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Thomas Noceto

@thomas_noceto

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📐Architecte ayant troqué le clavier et la souris contre un appareil photo et des ciseaux à bois.
⛩️Apprenti Compagnon Charpentier

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“Sand quarry where earth is removed and left unused”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

Those exhibitions where organised thanks to @valerie_traan_gallery and @diaphanephotographie

(Last picture with the amazing work uniform “Art is work” made by #apparatus22) by @thomas_noceto

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10 months ago

“Raw Earth Brick Mold”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie by @thomas_noceto

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10 months ago

“Guylain, Worker Of A Bricks Factory”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie by @thomas_noceto

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10 months ago

“Marie, raw earth councillor”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie by @thomas_noceto

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10 months ago

“Cratfwomen’s Hands” @acruma_ariannafdb

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality. by @thomas_noceto

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a year ago

“Terragraphy 01”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films and earth-based pigments, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This project has been exhibited at @valerie_traan_gallery @designmuseumgent @diaphanephotographie by @thomas_noceto

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a year ago

“Participative Renovation”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie by @thomas_noceto

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a year ago

“A Cob House”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie by @thomas_noceto

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a year ago

“David, A Farmer Building His House With Local Raw Earth And With The Straw He Cultivated”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality.

This picture was take during a residency made possible thanks to @diaphanephotographie by @thomas_noceto

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a year ago

“Unused Construction Sites Excavated Earth”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality. by @thomas_noceto

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a year ago

“Earth-Based Dorodango”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality. by @thomas_noceto

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a year ago

“Earth-Based Mixed Technics Prototype In The Atelier Of The Craftwomen Sylvie Wheeler”

From the project « Terragraphy » realised in collaboration with @thomas_noceto

As an immersion in the construction world, Terragraphy is an invitation to distance ourselves from energy-intensive and polluting materials such as concrete to discover the raw earth alternative.

Wishing to transmit the desire to put our hands in the earth to reconnect with this living body that has vanished beneath the asphalt of our cities, Cinzia Romanin and Thomas Noceto went, since 2021, to meet inhabitants in the Belgian and French territories, whose built heritage is rich with earth-based constructions that have stood the test of time. Fighting against lobbies and regulation laws, those people are defending a local material with many virtues which can be reshaped ad infinitum and still reintegrated into its original soil without any alteration. As an atlas of the world of raw clay artisans, this project reveals a relatively unknown imagery made up of vernacular tools, specific gestures transmitted from generation to generation and reused excavated soils which are still too often considered as waste by the industry.

Inspired by Lavoisier’s idea that “Nothing is lost, nothing is created, everything is transformed”, this visual research proposes to enhance raw earth as a creative body. In this sense, by using handcrafted clay-made films, this project has then been an opportunity to invent sensitive explorations by revealing each landscape through its own materiality. by @thomas_noceto

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a year ago