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Vinod Daroz

@vinoddaroz

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Visual artist, India

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Exhibition of our works made during the 13th Mehemet Nuri International Ceramic Workshop and closing of the event. ❤️
Thankyou @mehmettuzum for the invitation. I feel very blessed to be a part of this wonderful event.

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Found these potters in pots

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Sorry NO MARKETS today.
I am still in Turkey. This is what we have been making during our time at the 13th Mehemet Nuri International Ceramic Workshop held @pinebayholidayresort in Kusadasi, Turkey.

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13. Mehmet Nuri Göçen Vakfı Seramik Çalıştayından geri kalanlar. 🎉🎉😍🔥🔥🔥🔥 Herşey için çok teşekkür ederim. Sevgili @mehmettuzum 🧿
#sempozyum
#ceramic
#art

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🔴 13. Mehmet Nuri Göçen Uluslararası Seramik Çalıştayı
🟠 Kapanış Seremonisi
🟤 Küratör: Mehmet Tüzüm Kızılcan
🟡 Sanatçılar
🔵 Asistanlar
🟢 ve kızım Lora

Üretmenin, paylaşmanın ve birlikteliğin fotoğrafı. @mehmetnurigocenvakfi @mehmettuzum

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Featured in Elle Decor India - “For the love of clay.”

Ceramic artist Vinod Daroz’s Vadodara studio, designed in collaboration with Studio Yamini, was built to be three things at once: a working laboratory, an archive of his 30-year practice, and a space quiet enough to disappear into the work.

It was never about designing a beautiful studio. It was about designing one that gets out of the way — so the only thing that matters is the clay.

Thank you to @mrudul.pathak and the team at Elle Decor for featuring this space.
@elleindia

[vinod daroz, ceramic studio, elle decor india, studio yamini, artist studio design, vadodara architecture, working studio design]

#StudioYamini #ElleDecorIndia #VinodDaroz #CeramicArt #ArtistStudio ArchitectureFeature

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#Repost @studioyamini
——
Some design solutions come from a drawing board. This one came from a conversation.

Every gallery needs a way to divide space without closing it off. A partition that separates zones without cutting them apart allowing light to pass through, maintaining visual continuity, and keeping the energy of the space alive on both sides. A wall would have been the obvious answer. But a wall would have been wrong.

The solution came from the artist himself.

Vinod had acquired hundreds of discarded ceramic bottles accumulated over time, sitting unused, waiting for a purpose. When Studio Yamini saw them, the question became not what to do with the gallery partition, but what to do with the bottles. And the answer to both questions turned out to be the same.

An MS rod frame structure was designed a precise grid of mild steel rods into which each ceramic bottle could be slotted individually. The technical design of the frame was Studio Yamini’s engineered to hold the bottles securely while maintaining the lightness and transparency the gallery needed. The bottles were then taken by Vinod and glazed by his own hand each one fired in specific colours, each one a small individual work of art in its own right.

The result is a partition unlike anything else. It divides without blocking. It filters light. It moves slightly, almost imperceptibly, when the air shifts. And it is made entirely from material that was once considered waste transformed by the artist’s craft and the architect’s structure into the defining moment of the entire project.

This is what happens when architect and artist sit together long enough to find the answer that neither could have arrived at alone.

[Ceramic bottle partition, Artist architect collaboration, Upcycled design architecture, MS rod frame partition, Gallery partition design, Craft led architecture, Studio Yamini, Vinod Artist Studio, Sustainable design India, Contemporary art studio architecture.]

#tejasshahphotography #ArtistStudio #CeramicStudio #CollaborativeDesign ArchitectureIndia

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