Instagram story viewer> @ylime.kd> Posts

emily

@ylime.kd

294

followers

1584

following

curator
ldn / aotearoa
⏭️ @thisislookingforward
🪑@cue_collective_

POSTS STORIES REELS TAGGED

AFTER THE HAUNTING brought together artists Melanie Cove @snow_blindness, Tara Dowling @_tara_dowling_, Korissa Frooman @korissafrooman, Simone Marconi @simone.marconi_, Laolu Numa @iphri.studio and Aidan Robertson @aidan_robertson_ to commune at Broncko Bianchi, to parlay with ghosts.

🪑

[1] Derrida, Jacques. 1994. Specters of Marx: The State of the Debt, the Work of Mourning and the New International. (Routledge)

[2] Fisher, Mark. 2014. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. (Zer0 Books)

[3] Gordon, Avery, Hite, Katherine, Jara, Daniela. 2020. Haunting and thinking from the Utopian margins: Conversation with Avery Gordon. Memory Studies. 13. 337-346.
Abudu, KJ. Introduction. In Living with Ghosts: A Reader. 2022. Ed. KJ Abudu. (Pace Publishing)

[4] Lund, Jacob. Untimeliness in Contemporary Times. In Futures of the Contemporary. Ed. Paulo de Assis, Michael Schwab. 2025. (Leuven University Press)

[5] Fisher, Mark. 2026. The Weird and the Eerie. (Repeater Books)

🪑 Thanks to @louisbaczkiewiczross @anubhav.deka

Curated by @cue_collective_
@kro_ni_ki
@hannahhornbyart
@ylime.kd by @ylime.kd

75

2

a month ago

Screening of ‘Self Portrait talking to the Artist Ben Cove; The Revenant’ was an intimate contemplation, held in discussion with artist Melanie Cove afterwards.

Simone Marconi’s film flew us in to Venice on a micro scale, seeing industry and cyclical life from a plant POV. ‘Docile Sodom (Where-Does-It-End?)’ began the show before it opened.

What a joy to participate in the attentive discussion that followed. Thank you to Simone and Melanie for your mooring and to those that attended.

🪑 @simone.marconi_
🪑 @snow_blindness

Curated by @cue_collective_
@kro_ni_ki
@hannahhornbyart
@ylime.kd by @ylime.kd

68

2

2 months ago

After comes now. Thank you to everyone for visiting After The Haunting.

Artists
@snow_blindness
@_tara_dowling_
@simone.marconi_
@aidan_robertson_
@korissafrooman
@iphri.studio

🪑

Curated by @cue_collective_
@ylime.kd
@kro_ni_ki
@hannahhornbyart

Photos @anubhav.deka by @ylime.kd

147

0

2 months ago

What comes after the haunting? CUE is pleased to host you at our upcoming exhibition 27/08-29/08, including a PV with screening and artist discussion.

Screening + Discussion with Melanie Cove
27 Aug 4:30 - 5:30pm
Simone Marconi, Docile Sodom (Where-Does-it-End?)
Melanie Cove, The Revenant

Private View
27 Aug 6 - 9pm

Open Daily
28 + 29 Aug 12 - 5pm

Artists
@snow_blindness
@_tara_dowling_
@korissafrooman
@simone.marconi_
@digital.maroon
@aidan_robertson_

Location
@bronckobianchi
458 Hackney Rd, London E29 EG

Curated by @cue_collective_
@kro_ni_ki
@ylime.kd
@hannahhornbyart

Image and work - Korissa Frooman
Poster - Hannah Hornby by @ylime.kd

72

6

2 months ago

𝙎𝙖𝙮𝙞𝙣𝙜 𝙞𝙩 𝙞𝙣 𝙁𝙞𝙫𝙚 episode 1:
𝘐 𝘑𝘶𝘴𝘵 𝘏𝘰𝘱𝘦 𝘉𝘰𝘵𝘩 𝘛𝘦𝘢𝘮𝘴 𝘏𝘢𝘷𝘦 𝘍𝘶𝘯 by Emily @ylime.kd

Emily Daymond-King (Pākehā) is a curator, writer, and semiotic sculptor from Aotearoa New Zealand. She came to curating through activism and a growing conviction that what changes how people see has less to do with the content of a message than with the structure of its encounter. Her practice is concerned with the trained gaze: audiences shaped by algorithmic content and the economy of instant preference, and how to create structural conditions that invite a different kind of attention. She is completing an MA in Curating Contemporary Art at the Royal College of Art, studied Art and Politics at NYU, and writes for Looking Forward Art Projects CIC.

Full version please check our website (link in bio). by @ylime.kd

71

8

4 months ago

MORPHOSIS

Presented as part of the Curating Contemporary Art (MA) Show, Royal College of Art, 2026.

🗓️ 18-21 June (Thu, Sat, Sun 12-6pm / Fri 12-8pm)
📍 RCA Battersea, Dyson Building, Riverside, Hester Rd, SW11 4AY

Curators:
Emily Daymond-King @ylime.kd
Leanne Ghesquiere @leanneghesquiere
Sabina Grinkevich @grinke_vich
Seunghui Kang @huiih.ee
Sofía Pastor Herranz @sofiapastorherranz
William Sharp @williamgsharp
George Zhaozhi Zhang @georgeeeezhang

Lead Artists:
Zhuo Mengting @timelessclock
E Scourti @e__scourti

Guest Artist (In Collaboration with Zhuo Mengting):
Iris Colomb @iriscolomb

MORPHOSIS was developed in response to a brief created in collaboration with Art Monthly, the UK’s leading magazine of contemporary visual art, on the occasion of its 50th anniversary.

School of Arts and Humanities programmes also showcasing across RCA Battersea include: MFA Arts & Humanities, MA Ceramics & Glass, MA Contemporary Art Practice, MA Jewellery & Metal, MA Painting, MA Photography, MA Print, MA Sculpture and MA Writing.

Follow our research journey: @sevenofsevenandtheseventh

@royalcollegeofart @rca.cca @art_monthly_uk taken in Royal College of Art by @ylime.kd

170

34

4 months ago

i was stoked with the inverse open call— this kind of curiosity and experimentation feels like the way to go. also a great time to play around with presentation adjacency and working from within the institution. go cue by @ylime.kd

37

6

4 months ago

An inverse open call, studio visits, shared food, and future relations…

On the 11th of May CUE hosted a potluck dinner to build long-term relationships within the Royal College of Arts. Duration was the catalyst, whereby conversation streamed through futuristic relics, systems of governance and process as ritual.

Thank you to The Bridge Space for hosting us 🪑

And to
@anubhav.deka
@aidan_robertson_
@christabelpng
@abijoysamuelart
@wenjiefeng_
@aimafan_
@korissafrooman
@majofernandezplenge
Thank you for inviting us! by @ylime.kd

74

2

4 months ago

by @ylime.kd

28

13

7 months ago

by @ylime.kd

3

1

2 years ago

#menace by @ylime.kd

30

2

2 years ago

cone excursion taken in Cuba Street, Wellington by @ylime.kd

3

0

2 years ago