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tranzit.cz

@tranzit.cz

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Founded in 2002, tranzit.cz organizes @biennale.matterof.art, artistic and curatorial residencies, and publishes books of critical theory and art

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🎂👏🎂👏🎂

As we prepare to celebrate the gallery’s 35th anniversary next year, I’ve known you since you were in your twenties – the very age you’re celebrating today – and I’d like to offer you my warmest congratulations; you embody the very best that Central Europe has to offer, with exceptional people at the helm of every Tranzit, who embody everything that makes a cultural, generous, honest and caring Europe possible.

@tranzitsk @jtkangel @tranzit.cz @tranzitiasi @tranzit.hu @tranzit.at @dorihegyi @heidewihrheim @otohudec @saint.lambo 👏👏👏👏💐💐

#tranzitorg #erstefoundation #🇪🇺#

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Explore current projects of @tranzitorg and subscribe to our newsletter to stay up to date. Click the link in bio.

Photos: Lýdia Grešáková Thomas Raggam isonative Zsófia Puszt Raluca Voinea Libor Galia

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SPECIÁLNÍ 🎃🌶️ trojka. Minisérie do této melancholické, emotivní a podmanivé sezóny. 🍂

Na co se můžeš těšit???
1. @jsemfeministka o Romantasy 🗡️🪽- Jak napsat chemii mezi postavami? Může nám četba romantasy pokazit šanci na seznámení se v reálném životě? 🎯14.10

2. @katspicakova o hororech 🧟🪚- Feministická teorie hororů. Jaká ženská témata si berou tvůrkyně na paškál? Proč je horor podvratnej? A kde naopak střeží patriarchát? 🎯21.10

3. @tranzit.cz a Ľubica Kobová o honu na čarodějnice 🪄✊- Těla a touha žen jako nebezpečí. Hon na čarodějnice jako nástroj zocelování kapitalismu a útok na reprodukční práva. Povídání o čarodějnictví a knize Kaliban a čarodějnice od Silvia Federici. 🎯28.10

Na jaké téma se nejvíc těšíš? ☕️

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We mourn the passing of Boris Marte
Boris Marte (1964–2026) was a visionary figure who spent many years working in Austrian cultural policy before joining ERSTE Bank’s sponsorship department. In this role, he played a crucial part in establishing the @tranzitorg network and remained a dedicated advocate for its existence and development over many years. He was also instrumental in building the ERSTE Foundation, which has made countless important cultural, educational and social initiatives possible.

The international art world has lost an exceptional advocate and a committed supporter of art and culture. We deeply miss him.

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Hoří chemička, něco si přej | Bára Bažantová @tranzit.cz, 2022

Sídliště Janov v Litvínově je největší vyloučená lokalita v Česku.  V těsném sousedství paneláků stojí vila Libuše, pozůstatek původního Janova. Podle místních v ní straší. Právě sem se v září 2021 na měsíc stěhuje Bára Bažantová. Kniha Hoří chemička, něco si přej vznikla na základě deníku, který si tam vedla.  Věnuje se dětem ze sídliště, chodí do lesa, s dětmi i bez nich prolézá opuštěné paneláky. Zaznamenává každodenní život místní komunity, její pravidelnosti, hierarchii a nepsaná pravidla. Zároveň si uvědomuje, že jako návštěvnice vidí jen část a že její návštěva je svým způsobem problematická. Je možné budovat zdravý vztah, když za měsíc zase odjede? Vyslovuje i pochybnosti o fungování „bílého“ neziskového sektoru.  Knihu ilustroval Michal Karvay, jeden z kluků z janovského sídliště.  (o komunitním centru Libuše můžete zjistit víc na jejich FB stránkách, odkazy tady moc nefungují, ale stačí hledat Libuše - sousedský dům Janov)

#tipnaknihu #czskbookstagram

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Marcel Duchamp almost had a career as a librarian. In November 1912, having given up on painting for the first time, Duchamp enrolled in library school. Soon, he started work as an intern at the Bibliothèque Sainte-Geneviève, where he read about perspective and made notes for what would become The Bride Stripped Bare by Her Bachelors, Even (1915–23, often referred to as The Large Glass). His period as a librarian was a crucial moment of transition: just as he abandoned art for books, he would end up dematerializing the art object, realizing that the notes he was taking might be more interesting than the work they putatively described. The Large Glass, ostensibly the end-stage of this part of his career, is ultimately less generative than The Bride Stripped Bare by Her Bachelors, Even (The Green Box) (1934), the suspiciously library-like set of notes that might combine, if assembled the right way, to make The Large Glass—or something else entirely.

A book can be seen as a node in a web of potential relationships—between author and reader, books past and future, even seller and consumer—modulated by the ecosystems around them which make such connections happen. The library is tailor-made for relational aesthetics, as Heman Chong and Renée Staal’s itinerant Library of Unread Books (2016–ongoing), currently instantiated as part of the 2022 Singapore Biennale, clearly demonstrates. The library’s disinterested motives differ from those driving the world of commerce: a library serves readers; but it also serves others; it might, for example, give an artist an easy job. A library preserves information; at the same time, it might confer distinction on an institution. Crucially for Duchamp, in a library the importance of the network to the work becomes apparent. A book changes when it is shelved next to another; a reader in a library can move back and forth at will between disparate books, creating new connections. A library is a site, above all, of potential: potential connections, potential artworks, that might be made. Of course, a library will contain as many bad books as good ones, and require infrastructure to navigate: Borges’s library that contained absolutely ev

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Co znamená psát o vlastní trans zkušenosti? Jája Staněk @jaja.stan píše o knize Muzeum sebevražd jedné trans holky z nakladatelství @tranzit.cz od hannah baer @malefragility, která místo úhledného životopisu nabízí tekutý, upřímný a místy neklidný labyrint tranzice.

🔗 Článek najdeš na revueprostor.cz.

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VITAMIN BOOK FAYRE Day 1 officially over.

It was a day full of wonderful encounters. We are truly thrilled to host so many sellers and independent publishers from all over CEE.💜

See you tomorrow,
@vitamin61500 @odsek.books

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230 let historie. Oslavených současným uměním. ✨

Veletržní palác se během NGP LIVE proměnil v místo plné umění a setkávání. Společně jsme propojili historii Národní galerie Praha s tím, co vzniká právě teď. 🤍

Děkujeme všem, kteří u toho byli s námi a přišli oslavit 230 let NGP trochu jinak.

Přeneste se zpět na NGP LIVE 24/9/2026.

🎥 @artycok.tv

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Jméno. radikální, šokující, ještě mnohem více nekompromisní než Love Me Tender. napsaná stejným stylem, podobně útlá, ale vzbuzující mnohem menší sympatie, o což se teda autorka ani neprosí. pro většinu určitě dost nestravitelná. přesto za mě výborná. četlx jste? a pokud jste četlx i Love Me Tender, jak na vás působily obě dvě, jak se proměnil váš pohled na autorku?
@tranzit.cz @constancdebre

#mamapunkbookclub #kniznirecenze #tipnaknihu #tipnacteni #czbookstagram
co číst | tip na knihu | tip na čtení | knižní recenze | bookstagram | feminismus | queer literatura | ženské autorky | nové knihy | Constance Debré

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Thursday’s programme ran in collaboration with @tranzit.cz, and what a way to kick things off - opening with a Symposium screening of films by Michal Durda and Paulina Pinková, exploring queer life and artistic practice in the Czech Republic, before moving next door for @nilsamadeus Lang’s performance full of unexpected twists that brought a different kind of energy to Malá Dvorana.

Bapari then eased the evening into motion in the underground halls of Veletržní Palác - meditative and blissful, masterful in writing and raw in the form. Their introspective songs passed the baton to @yawningportal, who took the emotional thread deeper, their ethereal visuals having moments of the dream gently slipping into life itself.

@woesum & @guzreichwald then presented the first of nine world premieres and the first Lunchmeat commission - a gently crafted audiovisual show with beautifully shot visuals by Guz Reichwald and a few laser surprises conjured in-house.

Video: @nwjczk
Track edit: @kkrystoff

#lunchmeatfestival #lunchmeatfestival2026 #seeyoudancin

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Poslední šance navštívit @biennale.matterof.art 2026! V sobotu 26. září proběhne dernisáž v @gampa_pardubice 🚀 Na bienále v Galerii města Pardubic — GAMPA uvidíte díla těchto umělců a umělkyní: Ștefan Bertalan, Cezary Bodzianowski, Nosrat Karimi, Anne-Mie Van Kerckhoven, Běla Kolářová, Isadora Neves Marques, Margaret Raspé, Alex Sihelsk*, Fedir Tetyanych, Liliana Zeic. Vstup na výstavu je také zdarma.

PROGRAM A ITINERÁŘ Sobota 26. září 2026  15:00 Cesta autobusem tam z Prahy do Pardubic Místo odjezdu: Nábřeží Edvarda Beneše, Praha 7, 170 00 (parkoviště autobusů)  17:00–17:45 Komentovaná prohlídka výstavy v angličtině s překladem do češtiny s kurátory Františkem Fekete a Jakubem Gawkowskim  18:00–19:00 Performance Andráse Cséfalvaye Mars: Gravity and Grace  19:30–21:30 Cesta autobusem zpět z Pardubic do Prahy Místo odjezdu: GAMPA – Galerie města Pardubic, Automatické mlýny, Pardubice 530 03

📸 @stillsosparkling  
@flexaplexa @inevesmarques @liliana_zeic @headnurse_amvk

The participation of Liliana Zeic in the 2026 Biennale Matter of Art is supported by the Adam Mickiewicz Institute.

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