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theserpentcircle

@theserpentcircle

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life imitates life
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Group Show « Mise en demeure » 27.08 -> 30.10.2026 The exhibition has been imagined and curated in collaboration with Punta Gallery @puntagallery — The exhibition thus examines the ways in which the economic systems that govern us produce forms of erasure. While industrial capitalism directly exploits bodies, its contemporary tendencies increasingly render them invisible. Behind the fluidity of exchanges, logistical flows, and rental or service platforms, human presences dissolve in favor of interchangeable and continuously available spaces. The home becomes a set, dwelling becomes a product, and lived experiences are transformed into consumable content. — Group show with: @nina.az
@nina.boughanim
@ioburgard
@veronikadesova
@stanimir.genov
@theserpentcircle
@vikenti_komitski
@elvirelacrimosa
@mihail_novakov
@adeleonnillon
@viktornotviktor
@chicho_ti_rondo Visit by appointment only. Link in bio for bookings. Photo: Jean-Christophe Lett
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Some BTS from "Out Into Us (Slow Down)" - @son_lux The video's out and it's incredible! Director: Alex Cook @w.a.cook Director of Photography: Daniël Bouquet Production Company: Caviar LA @caviar.tv Thanks to @4lmntz & @solentfilm
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Group Show « Mise en demeure » 27.08 -> 30.10.2026 The exhibition has been imagined and curated in collaboration with Punta Gallery @puntagallery — An unoccupied holiday residence, a place of transit or consumption, the house in which the exhibition is situated likewise evokes environments that remain impersonal despite their domestic character. Like a show apartment, the villa conveys the notion of a set, a temporary dwelling in which short-term occupants are encouraged to leave no trace of their presence. In opposition to the idea of home or hospitality, this liminal space—suspended between use and abandonment—sketches the contours of a world in which evidence of existence is gradually absorbed by a logic of circulation and profitability. — Group show with: @nina.az
@nina.boughanim
@ioburgard
@veronikadesova
@stanimir.genov
@theserpentcircle
@vikenti_komitski
@elvirelacrimosa
@mihail_novakov
@adeleonnillon
@viktornotviktor
@chicho_ti_rondo Visit by appointment only. Link in bio for bookings. Photo: Jean-Christophe Lett
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Group Show « Mise en demeure » 27.08 -> 30.10.2026 The exhibition has been imagined and curated in collaboration with Punta Gallery @puntagallery — Mise en demeure depicts generic spaces that appear to have been evacuated of all human presence. Persisting in residual form, the bodies that emerge from the margins of the frame are reduced to the shadows of those who created and inhabited these environments. Urban infrastructures, dysfunctional furniture, silent signage, artificial nature: the works presented here tell the story of a world designed by individuals who have set in motion the conditions of their own disappearance. Referring to the legal procedure that precedes a possible seizure, the exhibition’s title evokes a form of forced expropriation, a formal notice issued by capitalist mechanisms that standardize our ways of life and gradually erase all forms of individuality. — Group show with: @nina.az
@nina.boughanim
@ioburgard
@veronikadesova
@stanimir.genov
@theserpentcircle
@vikenti_komitski
@elvirelacrimosa
@mihail_novakov
@adeleonnillon
@viktornotviktor
@chicho_ti_rondo Visit by appointment only. Link in bio for bookings. Photo: Jean-Christophe Lett
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Title: Tout doit disparaître
Artists: Veronika Desova, The Serpent Circle, Elvire Lacrimosa
Duration: 29 Aug — 30 Aug 2026
Venue: ART-O-RAMA (Marseille, France)
Photography: Jean-Christophe Lett

AI Summary: The exhibition explores metamorphosis as the disappearance of one body and the emergence of another, connecting ancient ritual with technological systems of reproduction, consumption, and renewal.

@artorama_marseille @veronikadesova @theserpentcircle @elvirelacrimosa
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Marseille, les amis, les artistes, les curateurs, les collectionneurs, les galeristes, les journalistes...
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Our music video for "Witness" is out now! 💥 @quicksandsurferband 🎸 Thank you to everyone involved for the trust and a smooth & deeply inspiring creative process. Producer: Jordan Grancharov Production: @whaleworx.studio Director & Editor: @emmybello D.O.P. @ivaylopetrov_ Lighting & Grip: @bzhuykov Set designer: @ralitza.toneva Styling: @theserpentcircle MU&H: @valentinblvk Bts photo & video: @_photodog @ivaylopetrov_ Color grade: @marietafarfarova Starring: @zhaiweid Jordan @malchev_g Special thanks @nikon.bulgaria @fabrica126
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Our new music video for “Witness” is officially live! 🎬🎶 Check out the full video on YouTube - link in bio 🔗 We hope you enjoy watching it as much as we enjoyed making it. And if you do, a like or share would mean the world to us. ❤️ A heartfelt thank you once again to our friends at @Whaleworx.Studio, and all of the other talented participants, who took a flickering idea and brought it to life.
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Marseille, l’art. Quelques jours à Marseille, entre musées, découvertes et rencontres artistiques. Du Musée Cantini au Musée d’Histoire de Marseille, en passant par Art-O-Rama... Eléments de décor du café-concert I'AIcazar Vers 1878 Musée d’Histoire de Marseille Statue polychrome de saint Jean l'évangéliste Anonyme XIIesiècle, Marbre polychrome Musée d’Histoire de Marseille L'église Saint-Martin Musée d’Histoire de Marseille Figure de proue représentant Pomone, Anonyme XVIIIe siècle Bois polychrome. Musée d’Histoire de Marseille Cette ancre est celle du "Grand Saint Antoine", le navire qui a introduit la peste à Marseille en 1720 en ramenant des étoffes 'Orient. La propagation de l'épidémie dans la ville et le Sud-Est de la France jusqu'en 1722 est à l'origine de la disparition de 100.000 personnes environ. Brûlé et coulé dans une crique de l'îlot Jarron (archipel de Marseilleveyre), ce navire a été redécouvert en 1978 par C. Barsacq et D. Mouyssinat. Musée d’Histoire de Marseille Savon "La Tour" Leonetto Cappiello Impr. Devambez (Paris,), debut du XXe siècle Affiche lithographiée Musée d’Histoire de Marseille Le palais dell'Indochine - le temple dAngkor Vat Exposition Coloniale de 1922 Photographie Fernand Detaille Musée d’Histoire de Marseille Victor Brauner, 1903, Piatra Neamt (Roumanie) -1966, Paris (France) "Nombre", 1943-plâtre, plomb Musée Cantini Dernier résident de la Villa Air-Bel, Brauner n'obtient pas de visa pour fuir l'Europe en guerre, ce qui l'oblige à devenir clandestin. Il se réfugie dans les Hautes-Alpes où il tente d'alléger sa désolation en créant des œvres qu'il associe à des pouvoirs de conjuration du désastre. Avec Nombre, il donne forme à une figure protectrice, fusionnant les principes masculins et féminins, dont les cornes, la nageoire, le pénis, le serpent et les petites figurines enchâssées au niveau du ventre symbolisent la puissance sexuelle et les capacités magiques à communiquer avec d'autres mondes. Matta (Roberto Antonio Sebastian Matta Echaurren, dit) 1911, Santiago du Chili (Chili) -2002, Civitavecchia (Italie) " Contra vosotros asesinos de palomas" 1950- Huile sur toile Musée Cantini D
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The W2 Store @w2_store has recently turned into a Thracian burial ground. Whilst browsing @commedesgarcons @noproblemo and other male clothing, you might find female armoury from the future or perhaps the near present. The armoury fits like a glove and grows out of its original body shell into a modular and rather defensive extension, fertile with golden water and pure Bulgarian rose oil. My collab with @theserpentcircle reinterprets funerary symbolism, personal adornment and defensive armour to imagine the ritual burial of a contemporary, or perhaps future Thracian woman through a dystopian and surrealist lens. The work emerged after Jonny’s @can.jc invite to present work in the male clothing store and I wondered how I could insert the female presence/body in this explicitly male space where the masculine aesthetic gets projected and focused on, sometimes through the lens of female desire. I felt that Slava’s work interprets this enquiry in such a brilliant way. And so our collab began with journeys in the Rose Valley, her birthplace, we picked roses in the early mornings in May and visited many many tombs, some UNESCO protected due to the spectacular amount of archeological remains mostly found by the outstanding archeologist Georgi Kitov and we thought about this other predominantly male space … the tomb … exquisite burial sights celebrating a royal man’s afterlife via armoury, symbolical jewellery, swords, the speculative belongings of one’s afterlife … and we thought … where are the notable women’s tombs and what She would’ve brought with her back then? And so we made the project … A(R)MOUR - until 15th Nov 2026 10 Ruthven Ln, Glasgow G12 9BG thank you to the curator @naka.marra the whole @w2_store crew @jrdnmcr @andyb1k @can.jc !!! Also we’ll be releasing limited prints at the shop soon, look out for launch event!
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