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TARMAK22

@tarmak22

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PICASSO | PAINTER AND MODEL
Reflections by Naomi Campbell
On view until March 15th 2026

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Vacanze con Taja,
Tutto ok !!!!!!

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suisse in september♥️

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Gstaad… Elevating Culture in the Alps 🇨🇭 @gstaadculture #gstaad #elevating #culture #alps #switerzland

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Tarmak22, the exhibition space at Gstaad-Saanen Airport named after the runway it overlooks, has transformed its summer programme into something of an alpine field study for How to Dance in Flower Fields. Curated by Antonia Crespí (@antonia.crespi), the exhibition brings together Chris Ofili, Wolfgang Tillmans (@wolfgang_tillmans), Max Ernst, Yves Tanguy, Franz Gertsch (@franz.gertsch), Chiara Camoni (@chiara.camoni), Álvaro Urbano (@alvaro_urbano) and Monica Ursina Jäger (@monicaursinajaeger), with the flora of the surrounding Saanenland at its core. Contemporary and historical works share space with rare botanical drawings and herbarium specimens from archives in Zurich, Geneva and Bern, with the exhibition running in Gstaad until 6 September.

Throughout the exhibition, the flowers take on different roles, with Tillmans’ photograph showing two flowering plants leaning into one another, Ernst pushing flora towards Surrealism, and dried gentians from the Swiss botanical archives featuring alongside works that consider how botanical knowledge has been preserved and transmitted over time. Even the exhibition title resists the idea of simply observing nature from a distance, with visitors asked to move between the microscopic and the landscape, and to notice how much of a flower field depends on everything around it. Admission is free, which is useful if you happen to be passing through Gstaad-Saanen Airport before the show closes.

Presented by @tarmak22 in collaboration with @hauserwirth, @davidzwirner, @nahmadcontemporary, @spazioa_pistoia, @travesiacuatro and Monica Ursina Jäger Studio (@monicaursinajaeger).

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Still haven’t picked up the August issue of GstaadLife? Now is the time – our September edition will be out soon.

In GstaadLife No 5, we sit down with Rita and Cindy for a talk about culture; we take a tour of the region’s latest exhibitions in ART TALK; get behind the wheel of the new Ferrari Amalfi; and bring you plenty more from around the Saanenland.

Pick up your copy while it’s still on the shelves – or subscribe and have GstaadLife delivered directly to you or on your tablet.

#GstaadLife #Gstaad #Saanenland #GstaadSwitzerland #ARTtalk #ferrariamalfi

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Don’t Miss: How to Dance in Flower Fields 🍃

@tarmak22 brings together rare botanical drawings and herbarium specimens alongside contemporary works by international artists:

Chris Ofili (@chrisofili)
Wolfgang Tillmans (@wolfgang_tillmans)
Max Ernst
Yves Tanguy
Franz Gertsch (@franz.gertsch)
Ciara Camoni (@chiara.camoni)
Álvaro Urbano (@alvaro_urbano)
Monica Ursina Jäger (@monicaursinajaeger)

Taking the flora of the Saanenland - the alpine landscape surrounding Gstaad, Switzerland - as its point of departure, the exhibition draws on these cycles of growth and renewal as its central concerns.

In collaboration with @hauserwirth @davidzwirner @nahmadcontemporary @spazioa_pistoia @travesiacuatro.

On show until September 6.

#Tarmak22 #Flowers #Botanical #Gstaad

Installation views, ‘How to Dance in Flower Fields’, Tarmak22, 2026.

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she’s a gstaad girl! a sentence i never saw myself writing, but i am literally frothing at the mouth thinking back on my weekend spent in this alpine haven. a temporary loro piana chalet; boghossian next to the pharmacy; yves tanguy, alvaro urbano, max ernst and wolfgang tillmans in a pj terminal; cheese vending machines?? and any fellow hotel buffs reading should set an alert late next year for the opening of dreams. thank you to the most fabulous @antonia.crespi @tarmak22 @thealpinagstaad @khuroum @sutton for 48hrs of exquisite delusion — i will be back in winter, my heidi days are not done!! 🇨🇭xoxo

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@tarmak22 (cofounded by @antonia.crespi) presents ‘How to Dance in Flower Fields’ - a group exhibition taking the alpine flora of the Saanenland as its point of departure, bringing together works by Chris Ofili, Wolfgang Tillmans, Max Ernst, Franz Gertsch, Chiara Camoni, Álvaro Urbano and Monica Ursina Jäger, alongside rare botanical specimens from the archives of ETH Zurich, Geneva and Bern.

Developed in collaboration with David Zwirner, Nahmad Contemporary, Hauser & Wirth and Travesía Cuatro, the exhibition explores radical interconnection - between art, science, ecology and the living world.

On view until 6 September 2026
📍Tarmak22, Gstaad-Saanen Airport, Switzerland

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🟣🟣🟣
Jet Baby…
🛩️ 🛩️ 🛩️

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How to Dance in Flower Fields
@tarmak22

takes as its point of departure the flora of the Saanenland —the alpine landscape surrounding Gstaad, Switzerland where its cycles of growth, and renewal inform the exhibition’s central concerns.

works by artists Chris Ofili (1968, UK), Wolfgang Tillmans (1968, Germany), Max Ernst (1891, Germany), Yves Tanguy (1900, France), Franz Gertsch (1930, Switzerland), Chiara Camoni (1974, Italy), Álvaro Urbano (1983, Spain), and Monica Ursina Jäger (1974, Switzerland), alongside rare botanical drawings and herbarium specimens from the United Herbaria of the University and ETH Zurich, the Bibliothèque Jardin Botanique de Genève, and the Herbarium des Botanischen Gartens der Universität Bern.

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Frames for tarmak 22. May all beings everywhere be happy and free and may my thoughts words and actions contribute in some way to that happiness and freedom.

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Summer in Gstaad is refreshingly laid-back, with easy-paced days built around local bakeries, long hikes, and seasonal lunches. From a cozy chalet restaurant run by a husband-wife duo serving seasonal, ingredient-focused dishes to a contemporary gallery set in the most unexpected location, read about Gstaad in summer at the link in bio.

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