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Stella Geppert

@stella.geppert

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CONNECTIVITIES @distanzverlag/ 10.10. DRAWN FROM QUIET WATERS @kaga_iryokuen / 17.10. Dysis @kunstverein_goettingen/ 23.10. PLAN 9 @frontviews_

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DOUBLE SPINE, DOUBLE TOUCH – Becoming a Shell, 2026

was part of DRAWN FROM QUIET WATERS
Curated by Nicola E. Petek

Kagairyokuen, 87-1 Ro, Minami-machi, Yamanaka Onsen, Kaga City, Ishikawa 922-0129, Japan
October 10 – October 18, 2026

With: Andreas Schmid, Dennis Scholl, Stella Geppert, Willem Besselink, Runa Ikeda, Tatsuhiro Kawasaki, Shinichi Moriguchi, Daigo Ohmura / Performance: Frida Eun Ae Yngvesson, Shinichiro Ikeda, Runa Ikeda (iYi) / Sound performance: Shinichiro Ikeda, Yuuki Asamura (mii89)

DOUBLE SPINE, DOUBLE TOUCH – Becoming a Shell consists of a canvas on which the artist has made visible the traces of massage points created by tapping on two backs. The two views of the backs are turned toward each other and mirrored. Viewed as a whole, the object reveals a clearly recognizable pattern whose oval shape is reminiscent of a shell or an insect. This “double-sided back apron” serves both as a separating layer and as a matrix for imprinting caring and protective touches, with the canvas becoming a skin of its own—an interstitial space between two bodies. As part of the exhibition, the mutual contact between two people is extended through the canvas, as two individuals gently pat each other on the back through the canvas; the artist then makes these marks visible again using graphite dust.

Photo: Stella Geppert 01/02, Willem Besselink 03-11

Pic: 01-04
DOUBLE SPINE, DOUBLE TOUCH – Becoming a Shell
Pic: 05
DOUBLE SPINE, DOUBLE TOUCH – Becoming a Shell @stella.geppert , @studio_dennisscholl
Pic: 06-08
Performance by @runaikedart with @frida_eunae @shinichiro__ikeda
Pic: 10 Works by @tatsuhiro_kawasaki, @willembesselink , #ShinichiMoriguchi
Pic: 09/11
@kaga_iryokuen space with works by @willembesselink

Many thanks to Kagairyokuen, Runa Ikeda, Shinichiro Ikeda, Frida Eun, Willem Besselink, and @nicola_petek / @frontviews_ who made this possible.

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SNOW LEOPARD TRACK (TRACING THE TRACK, PAW – HAND), SHIFTING SIGNS, Georg Nothelfer Galerie, Berlin, 2026 @galeriegeorgnothelfer

Support: Zoologischer Garten Berlin AG

01/02
Plaster cast, sand, clay, snow leopard paws and fingerprints
03
SHIFTING SIGNS, exhibition view; in the background, a SNOW CARRIER, and works by Jenny Michel.
04
Imprints in public space, clay/plaster, chalk
05
TRACKING SHOES, 2026
Silicone cast, snow leopard paws

#stellageppert #snowleopard #cast #profiling #galeriegeorgnothelfer

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TIGER LUNGS (Inside), 2026/2024
Studio, Berlin / Charcoal on canvas, 35 cm x 35 cm.
(Photo: Eric Tschernow)

#tiger #lungs #inside #stellageppert

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Private Collection
TIGER LUNGS, 2026/2024
Shifting Signs, Galerie Georg Nothelfer, Berlin
Charcoal on canvas, 35 cm x 35 cm.
(Photo: Eric Tschernow, Stella Geppert)

@galeriegeorgnothelfer @stellageppert
#tiger #lungs

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Last day of the group show „Shifting Signs“ @galeriegeorgnothelfer with @stella.geppert @iravanizadelmira @studio_jennymichel #laszlolakner #adochi

1-3: Snow Carrier, 2026
Snow Carrier is a floor relief cast in silicone, into which the tracks of various animal species have been imprinted. Some of these tracks are real, others are replicas. It illustrates how we share space – the Earth’s surface – with other species. The material typically used in sculpture to reproduce the same forms over and over is employed here as a unique piece, alluding to the age of fossil fuels from which the silicone was originally derived. Overall, the cast resembles a tapestry depicting a picturesque snowy landscape, as the earthy residue of the footprint is, in turn, imprinted into the silicone layer.

4-5: Snow Carrier, 2026 / Snow Leopard / ÉGALITÉ - Dreh der Libellen 1 x 12, 2012 / PAW – HAND (TRACING A TRAIL), 2026
Plaster cast, sand, clay, snow leopard paw prints and fingerprints, 2026
6-7: Snow Leopard Tracks, 2026 / Pastel on clay, on plaster.
8: TIGER LUNGS, 2024 / Charcoal on canvas, 35 × 35 cm.
9: Vagus – Tree, 2025 / Pastel, wax on paper, 29 × 42 cm.
10: CONSTITUTIONS OF THE BODY – Seaside Drawing, 2022 (detail) / Graphite, grease on paper, fabric strips, 100 cm x 200 cm.

Photo: Eric Tschernow, Katrin Rother, Stella Geppert

#stellageppert #snow #movement

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Dans le corps des autres qui m‘ont touché un jour #06
(In the Bodies of Others who Touched Me Once), from the Series of RE:Construction of Touch, 2020

Pic: studio stella geppert

#Stellageppert #berlinartist #movement #choreography #sculpture #scores #drawings #notation #charcoal #femaleartist

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Francisco Diego and Stella Geppert
BETWEEN THE BODY AND BELONGING, 2025
Documentation of the exhibition at
‘El Hub MX’, Ciudad de México as part of B-LA-M Festival represented by HAUNT / Fronviews
@franciscodiego.art @stella.geppert

The Mexican and German artists Francisco Diego and Stella Geppert engage in a dialogue between matter and language. Through movements, objects, and hybrid words, they explore the shifting boundary between the personal and the collective, between the loss and the search for identity. Their work emerges from the friction between languages and territories: when one tongue merges with another, a new sense of belonging arises. In that in-between space —where the body remembers and language transforms — both artists ask what it still means to inhabit without erasing what was already there. In the dialogue between Stella Geppert and Francisco Diego, a pair of embroidered socks and a wall covered in words speak about what is lost when we try to fit in. The phrases mix languages like someone searching for a place where their voice feels their own. Between what is seen and what is left unsaid, the works reveal the distance between how we are seen and how we truly feel. There is tenderness, but also fatigue: empathy appears as a fragile gesture against the habit of not looking. In that honesty, simplicity becomes depth.

Pictures:
Performative encounter for BETWEEN THE BODY AND BELONGING, 2025
Installation view: BETWEEN THE BODY AND BELONGING
With works, including details:
- HUNGRY SHADOWS, SOAKED IN THE SORROW OF NOT BELONGING,(Spanish, English, German),
poster, with continuous text from Airbnb rules (In cooperation with Sergio Mingramm) @sergiomingramm
- WHEN EIN SOCK IS EMPTY, EL FRIO FÜHLT EN BEIDE FEET, Hardboard, sock, lettering /
- MIRROW SPINE (MEXICAN NERVOUS SYSTEM), Acrylic glass, stripes /
- Napkin with the inscription: YOUR SELF TOUCH MIRROR SOUND /

Photo: Fer Mainero @fermainero

@frontviews_ @haunt_berlin @b_la_m_ @franciscodiego.art @stella.geppert @goetheinstitut_mexiko

#belonging #shadow #sense #dialogue #napkin #socks #stellageppert #franciscodiego #goetheinstitutmexiko #spine #hair #body #between

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Studio Work, Berlin / São Jao de Madeira, Portugal, 2025

Memory Cloud, 2025 / Graphite on resin

Swinging Strings, 2025 / Graphite on velor

Singing Membranes, 2025 / Graphite on sandpaper, resin

InsideT-Learning from the Body, 2020/22 (Filmstill by Per Hendriksen)

#Stellageppert #berlinartist #movement #choreography #sculpture #scores #drawings #notation #charcoal #femaleartist #graphite #membranes #singing #clouds #swinging

@viarcoportugal @worldingproject

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Warm Welcome to

FRANCISCO DIEGO STELLA GEPPERT
BETWEEN THE BODY AND BELONGING

B-LA-M Festival
‘El Hub MX’, Calle de Mesones 86, Centro,
Ciudad de México, CDMX

HAUNT, Berlin / 2nd Floor / Curated Shows / Room 15

Opening Night: Thu, Oct 23, 6 – 11 pm
Duration: Friday, Saturday, and Sunday, Oct 24 - 26, 2 – 6 pm

@b_la_m_ @frontviews_ @haunt_berlin

HAUNT, Berlin / 2nd Floor / Curated Shows / Room 15
Opening Night: Thu, Oct 23, 6 – 11 pm
Duration: Friday, Saturday, and Sunday, Oct 24 – 26, 2 – 6 pm

BETWEEN THE BODY AND BELONGING
The German Stella Geppert and Mexican artist Francisco Diego engage in a dialogue between matter and language. Through movements, objects, and hybrid words, they explore the shifting boundary between the personal and the collective, between the loss and the search for identity. Their work emerges from the friction between languages and territories: when one tongue merges with another, a new sense of belonging arises. In that in-between space —where the body remembers and language transforms — both artists ask what it still means to inhabit without erasing what was already there.

Francisco Diego’s work involves a sensitive exploration of the layers that make up identity: gender, personal history, and emotional heritage. Stella Geppert’s work focuses on embodied communication. She explores the energetic states of the body and unconscious movements.

@franciscodiego.art @stella.geppert

Co- organized by @ciclo_df Laura Reséndiz Carl Baratta, Max Presbeill @torranceartmuseum @danielwiesenfeld @goetheinstitut_mexiko

#belonging #body #language #emotional #collective #identity #shadow #hungry #berlin #losangeles #mexiko
#franciscodiegoart #stellageppert #goetheinstitutmexiko

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After five days of intensive rehearsals with fantastic dancers, I am delighted to present an extended version of

MORNING MOON
09 27 | 18:05 - 18:50
Bernardiny sodas, near the fountain, Vilnius (LT)

As Part of @artisticactionweek / MAS‘25 festival

Concept: Stella Geppert / Support: @lmta_dance / Invited by Agnietė Lisičkinaitė, Greta Grinevičiūtė @be_kompanijos

Performance with LMTA sokio studentés (LT): Dėdinaitė Emilija, Groblytė Barbora, Jautakaitė Armantė, Kaparkalēja Kate, Karosas Eunike, Šaltenytė Beatričė, Subačiūtė Rebeka Rugilė, Šunauskaitė Urtė, Valvonytė Kamilė, Vlasova Sofiia

Morning Moon explores the interplay of breathing, movement, and sound. Every movement associated with inhalation and exhalation becomes sound - the movement of the diaphragm, the expansion of the chest and the modulation of the body are revealed through the sound of the harmonica. The body is formed from within and without, and harmonies and dissonances, contrasts and connections allow us to hear what usually remains invisible. This artistic action explores the musicality of rhythm, touch, and inner communication, revealing the connections between the physical and planetary states—visibility and invisibility, gravity
and weightlessness, holding and letting go. It is an invitation to experience the connections with rhythm, energy, and musicality that lie within all living and non-living matter.

MAS’25 is partly funded by the Lithuanian Council for Culture Partners: Vanduo Vytautas, Kalba Plytos, Vilnius City
Municipality

#ArtisticActionWeek #MorningMoon #vilnius
#PerformanceArt #MAS25 #stellageppert #stellageppert #berlinartist #movement #choreography #sculpture #scores #harmonica #femaleartist

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Unfortunately, the performance "Morning Moon" has to be cancelled today. The next date is 3 May at 5 pm. Thank you for your understanding.

MORNING MOON (Co-Navigating #01), 2025
May, 3 at 5 pm at frontviews at HAUNT
Kluckstraße 23 A, 10785 Berlin

MORNING MOON (Co-Navigating):
Performance with: Lyllie Rouvière, Nitsan Margaliot, Stella Geppert / Concept, Installation: Stella Geppert
@lyllierouviere3 @nmargaliot @stella.geppert

As part of the group exhibition

THERE IS HOPE
curated by Dr. Erika Schlessinger-Költzsch
at frontviews, Berlin
@in.art_ag @frontviews_ @haunt_berlin
THANK you to #stephanklee @theemetra @alice.dittmar

With: Martin Assig, Alice Dittmar, Stella Geppert, Kerstin Grimm, Halina Hildebrand, John Isaacs, Dirk Lange, Jakob Mattner, Felix Rehfeld, Dennis Scholl, Gabriela Volanti, Sandra Vasquez de la Horra, Sofiia Yesakova

Preview: April 11, 18 – 21 Uhr
Opening: April 12, 18 – 21 Uhr

Gallery Weekend including the Performance by Stella Geppert and friends May 3, 5 pm
Finissage: May 10, Artists Talk 18 – 21 Uhr

#hope #navigation #moon #morning #stellageppert #berlinartist #movement #choreography #sculpture #scores #drawings #notation #charcoal #femaleartist

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Warm welcome to
DON’T TOUCH!
at Galerie Georg Nothelfer, Berlin
Opening: March 07, 2025 18 – 21 Uhr
Duration: March 08 – April 22, 2025
Artist Talk: March 22, 14 Uhr

Artists: Birte Bosse, Stella Geppert, Hauck Plümpe, Bastian Hoffmann, Jeroen Jacobs, Delia Jürgens, Jenny Michel, Thomas Rentmeister, Robert Schad, Geerten Verheus
@galeriegeorgnothelfer

The exhibition DON’T TOUCH! stages this shift in aesthetic perception in the spatial environment as a down to the ground site and in this (perspectival) way also speculates on the various levels of the context, even beyond the art space and at the same time on the “invisible” artwork as an experience in non-artistic places: the information is rearranged as well as the contexts of meaning, which thus repeatedly emerge in a new form. Does this also mean a de-aestheticization of artistic forms? And does it answer the question of whether this is art here or elsewhere? At the same time, the exhibition speculates with “Leerstellen (interpretational gaps)” about the reception-aesthetics and the role of the viewer, not only in the context of space, but also of absence. (Text excerpt: Harald F. Theiss) @harald_f._theiss

I will be showing the performative sculpture „Broken Cloud“ from the series „Two Feet Seven Inches“ from 2018, in which I collectively dealt with gestures of coal mining and landscape appropriation.

PICTURE: Stella Geppert Series of „Two Feet Seven Inches“: „Broken Cloud“, Power Plant, Kunsthal Nord, Aalborg, 2018. Performative sculpture with Sara Grotenfelt, Antonia Harke, Mikkel Mallow, Julia Müllner. Ceramic. Approx. 90 x 75 x 65 cm.

#ceramic #Stellageppert #berlinartist #movement #choreography #sculpture #scores #notation #charcoal #femaleartist #cloud #broken #coalmining #gestures #exploitation

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