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Linus Day

@stuffbylinus

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🔊🌈📝🎨🕺🏻🖍️ - Here are additional photographs from the inaugural Event of our Collective, “Plenitude: A Public Good” ( @plenitude.apg ), whilst our Fantastic Audience Members wandered between Performances, Conversations, and Installations during one of the intervals, our wonderful Surprise exhibiting Artist Linus Day ( @stuffbylinus ) presented these Zines that audience members were invited to look through as part of a Larger body of Work ~’’• 🪇🥫🚏👯‍♀️🍀🌞.

This Was our First Performative Display and Collective Exhibition at The Swan on the 24th of April, 2026 - 🥻🌅.

Linus presented a series of laminated photographic prints documenting bathroom graffiti encountered across a variety of countries. Installed in dialogue with the preceding body of work, the photographs invited visitors to consider the circulation of anonymous marks, inscriptions, and vernacular forms of expression across disparate cultural contexts. Audience members were encouraged to engage with the installation alongside Linus’s wider practice, an extended selection of which is also available to view digitally via this Instagram account.

#DECOFOLK #plenitudeapg

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🔊🌈📝🎨🕺🏻🖍️ - Here are additional photographs from the inaugural Event of our Collective, “Plenitude: A Public Good” ( @plenitude.apg ), whilst our Fantastic Audience Members wandered between Performances, Conversations, and Installations during one of the intervals, our wonderful Surprise exhibiting Artist Linus Day ( @stuffbylinus ) presented these Zines that audience members were invited to look through as part of a Larger body of Work ~’’• 🪇🥫🚏👯‍♀️🍀🌞.

This Was our First Performative Display and Collective Exhibition at The Swan on the 24th of April, 2026 - 🥻🌅.

Visitors were invited to browse a selection of zines exploring various strands of English subculture. This introduced a further tactile and participatory dimension to the evening, encouraging audiences to engage physically with printed material whilst extending the conceptual concerns of Linus’s larger installation across the rear two rooms of the gallery. The zines operated as both artworks and research material, inviting a slower, more intimate mode of looking that complemented the wider exhibition environment.

#DECOFOLK #plenitudeapg

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🔊🌈📝🎨🕺🏻🖍️ - Here are additional photographs from the inaugural Event of our Collective, “Plenitude: A Public Good” ( @plenitude.apg ), whilst our Fantastic Audience Members wandered between Performances, Conversations, and Installations during one of the intervals, our wonderful Surprise exhibiting Artist Linus Day ( @stuffbylinus ) presented this Collaborative Canvas as part of a Larger body of Work ~’’• 🪇🥫🚏👯‍♀️🍀🌞.

This Was our First Performative Display and Collective Exhibition at The Swan on the 24th of April, 2026 - 🥻🌅.

Visitors were invited to contribute their own doodles and visual interventions, gradually transforming the surface into a vibrant record of participation. This was a blank canvas that slowly accumulated into a tapestry of colour, humour, experimentation, and spontaneous creativity. This participatory spirit sits at the heart of “Plenitude A.P.G”. A commitment to DIY culture, combined with an enthusiasm for joy, conviviality, and accessible forms of creative engagement, informs much of our approach!

All the better, this collective act of mark-making unfolded to a carefully curated soundtrack of 1990s Acid House classics selected by our Co-Producer BBOP ( @bethyb0p ). The music helped reinforce many of the themes underpinning the wider event: English collectivism, participation, movement, and the temporary formation of communities through shared cultural experiences.

#DECOFOLK #plenitudeapg

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🔊🌈📝🎨🕺🏻🖍️ - During the interval of the inaugural Event of our Collective, “Plenitude: A Public Good” ( @plenitude.apg ), whilst our Fantastic Audience Members wandered between Performances, Conversations, and Installations, our wonderful Surprise exhibiting Artist Linus Day ( @stuffbylinus ) presented this Collaborative Canvas as part of a Larger body of Work ~’’• 🪇🥫🚏👯‍♀️🍀🌞.

This Was our First Performative Display and Collective Exhibition at The Swan on the 24th of April, 2026 - 🥻🌅.

Visitors were invited to contribute their own doodles and visual interventions, gradually transforming the surface into a vibrant record of participation. This was a blank canvas that slowly accumulated into a tapestry of colour, humour, experimentation, and spontaneous creativity. This participatory spirit sits at the heart of “Plenitude A.P.G”. A commitment to DIY culture, combined with an enthusiasm for joy, conviviality, and accessible forms of creative engagement, informs much of our approach!

More photographs documenting the canvas throughout its development shall follow, but this image captures the extraordinary technicolour result of shared energies and imaginations of an entire room. All the better, this collective act of mark-making unfolded to a carefully curated soundtrack of 1990s Acid House classics selected by our Co-Producer BBOP ( @bethyb0p ). The music helped reinforce many of the themes underpinning the wider event: English collectivism, participation, movement, and the temporary formation of communities through shared cultural experiences.

#DECOFOLK #plenitudeapg

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!! 🪇🇬🇧 PLENITUDE WAS A ROARING, GLITTERING, THUNDEROUS SUCCESS 🇬🇧🪇 !!

This was A Night of Ornament, Ecstasy, Sweat, Fabric and Beautiful Chaos. Thank you To Everyone ~’’• from Our wonderful Artists in England who could not be present on the night ( @viktoria__teresa and @hollysmagazine ), Our beautiful International Contributors ( @globaby_3 and @_zepalz ) and the Sweetest Audience I could Have Ever Asked For. As Well as the Beautiful Surprise Artist @stuffbylinus 🥹💙 - who is Cut off in this Photograph ( we Shall find a Full One in Time ) !¡! I Love a More Intimate Show - 🏵️🧱🗺️🏴󠁧󠁢󠁥󠁮󠁧󠁿🌍🌈.

This was the second show, following “In Bloom”, that I have coordinated in a leading capacity. Though truthfully, I have always felt somewhat resistant to the language of “leadership” when discussing art. Art, at its core, feels profoundly relational to me, built through collaboration, trust, and the generosity of many hands.

In keeping with that spirit, I made the decision not to ticket this event. In the future, I may accept donations to sustain future projects, but as this exhibition was titled “Plenitude: A Public Good”, it felt important that its ethos remained materially generous. I am very happy to share that we raised over 60 tins and essential food items for the Kingston Food Bank (@kingstonfoodbank @trusselluk) - which I will be donating over the course of the coming week.

I wanted this post to exist as an immediate celebration of the extraordinary labour these young people poured into this show. Please support students, emerging artists, and those beginning from modest circumstances whenever you can. Cultural history is often written retrospectively, and you rarely recognise you are witnessing the early chapters of someone remarkable while you are living through them.

Thank You To The Beautiful @stylistpatlyttle For Coming To This Happening, And For Capturing Us All So Wonderfully Through Your Lens - 📸🧷🌅.

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‘If music is not being honoured by the DJs and musicians that created it then it takes away from the space as a whole’

@jungyalsngays is a London-based, multi-genre collective run by founders Chloe Parkinson and Daya Istiawan, creating queer- and female-led jungle and drum & bass spaces across the city. Their nights grew out of a desire to take the safe, worry-free energy of queer raves and bring it into wider underground spaces, without losing what makes those environments feel genuinely welcoming.

While more collectives are pushing for inclusivity, Chloe and Daya are clear that it’s still not enough. Jungle and drum & bass remain heavily male-dominated, from line-ups to promoters, and meaningful change can’t stop at surface-level representation.

For @jungyalsngays , inclusivity is about honouring the people who built these scenes – women, queer people, and people of colour and making sure their contributions are visible and respected. When that history is overlooked, the culture itself loses something.

Created by @stuffbylinus 🎥 🌀

Thank you to @jungyalsngays for sharing your story ❤️

#nobody #interview #jungyalngays #jungle

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Some edited footage and interviews from the Palestine protest on the 11/10 by me and @stuffbylinus

Route started in Victoria Embankment and ended in Downing Street with calls to stop arming Israel and impose sanctions.

With the recent ceasefire, it was good to hear people’s thoughts.

#palestine #protest #london

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Some Days looking at books and records- original artworks by milo day and linus day also available in the shop now #milodayart #stuffbylinus

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Linus Day is a multimedia journalist focussing on political, cultural and environmental journalism. Through words he recalls the experience of our last event at Colour Factory.

@llinuus / @stuffbylinus

xoxo

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Kicking off our writer community articles is @stuffbylinus - a freelance London based multimedia journalist with a keen interest in subcultures, art, politics and nature.

Here exploring - What can Club Bathrooms Tell us about Outsider Art and the Desire to Express?

Music by @Seretonin.uk - @zeldin.zzz
With editing help from @Domerasmus

Thank you so much! 💙

Head to the link in our bio to read the full article 🌀

#bristol #graffiti #writingcommunity #nobody

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VARIATION III

6PM 24JULY @ COLOUR FACTORY

We are so excited to officially announce the set list for next week, so grab your tickets now you won’t want to miss out!

ART I DANCE I MUSIC I INSTALLATIONS I DJS

TICKETS IN BIO🩸
Xo

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6PM 24JULY @ COLOUR FACTORY

INSTALLATION

@stuffbylinus

Linus Day is a multimedia journalist focussing on political, cultural and environmental journalism. Through written and visual mediums he has explored a range of topics from community gardens to alternative circuses. Linus’ work attempts to investigate the human interest aspect of stories whilst exploring wide-scale issues.

Photographs of graffiti taken in the bathrooms of pubs and clubs, alleyways, bins, electric boxes and lampposts all over London, Bristol and New York. These are not photos of ‘street art’ or well-known graffiti writers, but of the scribbles, stickers and tags that are synonymous with city life.

TICKETS IN BIO 🩸
xoxo

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