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sundlaugin

@sundlaugin

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Last week, we released ‘Vida Antes’, an hypnotic description of that state of flow that precedes a loss. We don’t even realise how good things were back before the loss. Our The Grief Album, coming out next week, explores the ups and downs of the grieving process across its different stages. Today we’re releasing “Gospel” (Acceptance), a depiction of the relief you feel when you realise you’ve come to terms with the loss, that you’ve actively accepted that what or whom you’ve lost is gone, and that it’s ok. “Acceptance is the final stage of grief,” says Rodrigo, the main composer of “Gospel”. He notes that “the song (and the album) end with the same unsettling feedback with which the album begins, with ‘Vida Antes’; the idea is that we go through cycles of grief, one after the other, sometimes in parallel, and we are always seeking acceptance; sometimes it’s easier, sometimes it’s harder to get there” Written, produced and arranged by Rodrigo Lopes @mister_lopes : guitars, bass @victor.a.fonseca : drums and percussion Raphaël Ochsenbein: trumpets Audio excerpts featuring Elisabeth Kübler-Ross @elisabeth.kubler.ross Mixed by @andremedeiroslanches Mastered by Birgir Jón Birgisson, @sundlaugin Sundlaugin Studio, Iceland
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“Vida Antes” chegou ontem para anunciar nosso O Disco Do Luto (The Grief Album) que vai sair pela Midsummer Madness no dia 30 de outubro. O principal compositor dela @ruanlustosa conta que Vida Antes “surgiu um pouco antes da temática do Disco do Luto vir à tona. A partir de uma ideia de guitarra linear que já vinha martelando na minha cabeça havia algum tempo, senti a necessidade de gravar aquilo imediatamente, antes que a inspiração evaporasse. Marquei uma sessão com Mister Lopes no nosso estúdio caseiro, no Graminha, e pronto! Não lembro de ter gravado mais de dois takes. A música saiu praticamente na hora.” “Apesar de ser basicamente instrumental, sua característica hipnótica tem um certo poder de cativar.” “Quando decidimos gravar um disco conceitual em torno do processo do luto em sete fases, não sabíamos exatamente em que fase desse processo a música se encaixaria. Daí veio o nome: ‘Vida Antes’. Antes de algum acontecimento marcante, a vida segue seu curso, às vezes até muito bem. Existe um ditado popular que diz que ‘depois da tempestade vem a calmaria’. Aqui, se inverte — ou, pelo menos, a calmaria vai ter que esperar um pouco mais.” Vida Antes [Ruan Lustosa, @mister_lopes ] Produced by Rodrigo Lopes and Ruan Lustosa  Ruan Lustosa: guitars, synths Mr. Lopes: feedbacks, bass, synths, arpeggio, sounds Fred Mendes: drums @_joao_cordeiro_ : vibraphone @chicocabralpercussao : atabaque, pandeiro, tablas @chicocabralpercussao Mixed by @andremedeiroslanches Mastered by Birgir Jón Birgisson, Sundlaugin Studio @sundlaugin , Iceland Cover art: @manujulian
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Our new single “Silhouettes” is out now! The song is about unwanted changes in life – and the task of accepting them. Written and produced by Anssi Neuvonen Performed and arranged by Anssi and Samuli Neuvonen Recorded by Birgir Jón Birgisson, Nikulás Yamamoto Barkarson and Anssi Neuvonen Mixed by Roope Hakkarainen Mastered by Sampsa Väätäinen Artwork by Timothée Lambrecq Upcoming tour dates: 28.11.2026 Helsinki, @glivelabhelsinki 26.02.2027 Berlin, @lark.berlin 27.02.2027 Leipzig, @noels_ballroom 01.03.2027 Dresden, @ostpol_dresden 02.03.2027 Hanover, @cafe_glocksee 03.03.2027 Hamburg, @molotowclub 04.03.2027 Göttingen, @noergelbuff_liveclub 05.03.2027 Nuremberg, @stereonuernberg 06.03.2027 Krefeld, @kulturrampe_krefeld 07.03.2027 Langenberg, @kgblangenberg 09.03.2027 Cologne, @garagen.club 10.03.2027 Konstanz, @kulakonstanz 11.03.2027 Munich, @glockenbachwerkstatt 12.03.2027 Neu-Ulm, @gold_neuulm 13.03.2027 Braunschweig, @juzb58
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Hello universe! Cornflex & Candyfloss is now live on all major platforms! Guitar & vocals: @andrifranz Guitar: @thrainn03 Bass: @b0rgin.san Drums: @ulfarhogni recorded at @sundlaugin recording engineer: @ulfur_ mix & master: @distillery.studios cover model: @visigoth06 special thanks to all friends of Juno Paul for supporting us and showing up to concerts over these last few months ❤️ @vetur.music bye universe.
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In December of 2005 I loaded my van full of instruments and drove up to @bearcreekstudio to make a record that would later be named “Into the Blue Again” taken from the song Once in a Lifetime by Talking Heads. Swipe to take a trip down memory lane with some behind the scene photos and story telling. Cover Art by Andy Ward. This is the first time this logo appeared. It was hand written by Andy himself and was the logo I used on all of my records up until Future Falling in 2023. The original piece Andy Ward created on a piece of plywood. He painted it and then used nails, string and coated paper. And then photographed it to create the cover of the record. I have these pieces in my studio. This is the back cover original piece by Andy Ward. Painted plywood with nails, string and paper. Bear Creek Studios. It’s a converted barn. One of my stations I made inside of the studio. My Rhodes, Microcorg, Alesis Micron, Moog Voyager, Moog Prodigy, Moog Rogue, some old Roland controller Zach from Pinback gave me when we lived together, and a glockenspiel I bought at sweetwater music’s scratch and dent warehouse on tour in 2004. Amps, nords, Casiotone 602 (see in you organ) , Yamaha SK20 Drum situation. Ryan Hadlock, owner of Bear Creek Studio with his dad Joe, who recorded the record Matt Resovich , my longtime violinist, came up to track and hang the second week of recording. Justin Benson, who came with and filmed the whole process of creating this record. Control room at bear creek. Their Trident console and there’s a lap a never sidecar behind me that he uses for drums. Empty studio after I finished tracking and packed my van. The battleship grey neve console at Sigur Ros’ Sundlaugin studio where I mixed the record. This was the second time I went to Iceland to mix, I recorded and mixed In A Safe Place in this studio in 2003/2004. Joshua Eustis who contributed drum programming (Red Eye, Broken Arrow etc..) and so much moral support throughout making this record. He’s a longtime dear friend whose audio knowledge I’ve respected since hearing Telefon Tel Aviv’s Farenheit Fair Enough in 2001. We became friends a couple years earlier and he came with to Iceland
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“(not) easy to be in the world “ is OUT NOW ON BANDCAMP FIND THE LINK IN THE BIO OR STORIES OR BY TYPING THE ARTIST AND TITLE OF THE SONG ON BANDCAMP 🌭 Recorded in @sundlaugin <3333 Takk
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Our newest single ”Cellophane Garden” is about a man, who sits in a Swedish car, lost in the glorious days of the past. Out now on your favourite streaming platform.
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”Cellophane Garden” might be the best song we’ve ever written. We did a thorough pre-production in our home studio, and then we went to Iceland to look for something special as the finishing touch.
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Når nordisk jazz får indie-hjertet til at banke: Hvalfugl indfanger islandsk magi på “Maggi”… Hvad sker der, når et af Danmarks mest spændende instrumentale bands tager til Island og møder en lokal trommeslager for første gang? Svaret er “Maggi” – en hyldest til venskab og spontanitet, en varm, ubesværet og sprudlende single fra aarhusianske Hvalfugl, hvor den nordiske melankoli får et indsprøjtning af pulserende energi og rå spontanitet. Et musikalsk “blind date”, der ender i ren magi – hvor nummeret blev indspillet blot få timer efter, bandet mødte den islandske trommeslager Magnús Trygvason Eliasson – og man kan mærke den nysgerrige ‘first-take’ nerve fra start til slut. Sangen åbner med et varmt, ubesværet groove, der langsomt bygger sig op til et sprudlende klimaks, hvor samspillet er legende og organisk med en rullende fremdrift, der føles mere som et dynamisk indie-anthem end traditionel minimalistisk instrumentaljazz. Det er et ganske dragende og utroligt vellykket smugkig på det kommende album ISLAND – et åbent lærred af storladne lydlandskaber, hvor tilliden mellem seks musikere skaber et helt nyt, grænseløst musikalsk sprog. Lyt 🎶🎧: https://bfan.link/maggi Komponist: Jonathan Fjord Bredholt Producer: Hvalfugl Mix: Jacob Worm Master: Emil Thomsen Cover: unknown . #hvalfug| #nordicjazz #iceland #sundlauginstudio #instrumentalmusic
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Når nordisk jazz får indie-hjertet til at banke: Hvalfugl indfanger islandsk magi på “Maggi”… Hvad sker der, når et af Danmarks mest spændende instrumentale bands tager til Island og møder en lokal trommeslager for første gang? Svaret er “Maggi” – en hyldest til venskab og spontanitet, en varm, ubesværet og sprudlende single fra aarhusianske Hvalfugl, hvor den nordiske melankoli får et indsprøjtning af pulserende energi og rå spontanitet. Et musikalsk “blind date”, der ender i ren magi – hvor nummeret blev indspillet blot få timer efter, bandet mødte den islandske trommeslager Magnús Trygvason Eliasson – og man kan mærke den nysgerrige ‘first-take’ nerve fra start til slut. Sangen åbner med et varmt, ubesværet groove, der langsomt bygger sig op til et sprudlende klimaks, hvor samspillet er legende og organisk med en rullende fremdrift, der føles mere som et dynamisk indie-anthem end traditionel minimalistisk instrumentaljazz. Det er et ganske dragende og utroligt vellykket smugkig på det kommende album ISLAND – et åbent lærred af storladne lydlandskaber, hvor tilliden mellem seks musikere skaber et helt nyt, grænseløst musikalsk sprog. Lyt 🎶🎧: https://bfan.link/maggi Komponist: Jonathan Fjord Bredholt Producer: Hvalfugl Mix: Jacob Worm Master: Emil Thomsen Cover: unknown . #hvalfug| #nordicjazz #iceland #sundlauginstudio #instrumentalmusic
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New livesession out 🔥 When we had finished the recording of our last single Maggi we ended up with some extra time and a camera in the studio. So we made this alternative take recorded in the cozy studio vibes. Find it on YouTube - link in bio #hvalfugl #nordicjazz #iceland #sundlauginstudio #instrumentalmusic
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Our new single “Cellophane Garden” is out now! We hope you enjoy listening to it. Written and produced by Anssi Neuvonen Performed and arranged by Anssi and Samuli Neuvonen Recorded by Birgir Jón Birgisson, Nikulás Yamamoto Barkarson and Anssi Neuvonen Mixed by Roope Hakkarainen Mastered by Sampsa Väätäinen Artwork by Timothée Lambrecq Upcoming tour dates: 28.11.2026 Helsinki, @glivelabhelsinki 26.02.2027 Berlin, @lark.berlin 27.02.2027 Leipzig, @noels_ballroom 01.03.2027 Dresden, @ostpol_dresden 02.03.2027 Hanover, @cafe_glocksee 03.03.2027 Hamburg, @molotowclub 04.03.2027 Göttingen, @noergelbuff_liveclub 05.03.2027 Nuremberg, @stereonuernberg 06.03.2027 Krefeld, @kulturrampe_krefeld 07.03.2027 Langenberg, @kgblangenberg 09.03.2027 Cologne, @garagen.club 10.03.2027 Konstanz, @kulakonstanz 11.03.2027 Munich, @glockenbachwerkstatt 12.03.2027 Neu-Ulm, @gold_neuulm 13.03.2027 Braunschweig, @juzb58
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