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emily

@ylime.kd

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Gallery Girl
ldn / aotearoa
⏭️ @thisislookingforward
🪑@cue_collective_
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Ladies in waiting 1. Mati 2. Orphée 3. Chiara and Lisa 4. Sammy 5. Leon 6. Lisa, Orphée, Emily and Mati 7. Gehrig and Sophia 8. Aynur, Hannah, Lulu, Emily, Sohyeon, Sophia and I 📸 Sara @sarmglr
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AFTER THE HAUNTING brought together artists Melanie Cove @snow_blindness, Tara Dowling @_tara_dowling_, Korissa Frooman @korissafrooman, Simone Marconi @simone.marconi_, Laolu Numa @iphri.studio and Aidan Robertson @aidan_robertson_ to commune at Broncko Bianchi, to parlay with ghosts. 🪑 [1] Derrida, Jacques. 1994. Specters of Marx: The State of the Debt, the Work of Mourning and the New International. (Routledge) [2] Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. (Zer0 Books) [3] Gordon, Avery, Hite, Katherine, Jara, Daniela. 2020. Haunting and thinking from the Utopian margins: Conversation with Avery Gordon. Memory Studies. 13. 337-346. Abudu, KJ. Introduction. In Living with Ghosts: A Reader. 2022. Ed. KJ Abudu. (Pace Publishing) [4] Lund, Jacob. Untimeliness in Contemporary Times. In Futures of the Contemporary. Ed. Paulo de Assis, Michael Schwab. 2025. (Leuven University Press) [5] Fisher, Mark. 2026. The Weird and the Eerie. (Repeater Books) 🪑 Thanks to @louisbaczkiewiczross @anubhav.deka Curated by @cue_collective_ @kro_ni_ki @hannahhornbyart @ylime.kd
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Screening of ‘Self Portrait talking to the Artist Ben Cove; The Revenant’ was an intimate contemplation, held in discussion with artist Melanie Cove afterwards. Simone Marconi’s film flew us in to Venice on a micro scale, seeing industry and cyclical life from a plant POV. ‘Docile Sodom (Where-Does-It-End?)’ began the show before it opened. What a joy to participate in the attentive discussion that followed. Thank you to Simone and Melanie for your mooring and to those that attended. 🪑 @simone.marconi_ 🪑 @snow_blindness Curated by @cue_collective_ @kro_ni_ki @hannahhornbyart @ylime.kd
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After comes now. Thank you to everyone for visiting After The Haunting. Artists @snow_blindness @_tara_dowling_ @simone.marconi_ @aidan_robertson_ @korissafrooman @iphri.studio 🪑 Curated by @cue_collective_ @ylime.kd @kro_ni_ki @hannahhornbyart Photos @anubhav.deka
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Melanie Cove and Simone Marconi open AFTER THE HAUNTING. A screening of their two films, ‘The Revenant’ and ‘Docile Sodom (Where-Does-It-End)’ respectively, handle grief and life, non-living living spaces with deft dignity and speculation. Let us host you for an intimate discussion with Melanie Cove, at 16:30, prior to the PV on the 27th of August. Screening + Discussion with Melanie Cove 27 Aug 16:30 - 17:30 Simone Marconi, ‘Docile Sodom (Where-Does-It-End)’ Melanie Cove, ‘The Revenant’ Private View 27 Aug 18:00-21:00 Open Daily 28 + 29 Aug 12:00-17:00 Location @bronckobianchi 485 Hackney Rd, London E29 EG 🪑@snow_blindness 🪑@simone.marconi_ Curated by @cue_collective_ @kro_ni_ki @ylime.kd @hannahhornbyart
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What comes after the haunting? CUE is pleased to host you at our upcoming exhibition 27/08-29/08, including a PV with screening and artist discussion. Screening + Discussion with Melanie Cove 27 Aug 4:30 - 5:30pm Simone Marconi, Docile Sodom (Where-Does-it-End?) Melanie Cove, The Revenant Private View 27 Aug 6 - 9pm Open Daily 28 + 29 Aug 12 - 5pm Artists @snow_blindness @_tara_dowling_ @korissafrooman @simone.marconi_ @digital.maroon @aidan_robertson_ Location @bronckobianchi 458 Hackney Rd, London E29 EG Curated by @cue_collective_ @kro_ni_ki @ylime.kd @hannahhornbyart Image and work - Korissa Frooman Poster - Hannah Hornby
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I've been thinking and reading and writing about gods, the monolithic ones that we know the names of, and how we, maybe in our hubris, anthropize them, in an attempt to understand. . There's a common thread shared between all these gods as being able to stand against time, or in other words, to be timeless. . But belief and faith are malleable and ductile concepts. When a red thread is spun around a wizened tree in the Indian hinterland, it becomes a portal to a much greater shared consciousness. A smattering of carefully placed shells with a smooth surface in between them becomes an altar in the english countryside. . I can't help but see that maybe, the first gods were the ones we made for a loved one. A tree planted so that the next generation has shade. An act of love can be start of a religion as well. . Any which way, I've now started to think what happens when the gods sleep. . vignettes from a nice summer eve with the folks, And for everything else, #bhalukgoesexploring
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𝙎𝙖𝙮𝙞𝙣𝙜 𝙞𝙩 𝙞𝙣 𝙁𝙞𝙫𝙚 episode 1: 𝘐 𝘑𝘶𝘴𝘵 𝘏𝘰𝘱𝘦 𝘉𝘰𝘵𝘩 𝘛𝘦𝘢𝘮𝘴 𝘏𝘢𝘷𝘦 𝘍𝘶𝘯 by Emily @ylime.kd Emily Daymond-King (Pākehā) is a curator, writer, and semiotic sculptor from Aotearoa New Zealand. She came to curating through activism and a growing conviction that what changes how people see has less to do with the content of a message than with the structure of its encounter. Her practice is concerned with the trained gaze: audiences shaped by algorithmic content and the economy of instant preference, and how to create structural conditions that invite a different kind of attention. She is completing an MA in Curating Contemporary Art at the Royal College of Art, studied Art and Politics at NYU, and writes for Looking Forward Art Projects CIC. Full version please check our website (link in bio).
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An inverse open call, studio visits, shared food, and future relations… On the 11th of May CUE hosted a potluck dinner to build long-term relationships within the Royal College of Arts. Duration was the catalyst, whereby conversation streamed through futuristic relics, systems of governance and process as ritual. Thank you to The Bridge Space for hosting us 🪑 And to @anubhav.deka @aidan_robertson_ @christabelpng @abijoysamuelart @wenjiefeng_ @aimafan_ @korissafrooman @majofernandezplenge Thank you for inviting us!
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MORPHOSIS — Presented as part of the Curating Contemporary Art (MA) Show, Royal College of Art, 2026. 🗓️ 18–21 June (Thu, Sat, Sun 12–6pm / Fri 12–8pm) 📍 RCA Battersea, Dyson Building, Riverside, Hester Rd, SW11 4AY In the world we live in, translation is not an interchange of one word for another. Artworks are encountered through lenses of pre-digested information: reviews, publications, word-of-mouth, screens, before reception. Because screen- mediated consumption often precedes physical experiences of art, there is no consistent experience of an artwork. When an experience passes into an account, something is captured, but something is also lost. The atmosphere disappears, the body vanishes. So, in Morphosis, we focus on the elements that change in translation. Curators: Emily Daymond-King @ylime.kd Leanne Ghesquiere @leanneghesquiere Sabina Grinkevich @grinke_vich Seunghui Kang @huiih.ee Sofía Pastor Herranz @sofiapastorherranz William Sharp @williamgsharp George Zhaozhi Zhang @georgeeeeezhang Lead Artists: Zhuo Mengting @timelessclock E Scourti @e__scourti Guest Artist (in collaboration with Zhuo Mengting): Iris Colomb @iriscolomb MORPHOSIS was developed in response to a brief created in collaboration with Art Monthly, the UK’s leading magazine of contemporary visual art, on the occasion of its 50th anniversary.
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MORPHOSIS Presented as part of the Curating Contemporary Art (MA) Show, Royal College of Art, 2026. 🗓️ 18-21 June (Thu, Sat, Sun 12-6pm / Fri 12-8pm) 📍 RCA Battersea, Dyson Building, Riverside, Hester Rd, SW11 4AY Curators: Emily Daymond-King @ylime.kd Leanne Ghesquiere @leanneghesquiere Sabina Grinkevich @grinke_vich Seunghui Kang @huiih.ee Sofía Pastor Herranz @sofiapastorherranz William Sharp @williamgsharp George Zhaozhi Zhang @georgeeeezhang Lead Artists: Zhuo Mengting @timelessclock E Scourti @e__scourti Guest Artist (In Collaboration with Zhuo Mengting): Iris Colomb @iriscolomb MORPHOSIS was developed in response to a brief created in collaboration with Art Monthly, the UK’s leading magazine of contemporary visual art, on the occasion of its 50th anniversary. School of Arts and Humanities programmes also showcasing across RCA Battersea include: MFA Arts & Humanities, MA Ceramics & Glass, MA Contemporary Art Practice, MA Jewellery & Metal, MA Painting, MA Photography, MA Print, MA Sculpture and MA Writing. Follow our research journey: @sevenofsevenandtheseventh @royalcollegeofart @rca.cca @art_monthly_uk
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Introducing...Group 7! Follow Group 7... @sevenofsevenandtheseventh @ylime.kd - Emily Daymond-King @leanneghesquiere - Leanne Ghesquiere @grinke_vich - Sabina Grinkevich @huiih.ee - Seunghui Kang @sofipastorh - Sofía Pastor Herranz @williamgsharp - William Sharp @georgeeeezhang - George Zhaozhi Zhang
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