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@tillbaumann_berlin

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„Ein fernes, fremdes Grollen" – so wirkt Sachsen-Anhalt für viele Regionen dieses Landes. Für die Menschen dort ist es längst Alltag: Bedrohung, Rückzug, Verstummen.
Für uns bei SOCIUS ist Sachsen-Anhalt kein fernes Grollen. Wir arbeiten dort seit Langem mit Organisationen, Initiativen, Kommunen und Stiftungen zusammen – mit @lysan_escher sind wir auch in Halle (Saale) zuhause.
Das Papier „The Day After" von David Begrich, @matthiasquent , Heike Radvan, Fabian Virchow @miteinanderlsa und weiteren Kolleg*innen unterscheidet zwei Phasen: „Day Before" – sich in noch stabilen Verhältnissen vorbereiten. „Day After" – da befindet sich die demokratische Zivilgesellschaft in Sachsen-Anhalt seit dem 6. September.
Für alle, die sich noch im „Day Before" wähnen, unsere Übersetzung der Empfehlungen:
🔸 Irritiert bleiben, statt uns an das Unerträgliche zu gewöhnen
🔸 Zusammenhalten – in Beziehungen & Netzwerken, die wir eingehen, bevor wir sie brauchen
🔸 Unabhängigkeit stärken, finanziell wie organisatorisch
🔸 Eigene Themen setzen und Demokratie dort erfahrbar machen, wo Menschen leben und arbeiten
🔸 Uns jetzt vorbereiten
Besonders beschäftigt uns der „Demokratie-Schutzschirm": Partnerschaften zwischen Ost und West, Stadt und Land, Vereinen, Verbänden und Kirchengemeinden. Denn eine Zivilgesellschaft unter einer autoritär geführten Landesregierung darf nicht allein auf die Ressourcen und Verbundenheit im eigenen Bundesland angewiesen bleiben.
Ob Berlin, Köln, Hamburg oder Freiburg: Wie sehr uns das angeht, entscheidet nicht die Postleitzahl. Magdeburg sei nur ein Zwischenziel der AfD auf dem Weg in die Bundesregierung, halten die Autor:innen nüchtern fest.
Unser kleiner Beitrag: die Zwischenraum Salons – kostenfrei, online, für alle, die in der Zivilgesellschaft unter Druck weitermachen. Nächster Abend: „Was trennt? Über Polarisierung", 15.10., 18.30 Uhr.
📄 Das Papier: https://www.miteinander-ev.de/wp-content/uploads/2026/09/The-Days-After_Empfehlungen-fuer-die-Zivilgesellschaft.pdf
#SachsenAnhalt #Demokratie #Zivilgesellschaft #Zwischenraum #sinnvollzusammenwirken #neugierigundsolidarisch #stabilbleiben

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Vorkenntnisse im Theater sind nicht erforderlich.

📅 28.–30. Oktober 2026

📍 Bildungshaus St. Ursula, Erfurt

👉 Anmeldung und weitere Informationen auf unserer Website.

@netzwerkdemokratiebildungth
@lagspielundtheaterthueringen
@thueringertheaterverband
@lkj_thueringen
@ljr.thueringen

#Forumtheater #AugustoBoal #Theaterpädagogik #PolitischeBildung #Demokratiebildung #Beteiligung

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WATERBODIES — IN THE ENVIRONMENT AND WITHIN

Water connects our bodies, our cities and our ecosystems.

This Legislative Theatre performance explores the relationship between water, climate justice and political responsibility — from the water flowing through our own bodies to the waters we collectively depend on.

The audience is invited to enter the dialogue, question existing structures and develop concrete proposals for change.

📅 28 August · 19:00
📍 Uferstudios · Studio 14
Badstraße 41a, Berlin-Wedding

🎟️ Tickets directly at the venue

Part of Aesthetics of Solidarity Theatre Festival 2026
by @kuringa_berlin

Directed by @barbara.kuringa
Music by @tillbaumann_berlin

This event os supported by Nord- Süd Brücken and @senstadtberlin

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FEAR MACHINE

What happens when fear becomes a political tool?

FEAR MACHINE explores the rising popularity of right-wing populism in Europe and its concrete consequences for migrants — and for everyone committed to democracy.

Through Forum Theatre, the performance invites the audience to intervene, challenge the mechanisms of fear and exclusion, and collectively explore strategies of resistance and solidarity.

📅 27 August · 19:00
🎭 UferStudios · Studio 14
Badstraße 41a, Berlin-Wedding

🎟️ Tickets directly at the venue
Box office opens at 18:30

Part of Aesthetics of Solidarity Theatre Festival - 15 years @kuringa_berlin

Directed by @barbara.kuringa
Music by @tillbaumann_berlin

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✨ AESTHETICS OF SOLIDARITY FESTIVAL

This week, the stage is back with Forum and Legislative Theatre tackling housing, migration, racism, climate justice and gender-based violence.

📅 26 August · 19:00
TO GET TOGETHER
Housing struggles and structural injustice in Berlin’s real estate market.
Legislative Theatre

📅 27 August · 19:00
FEAR MACHINE
Migration policies, racism and collective resistance.

📅 28 August · 19:00
WATERBODIES
Water, climate justice and political responsibility.
Legislative Theatre

📅 29 August · 16:00
FIT IN by @bralin.theater
A performance exploring the experiences, pressures and struggles faced by migrants.
📍 Studio 1

📅 29 August · 19:00

Schmerz ist normal by @madalena.berlin
Dream Black Woman @coletivomadalenaanastacias
Two performances confronting gender, racism, violence and resistance.
📍 Studio 14

📍 Uferstudios
Badstraße 41a, Berlin-Wedding

🎟️ Tickets directly at the venue

Come watch, intervene, discuss and imagine concrete possibilities for change.

Aesthetics of Solidarity Theatre Festival 2026 directed by @barbara.kuringa

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🔥 AESTHETICS OF SOLIDARITY — FORUM THEATRE

Aesthetics of Solidarity brings 40 people together on stage in a large-scale collective creation directed by @barbara.kuringa and @tillbaumann_berlin

The play emerges from a journey between individual experiences and structural dimensions, shaped and defined by the participants themselves.

Through Forum Theatre, the production invites the audience into dialogue and collective action: how could another possible world look — and what can we do to move towards it?

An invitation to experience what Aesthetics of Solidarity can mean in practice.

Come and discover it with us.

📅 22 August · 19:00
📍 Uferstudios · Studio 14
Badstraße 41a, Berlin-Wedding

🎟️ Tickets directly at the venue
Box office opens at 18:30

Part of Aesthetics of Solidarity Theatre Festival 2026
by @kuringa_berlin
📸 @unidesagency

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✨ THE FULL PROGRAM IS HERE! ✨

AESTHETICS OF SOLIDARITY
15 Years of KURINGA
📅 20–29 August 2026
📍 Uferstudios, Berlin-Wedding
@uferstudios_tanz_berlin

Forum and Legislative performances, workshops, dramaturgy laboratories, encounters and collective action, bringing together artists, activists and communities from Berlin and Brazil.

This year we come together around urgent questions of housing, migration, racism, censorship, water and climate justice, feminist struggles, using theatre to stimulate dialogue and to rehearse ways of transforming it.

🎭 Performances: 20, 21, 22, 23, 26, 27, 28 & 29 August
👐 Workshops: 22–28 August
🌍 With @centrodeteatrodooprimido, @coletivomadalenaanastacia ,
@madalena_berlin, @bralin , Masculinities Lab, Pandeforium and many more.

There are still places available in the workshops!

🔗 Full programme & Registration Form: : link in bio

Come imagine other possibilities with us.

Aesthetics of Solidarity it is something we create together.

Directed by @barbara.kuringa

Thanks to @sorora_ev for supporting PANDEFORIUM through the project @abcincuba and to Nord- Süd Brücken for the support on Waterbodies. Both funded by @senkultgz

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UNSICHTBARES THEATER
Workshop | Aktion | Reflexion

Wie kann Unsichtbares Theater im öffentlichen Raum die Auseinandersetzung mit Sexismus, grenzüberschreitendem Verhalten von Cis-Männern und männlicher Verantwortungsübernahme anregen?

2026 findet der Workshop in Kooperation mit dem Masculinities Lab statt. Gemeinsam setzen wir einen Schwerpunkt auf Verantwortung und Veränderung:

• die Methode des Unsichtbaren Theaters in Theorie und Praxis kennenlernen
• Szenen zum Thema Sexismus entwickeln
• Aktionen im öffentlichen Raum durchführen
• die Aktion und die Methodik gemeinsam reflektieren

Der Workshop ist offen für Menschen aller Geschlechter, denen die Überwindung patriarchaler Verhältnisse am Herzen liegt.

Keine Theatererfahrung erforderlich.

Workshopsprache: Deutsch

Workshopleitung: Till Baumann

16.–19. September 2026

Mittwoch & Donnerstag: 16:00–20:00 Uhr
Freitag & Samstag: 10:00–18:00 Uhr

📩 Anmeldung: qualification@kuringa.org

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Artistically Powerful. Radically Inclusive. Politically Impactful.
  20–30 August 2026

@aesthetics_of_solidarity is a 10-day Festival of interactive theatre, workshops, dramaturgy laboratories and public dialogue.

Urgent social conflicts — from housing justice, migration policies, ecological crisis to toxic masculinity — are transformed into collective artistic experiences shaped by rhythm, movement and sharp humour through Forum Theatre and Legislative Theatre.

The festival proposes theatre as an assembly and collective imagination practice: a space where the audience is invited to enter the scene, test alternatives and change the narrative of the performance.

The programme includes works by KURINGA’s International Ensemble, as well as presentations by Berlin-based collectives such as Pandeforium, @bralin.theater , Masculinities Lab, @madalena.berlin , sharing the results of long-term collective creation processes.

Furthermore, it offers workshops to learn about the techniques that serve as base to create those plays.

The festival marks 15 years of KURINGA’s artistic, pedagogical and political work in Berlin under the artistic direction of @barbara.kuringa , one of the leading international voices in Theatre of the Oppressed, long-time collaborator of Augusto Boal, and creator of “Teatro de las Oprimidas” as a feminist and decolonial practice.

REGISTRATION OPEN

Link in Bio

#kuringaberlin #theatreoftheoppressed #forumtheatre #berlintheatre

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Zwei Tage in Cottbus waren voller spannender Erlebnisse.

Schaut euch das Karussell mit Fotos und Highlights unseres Stopps an.

Der Tänzer und Choreograf Ioannis Avoukamidis leitete eine Tanzpraxis in einer wunderschönen Kirche, begleitet von inspirierender Musik: Unsere Teilnehmer:innen konnten ihren Körper und ein Gefühl sinnlicher Verbundenheit intensiv wahrnehmen.

Der Theatermacher, Musiker und Coach Till Baumann gab einen Theaterworkshop mit Schüler:innen des Evangelisches Gymnasium Cottbus, die dem Publikum die Frage stellten: „Was ist euch heilig?“

Anschließend fand die wöchentliche Abschluss-Andacht zum Wochenthema „Tag der Befreiung“ statt.

Der Tag war voller wunderbarer Begegnungen und herzlicher Gespräche. Danke an alle, die dabei waren!

Der Teil des Projektes in der Lausitz wird aus Mitteln des Landes Brandenburg, des Bundesministeriums für Wirtschaft und Energie sowie der Dr. Buhmann Stiftung für interreligiöse Verständigung gefördert.

Photo credits: Stefan Binder

#HolyFlow #Cottbus

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Vote for KURINGA!!

Waterbodies is an interactive theatre project on water rights, environmental justice and collective participation. The project explores our embodied connection to water and invites audiences to imagine concrete strategies for protecting it as a common good.

We are currently applying for the UP! Social Microgrant, which supports projects with social and cultural impact. The selection is decided by public vote.

The funding would support the production of the performance and the development of a participatory Legislative Theatre process, where audiences become active agents, proposing and discussing measures to defend water as a shared and protected resource.

You can support us by voting here (takes some seconds):

https://encc.eu/microgrants/waterbodies-acting-for-water-rights

Deadline: April 7

Your vote directly helps make this project possible.

Thank you for your support!

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International Theatre of the Oppressed Day
Today, March 16, 2026, Augusto Boal would have turned 95. Brazilian theatre director, playwright and researcher, Boal dedicated his life to developing a theatre that not only represents reality, but allows people to analyze it and transform it collectively.
In the 1950s - 60s Brazil was experiencing profound social and political tensions. Augusto Boal worked at the Arena Theatre of São Paulo as director and dramaturg. In that time, he encountered the Brazilian educator Paulo Freire, author of Pedagogy of the Oppressed (1968), whose ideas influenced Boal’s search for a theatre where spectators could become active participants rather than passive observers.

In 1964, a military coup established a dictatorship in Brazil. Augusto Boal was arrested in 1971 and later forced to leave the country.

During those years in exile he continued developing his work across Latin America and Europe, working with communities, educators and social movements.

In this context of dictatorship, exile and political struggle, Theatre of the Oppressed was born.

Over the following decades the practice continued to grow and evolve. To explain it, Augusto Boal used the metaphor of a tree that reminds us how Theatre of the Oppressed is a living and evolving practice.

Theatre of the Oppressed was born during a time of crisis with a revolutionary proposal: collective process of creation and reflection to stimulate the research of strategies to overcome injustice.

Crisis is danger and also an opportunity for transformation.

Nowadays its tools are used around the world to analyze oppression, rehearse change and create spaces for democratic participation.

Interested in learning more?
Follow us and join us in 20–30 August 2026 at the Aesthetics of Solidarity — Forum Theatre Festival

All Pictures @instaugustoboal website

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