 

Salve 
Oil on wood, plastic caps, wire 
11 x 13 inches 
2023
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