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@wava__ar

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WAVA is an innovative nonprofit platform for site-specific augmented interventions. Artworks accessible on-site through the free-to-download app ⬇️

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Levez les yeux : une œuvre se dessine dans le ciel !
Avec Uplifting Instruction, William Forsythe, artiste et chorégraphe, imagine une œuvre en réalité augmentée.
Inspiré par le souvenir des avions qui survolaient New York avec leurs banderoles publicitaires, l’artiste fait aujourd’hui réapparaître ces messages dans le ciel au-dessus du Centre Pompidou-Metz.
Une présence invisible, qui transforme notre regard sur le lieu et prolonge sa série Instruction.

À vous de lever les yeux !
📱 Pour vivre l’expérience :
1. Rendez-vous devant le Centre Pompidou-Metz, sur le poteau tulipe, pour flasher le QR code ou rendez-vous sur la page dédiée à l’installation sur le site internet.
2. Téléchargez l’application WAVA-AR, disponible gratuitement sur iOS et Android.
3. Rejoignez à pied le point de référence situé sur le Parvis des Droits de l’Homme.
4. Découvrez l’œuvre !

L’application WAVA-AR est une plateforme de réalité augmentée à but non lucratif présentant des œuvres d’art virtuelles dans des lieux.

@wava__ar

#CentrePompidouMetz #WilliamForsythe #UpliftingInstruction #RéalitéAugmentée

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This is one of those if you know where to look moments :)

I’m already out of Berlin, so I didn’t get to spend as much time at this year’s Art Week as I would have liked. But because I’m always interested in innovative ways of experiencing art, I had to make a few quick rounds with @wava__ar and @bienalsaopaulo around the city of Berlin.

Through Apparitions, works from the 36th São Paulo Biennial appear as digital extensions in selected locations around the world, inviting you to encounter art through your phone and the spaces around you. I love how they’ve quietly taken over Art Week, with works by artists including Adama Delphine Fawundu, Akinbode Akinbiyi, Ming Smith, Andrew Roberts and more appearing in unexpected places.

Something different, forward thinking, away from the usual at #berlinartweek. Experiencing art across borders, while also challenging the status quo of how and where we encounter it.

Maybe we do a walk soon? Would be cool, @benlw. Learn more on prazzlearts.com

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🍂 Das ist im September bei uns los.

13.09.
Führungen zum @tagdesoffenendenkmals in der #VILLA102 (leider schon ausgebucht, eine Warteliste ist eingerichtet)

23.09., 18:00
Räume erzählen: Virtuelle Kunst in der VILLA 102, Aperitif-Führung, gemeinsam mit @wava__ar per Augmented Reality

25.09.,15:30
Musikzimmer: Supermusik
Familienkonzert mit dem @bridgeskammerorchester in der
VILLA 102

10.09. - 06.12.
Ausstellung "Metaxy : Zwischen Zerstörung und Wiederaufbau" in der @akademiederkuenste, Berlin

Alle Infos und Anmeldungen findet ihr auf unserer Website.

ENG

🍂 Here's what's happening in September.

13.09.
Guided tours for @tagdesoffenendenkmals at VILLA 102 (already fully booked, waitlist available)

23.09., 18:00
Spaces Tell Stories: Virtual Art at VILLA 102, aperitif tour, together with @wava__ar via augmented reality

25.09., 15:30
Musikzimmer: Supermusik
Family concert with @bridgeskammerorchester at VILLA 102

10.09. – 06.12.
Exhibition "Metaxy : Between Destruction and Reconstruction" at @akademiederkuenste, Berlin

All info and registration on our website.

#Events #September #WandelGestalten #KfWStiftung

📸 KfW Stiftung (1,4), KfW / Jens Steingässer (2), @wongebergmann (3), @riminiberlin (5)

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Apparitions is coming to Berlin.

With Akinbode Akinbiyi, Maxwell Alexandre, Michele Ciacciofera, Cevdet Erek, Theo Eshetu, Ruth Ige, Hamedine Kane, Lidia Lisbôa, Adjani Okpu‑Egbe, Andrew Roberts, Juliana dos Santos, Ming Smith, Camille Turner, Vilanismo, and Cici Wu with Yuan Yuan.

Opening next week Friday (11.9), around the HKW and across the city.

Not All Travellers Walk Roads—Of Humanity as Practice

The 36 Bienal de São Paulo x WAVA

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Apparitions everywhere #nyc

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»Uplifting Instruction« (2026) by William Forsythe

Das neue Werk »Uplifting Instruction« von @william_forsythe_ am @zkmkarlsruhe lädt dazu ein, eine Botschaft in der virtuellen Welt zu finden.

Die appbasierte Augmented Reality (AR)-Installation, die während der Eröffnung der Biennale in Venedig im April 2026 vorgestellt wurde, zeigt vier Flugzeuge am Himmel über dem ZKM, die jeweils ein schwarzes Banner hinter sich herziehen. Gemeinsam bilden die Banner eine Handlungsanweisung. Um diese vollständig lesen zu können, muss man sich bewegen und den Flugzeugen mit dem Bildschirm des Smartphones folgen.

The new work ‘»Uplifting Instruction« by @william_forsythe_ at @zkmkarlsruhe invites you to discover a message in the virtual world.

The app-based augmented reality (AR) installation, premiered during the opening of the Venice Biennale in April 2026, features four airplanes flying across the sky above the ZKM, each towing a black banner. Together, the banners form an instruction for action. To read the message in its entirety, viewers must move and follow the airplanes with their smartphone screens.

© William Forsythe, »Uplifting Instruction«, 2026, Appbasierte AR-Installation,  Courtesy WAVA @wava__ar
Graphic design @designsmile.de
Studio Director Forsythe Production Julian Gabriel Richter
Curator Margit Rosen @zkm_collections & Philipp Ziegler, Curatorial project management Jelena Matičić

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Das war die KAMUNA 2026 🎉

Volle Hallen, leuchtende Augen, gute Musik und Kunst an jeder Ecke.
Danke an euch alle ❤️ Die Vorfreude aufs nächste Mal läuft bereits! 
© ZKM | Zentrum für Kunst und Medien Karlsruhe, Foto: Micha Reinke 
#ZKMKarlsruhe #KAMUNA #2026 #Karlsruhe #Museum

Elene’s Lines of Flight [Elenes Fluchtlinien] @KAMUNA
Performance von Natia Chikvaidze, Davit Khorbaladze und Karolina Sobel

Elene’s Lines of Flight [Elenes Fluchtlinien] @KAMUNA
Performance von Natia Chikvaidze, Davit Khorbaladze und Karolina Sobel

SOUNDING BODIES — Vom Körper zum Soundtrack

William Forsythe. Uplifting Instruction
Gespräch mit dem Produzenten der AR-Installation Ben Livne Weitzman

Live Concert @KAMUNA: Exoplanetary Fictions
Jiyoung (Chloe) Yoon x Başak Günak x Vardan Harutyunyan

Live Concert @KAMUNA: Exoplanetary Fictions
Jiyoung (Chloe) Yoon x Başak Günak x Vardan Harutyunyan

Live Concert @KAMUNA: Exoplanetary Fictions
Jiyoung (Chloe) Yoon x Başak Günak x Vardan Harutyunyan

Live Concert @KAMUNA: Exoplanetary Fictions
Jiyoung (Chloe) Yoon x Başak Günak x Vardan Harutyunyan Eine leuchtende Installation aus Glas, in einer Ausstellung.

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Two things I learned last week from the instagram comment section of my augmented reality Frieze piece. One of them surprised me: people have very strong opinions about AR, and almost no one actually reads the articles. So here are some screenshots ☝️

Thanks you @chloeellenstead for commissioning and for the sharp editing!

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With migratory birds and Shakespearean texts, through distorted monuments, ghost love stories, and squashed-up cars excavated from sites of AI-imagined queer histories, “Here, where we are” is now fully open, with eight newly commissioned site-specific augmented artworks across Main-Taunus-Kreis.

With the incredible Tamara Grčič, Mohsen Hazrati, Lucas LaRochelle, Tomás Maglione, Thuy Tien Nguyen & Wanwen Zhang, Claudia Pense & Lena Müller, François Pisapia & Pauli Scharlach and Alona Rodeh.

Co curated with Dalwin Kryeziu.

“Hier, wo wir sind” is a WAVA exhibition initiated by Kulturfunds Rhein/Main as part of World Design Capital 2026. Wholehearted thanks to Christina Lutz, Susanne Völker, Asja Jarzina, and the communities and cultural departments of Bad Soden, Eppstein, Flörsheim, Hattersheim, Hochheim, Hofheim and Kelkheim <3

See the WAVA, Kulturfonds, and WDC websites for more information and exact locations. The exhibition is on till the end of the year.

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Räume erzählen: Virtuelle Kunst in der #Villa102

Am 15. Juli, 13:00 Uhr laden wir zu einer Führung durch die Welt der virtuellen Kunst.

In Zusammenarbeit mit der digitalen Plattform @wava__ar erkunden wir das Potential von Kunst im Zeitalter der Digitalität.

Drei Positionen werden virtuell gezeigt:

• Heavy on the Scale 121g (2025) – @salwaleryani
• The Evidence (2023) – @elianurvista
• Untitled (2011) – @khvaysamnang

🍦Als kleine Aufmerksamkeit gibt es Eis für alle Besucher*innen

📅 15. Juli, 13:00 Uhr
📍 VILLA 102, Bockenheimer Landstr. 102, Frankfurt am Main
ca. 60 min
🔗 Anmeldung & Infos: Link in Bio

Führung: @danielaleykam , Programmleitung Kunst & Kultur, KfW Stiftung

*ENG*
Spaces Tell Stories: Virtual Art at #villa102

On July 15 at 1:00 p.m., we invite you to join us for a guided tour through the world of virtual art.

In collaboration with the digital platform @wava__ar, we’ll explore the potential of art in the digital age.

Three works will be presented virtually:

• Heavy on the Scale 121g (2025) – @salwaleryani
• The Evidence (2023) – @elianurvista
• Untitled (2011) – @khvaysamnang

🍦As a small treat, there will be ice cream for all visitors

📅 July 15, 1:00 p.m.
📍 VILLA 102, Bockenheimer Landstr. 102, Frankfurt am Main
approx. 60 min.
🔗 Registration & info: Link in bio

Guided tour by @danielaleykam, Programme Management Arts and Culture

Video: @pola.sell

#VirtualArt #Event #Frankfurt #KfWStiftung

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🌎 Sabia que obras da 36ª Bienal continuam circulando pelo mundo? As ‘Aparições’, uma colaboração com a WAVA (@wava__ar), levam ecos da #36bienal a 4 estados brasileiros e mais de 30 locais pelo mundo.

O programa de mostras itinerantes também leva recortes da exposição ao exterior, chegando ao Chile, México e Alemanha até o final de 2026.

🔗 Para saber mais, acesse o link na bio!

As ‘Aparições’ contam com a participação de Adama Delphine Fawundu, Akinbode Akinbiyi, Andrew Roberts, Camille Turner, Cevdet Erek, Cici Wu com Yuan Yuan, Hamedine Kane, Juliana dos Santos, Lidia Lisbôa, Maxwell Alexandre, Michele Ciacciofera, Ming Smith, Ruth Ige, Theo Eshetu, Vilanismo.

Agradecemos ao nosso parceiro estratégico @itau, @itaucultural, e aos nossos patrocinadores master @petrobras, #PetrobrasCultural, @bloomberg, @bradesco, @valenobrasil, @citibrasil, @vivo.

Este projeto é apoiado por Aventis Foundation e Creapo Foundation.

#pratodosverem O vídeo mostra as 'Aparições' da 36ª Bienal, uma colaboração com a WAVA que traz fragmentos e continuações de obras expostas no Pavilhão da Bienal para cidades no Brasil e no mundo através de Realidade Aumentada.

@benlw @florian_adolph @davidbachmann_

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🌀 Virtuelle Kunst im Garten der
VILLA 102 - KfW Stiftung & @wava__ar

Führung am 15.07. um 13:00 Uhr
Jetzt anmelden!

ℹ️
Von September 2025 bis September 2026 erkundet die KfW Stiftung mit der Plattform WAVA das Potenzial digitaler Kunst. Mit GPS und Augmented Reality (AR) bringt WAVA Kunstwerke an spezifische Orte – ganz ohne physische Aufbauten.

Drei Positionen werden virtuell gezeigt. Sie zeigen jeweils auf unterschiedliche Weise, welches Potential in virtueller Kunst zu entdecken ist.

• Heavy on the Scale 121g @salwaleryani: Eine virtuelle Glasskulptur, deren Höhe sich nach dem Goldpreis richtet. Sie wurde digital modelliert & reflektiert die Frage: Welchen Wert hat virtuelle Kunst?

• The Evidence @elianurvista, 2023:
Ein immersiver Film über Indonesiens Palmenwälder, lebensgroß im Garten erlebbar.

• Untitled @khvaysamnang, 2011
WAVA wird hier zum Tool des Protests. Eine virtuelle Kopie des Films ist per GPS-Signal an dem Ort in Kambodscha auffindbar, an dem er gedreht wurde & auf dessen ökologische & soziale Verdrängung der Künstler aufmerksam macht.

*ENG*

🌀 Virtual Art in the Garden of
VILLA 102 - KfW Stiftung & @wava__ar

Guided tour on July 15 at 1:00 p.m.

Register now!

ℹ️
From September 2025 to September 2026, the foundation KfW Stiftung will explore the potential of digital art using the WAVA AR platform. Using GPS and augmented reality (AR), WAVA brings artworks to specific locations—without any physical installations.

Three works are presented virtually. Each illustrates, in its own way, the potential to be discovered in virtual art.

• Heavy on the Scale 121g @salwaleryani: A virtual glass sculpture whose height is determined by the price of gold. It was digitally modeled and raises the question: What is the value of virtual art?

• The Evidence @elianurvista, 2023:
An immersive film about Indonesia’s palm forests, which can be experienced life-size in the garden.

• Untitled @khvaysamnang, 2011
Here, WAVA becomes a tool for protest. A virtual copy of the film can be located via GPS signal at the site in Cambodia where it was filmed—a location where the artist draws attention to ecological and social displacement.

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