Instagram story viewer> @thomas_noceto> Tagged

Thomas Noceto

@thomas_noceto

8.2K

followers

2537

following

📐Architecte ayant troqué le clavier et la souris contre un appareil photo et des ciseaux à bois.
⛩️Apprenti Compagnon Charpentier

POSTS STORIES REELS TAGGED

[WEEK-END INAUGURAL]
Les Photaumnales 2026
Retour en images de la journée du dimanche 27 septembre 2026 📸
Tournée en bus des expositions en présence des artistes et de la Médiathèque du patrimoine et de la photographie @mpatrimphoto

▼La Neuville-en-Hez
Exposition de Bruce Eesly
▼Bresles
Exposition de Dolorès Marat
▼Le Fay-Saint-Quentin
Exposition de Clara Chichin
▼Abbeville-Saint-Lucien
Exposition de Pascal Maitre
▼Maulers
Exposition de Brodbeck & de Barbuat
▼Crèvecœur-le-Grand
Exposition de Marie-Paule Nègre
▼Breteuil
Maison natale d’Hippolyte Bayard : Inauguration de l’exposition du Cercle Hippolyte Bayard @maisonhippolytebayard
Exposition de Thomas Noceto et Cinzia Romanin
▼Lamécourt
Exposition de Claude Batho
▼Étouy
Exposition de Jean Gaumy
▼Maison Diaphane à Clermont
Exposition d'Émeline Sauser

—
Montage vidéo : Nathanaëlle Periatamby

Ce projet est labellisé bicentenaire de la Photographie par le Ministère de la Culture et s'inscrit dans la programmation officielle du Bicentenaire du 1er septembre 2026 au 30 septembre 2027.

#photaumnales2026
#Bicentenairephotographie
#laphotographieetapres
#hautsdefrance
@culture_gouv
@mpatrimphoto
@maisonhippolytebayard
@villeclermont60
@beauvaisetsonagglo
@region_hautsdefrance

31

1

[RETOUR EN IMAGES]
Dimanche 27 septembre
Photaumnales 2026 📸

▼ Beauvaisis

> La Neuville-en-Hez
Bruce Eesly @bruceeesly
> Le Fay-Saint-Quentin
Clara Chichin @clarachichin
> Maulers
Brodbeck & de Barbuat @brodbeck_debarbuat

▼ “Histoire(s) de Photographes”
À travers les collections de la Médiathèque du patrimoine et de la photographie @mpatrimphoto et dans le cadre de la Traversée photographique du @reseaudiagonal

> Bresles
Dolorès Marat
> Abbeville-Saint-Lucien
Pascal Maitre
> Crèvecoeur-le-Grand
Marie-Paule Nègre
> Lamécourt
Claude Batho
> Étouy
Jean Gaumy

▼ Breteuil
Expositions du Cercle Hippolyte Bayard
• CRP/ Centre régional de la photographie @crpnord
• Le Château Coquelle @chateaucoquelle
• Destin Sensible @destinsensible
• Institut pour la photographie des Hauts-de-France @institutphoto
• Diaphane
> Thomas Noceto et Cinzia Romanin @thomas_noceto @cinzia_romanin

▼ Clermont
> Maison Diaphane
Emeline Sauser

—— Ce festival est labellisé bicentenaire de la Photographie par le Ministère de la Culture et s'inscrit dans la programmation officielle du Bicentenaire du 1er septembre 2026 au 30 septembre 2027.

#photaumnales2026
#Bicentenairephotographie
#laphotographieetapres
#hautsdefrance
@mpatrimphoto
@culture_gouv
@region_hautsdefrance

81

1

38

1

“Sand quarry where earth is removed and left unused”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

Those exhibitions where organised thanks to @valerie_traan_gallery and @diaphanephotographie

(Last picture with the amazing work uniform “Art is work” made by #apparatus22)

107

2

“Raw Earth Brick Mold”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie

3

0

“Guylain, Worker Of A Bricks Factory”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie

3

0

“Marie, raw earth councillor”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie

3

0

“Cratfwomen’s Hands” @acruma_ariannafdb

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

3

0

“Terragraphy 01”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films and earth-based pigments, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This project has been exhibited at @valerie_traan_gallery @designmuseumgent @diaphanephotographie

3

1

“Participative Renovation”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie

3

0

“A Cob House”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie

3

1

“David, A Farmer Building His House With Local Raw Earth And With The Straw He Cultivated”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie

3

0