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teamgal

@teamgal

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Chronological (with overlaps): Tour manager. DJ. Front desk boy. Gallerist. Curator. Writer. Brunette. Cineaste. Dan’s devoted husband.
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I have been having fun picking through the Team Gallery archive on Contemporary Art Library. This sculpture (body grinder, 1999) is from an exhibition by Drew Dominick. ‘Vaughn, Grinders and Drawings’ March 2-27th 1999. #drewdominick #work2day @work2day
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Gardar Eide Einarsson (Norwegian, b. 1976) Utah to Resume Use of Firing Squads for Executions, 2015 Nylon flag fabric, sand, ratchet straps and rope Dimensions variable image: https://dailyartfair.com/events/article/4461/gardar-eide-einarsson-team-gallery-inc #gardareideeinarsson
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FINAL DAY: ‚The Happiness Project - Episode 3: Hearth and Home‘ curated by José Freire (@teamgal) at Zero Milan (@galleriazero) through July 24. „The mannequins who populate the work of Richard Hoeck and John Miller are perfect conduits for cataloguing the way identities are made manifest in the construction of a lewk, and the way in which the look selected reveals assimilated goals and desires. The plastic people who repeatedly plunge from a great height in the pair’s „Mannequin Death“ video could be read as the family who are absent from HEARTH & HOME yet inscribed throughout it: each of them trying to play a part in their self-determination or die trying.“ Pictured: Richard Hoeck / John Miller (@the_middle_of_the_day) Mannequin Death, 2015 Produced by Kasha Fiedler(@katarzynafiedler) Courtesy of Meliksetian / Briggs, Dallas,Los Angeles (@meliksetianbriggs) Pictured alongside: kayode ojo (@kayodeojo ) Show also including Lizzi Bougatsos, Sylvie Fleury Christian Holstadt, Elisabeth Kley, Liam Neff, Patrick Sarmiento, Dash Snow, Nicole Wermers
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ROBERT JANITZ Collateral Damage I, 2013 oil and wax on linen 77 x 60 inches the first time i worked with @robert_janitz was a summer show i did with @teamgal (my first ever) feat. Donald Moffett, Jack Pierson, Edith Dekyndt, Mariah Robertson, Harold Ancart, and Banks Violette. Janitz's solo with me arrives in November.
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Elisabeth Kley (@ehkley) is included in 'The Happiness Project - Episode 3: Hearth and Home' curated by Josè Freire (@teamgal) at ZERO Milan (@galleriazero) through July 24. ⁠ ⁠ "Elisabeth Kley, like Holstad, enlists long-established methodologies to gently kick at the gatekeepers of culture. Her work, however, is not reportage, it is requiem; her vessels reliquaries for the dearly departed, both craftspersons and the styles they’ve left behind. Inspired as much by art history as by the voices of avant-garde communities, Kley’s works marry the quotidian with the ceremonial. She is represented here by two sculptures, each decorated with the black and white geometric patterning with which she’s most associated. Although her practice is not limited to pottery (or to black and white, for that matter) — the artist also creates watercolors, paintings, prints, and tapestries — this exhibition’s conceptualization begged for her to pose as a kind of purveyor of housewares, albeit of the most erudite variety. For decades, aided by her lost mentors, Kley has raised a choral voice of optimism. Although folkloric in inspiration, her work is marked by a rejection of nostalgia, its wit and precision forever keeping it engaged in a vibrant reanimation." –Josè Freire
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THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME Curated by José Freire @teamgal - When viewed from the outside, the home appears to be a fortress of stability, where values are passed from one generation to another. Oftentimes, however, the home is a site of nascent resistance, a breeding ground for opposition. But that utility can only be seen when one is on its inside, hidden away from the hegemonic forces that suffuse the outside air. Language, government, the fifth estate, the arts are all sites where our norms are negotiated and perpetuated, but the home is by far the most potent. - Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers 
- on view through July 24 @baby_seal777  @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers  Ph. 1: @alberto.nidola Ph. 2, 6: @violentemente Ph. 3-4, 7-8: @robertomarossi - #thehappinessproject #galleriazero #milano
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Bod Mellor, “F*ck the Mothers, K*ll the Others”, 2006, oil on canvas, 90 x 102 inches. [сеnsоred] First shown at Team Gallery, New York, in Spring of 2006 as part of Mellor's “We Hope You Choke.” It’s amusing how the author chose to depict the swаstіka. If the recollections of the Kremlin spin doctors (from Surkov and Pavlovsky to Gelman and the Methodologists) are to be believed, Putin’s obsession with Ukraine (typical of a Chekist) and the blueprint for its eventual invasion began to take shape as early as the aftermath of the 2004 Maidan, so work on that project was already in full swing by 2006… #lifeimitatesart - - - Dear friends, We may soon be forced to significantly reduce our involvement in managing the foundation for an indefinite period, or close it down for good. In light of this, we are open to transferring the project to like-minded individuals or teams willing and able to further develop and- expand its impact. Over the years, we have built an ecosystem that includes: • A registered NGO and charitable foundation
• Established media platforms with substantial audience reach
• A broad network of contacts across Ukrainian and international organizations
• An international community of qualified volunteers working across OSINT, investigative journalism, anti-corruption research, grassroots human rights advocacy, translation, communications, and other fields (many remain willing to contribute their time and expertise to meaningful initiatives). What is needed now is someone prepared to lead and coordinate these efforts. We believe this infrastructure can also serve as a launchpad for pursuing your own ideas, projects, and initiatives. If this opportunity resonates with you, we’d love to hear from you. Please reach out at contact@ukrainciaga.com or fill out the form linked on our website to help us process your request faster. Thank you! - - - @ukrainciaga.international @ukrainciaga.actual @ukrainciaga Make sure to join and support @solidaritycollectives. Published for documentation, analysis, and public discussion.
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THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME Curated by José Freire @teamgal - HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works […] across the two floors of ZERO… generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. - Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers 
- on view through July 24 @baby_seal777 @fleury49000 @richard_hoeck @the_middle_of_the_day #christianholstad @ehkley @liam_neff89 @kayodeojo @werewolf_foot #dashsnow @nicwermers Ph. 1, 2, 3: @robertomarossi - #thehappinessproject #galleriazero
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THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME Curated by José Freire @teamgal - HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works […] across the two floors of ZERO… generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. - Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers 
- on view through July 24 @baby_seal777 @fleury49000 @richard_hoeck @the_middle_of_the_day #christianholstad @ehkley @liam_neff89 @kayodeojo @werewolf_foot #dashsnow @nicwermers Ph. 1, 2, 3, 6, 7: @robertomarossi Ph. 5: Violante Buonocore - #thehappinessproject #galleriazero
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Richard Hoeck and John Miller’s Mannequin Death, 2016 beautifully installed in The Happiness Project: Episode 3 Hearth and Home curated by José Freire at Galleria Zero, Milan. “Hearth and Home is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. An unimpeded passage through the space, permitting us to read its works in whatever order suits, allows for the unraveling of its weave of concerns.” One of the edition of 7 of the Hoeck / Miller installation is in the collection of the Metropolitan Museum of Art, New York. This work was shown in the gallery in 2016 along with a series of accompanying photo works. Also featuring work by Lizzi Bougatsos, Sylvie Fleury, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow and Nicole Wermers through July 24th. Don’t miss this show if you are in Milan this spring…. Photos: © Roberto Marossi. Courtesy of Galleria Zero, Milan.
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@galleriazero @teamgal THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers
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“THE HAPPINESS PROJECT EPISODE 3: HEARTH AND HOME” group show currently at Galleria ZERO… @galleriazero, Milan Curated by José Freire @teamgal, the exhibition reimagines the home as a fragmented, symbolic environment where domestic objects lose function and gain meaning. Featuring works by Dash Snow, Lizzi Bougatsos, Sylvie Fleury, and others, it explores tensions between intimacy and detachment, questioning how identity, desire, and power are shaped within everyday interiors. On view until July 24th Photos by Roberto Marossi @robertomarossi #PurpleART
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