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The incredible @lucydacus by @clareshilland for BEAT 💗

Photographer Clare Shilland @clareshilland
Assistant: Rory Cole @rory__cole
Stylist: Michele Rafferty @michele_rafferty
Assistant: Haajar Doujar
Make Up: Marina Belfon Rose @marinabelfonrose
Hair: Stelios Chondros @stelioschondroshair by @thebeatarchive

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a year ago

🚨 @ajtracey for BEAT by @kwxme
Interviewed by @seth_est88 by @thebeatarchive

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a year ago

The great @kaetempest for beat by @jesse_glazzard
Styling @honorbarber by @thebeatarchive

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a year ago

The impeccable SELF ESTEEM by Vic Lentaigne for BEAT SUMMER 2025.

@selfesteemselfesteem @viclentaigne by @thebeatarchive

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a year ago

Lucy Dacus by Clare Shilland for BEAT. SUMMER 2025. Coming soon 😍
@lucydacus @clareshilland by @thebeatarchive

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a year ago

The inimitable @kaetempest for beat by @jesse_glazzard ❤️
Styling @honorbarber by @thebeatarchive

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a year ago

AJ Tracey by Kwame Dapaa, for BEAT. Summer 2025. Coming soon. @ajtracey @kwxme 🔥 by @thebeatarchive

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a year ago

‼️ 5 QUESTIONS WITH NOCUI ‼️

NOCUI is steadily carving his space in the electronic world - blending euphoric House, cutting-edge sound design, and pure, powerful energy.

The Berlin-based Italian producer, composer, and sound designer, real name Leonardo Di Fiore, is on a mission to make music that feels good, elevates the moment, and leaves a lasting mark. His meticulous, high-impact tracks are more than club tools; they’re designed for connection, movement, and release.

Expect big things!! NOCUI is only getting started.

@nocui_ #5questionswith #beatmag by @thebeatarchive

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a year ago

🗞️Tommy WÁ has just announced his new EP Somewhere Only We Go — his first full release with Dirty Hit — and it’s set to be a standout introduction to one of the most compelling new voices in alt-Afropop.

To mark the moment, he’s dropped the radiant new single “Keep On Keeping On”, a track that blends West African rhythms with soulful songwriting and open-hearted reflection.

“This song explores what it means to be confident in patience,” Tommy says, “and offers a graceful, reflective template for the nuances that may surround a person’s life.”

Born in Nigeria and based in Ghana, Tommy’s been turning heads with recent sets at The Great Escape and Dot To Dot, and will join Macy Gray on tour in June before hitting the UK festival circuit in July.

If you’re not already tuned in, now’s the time!

@tommywatomiwa

#newmusic #musicnews by @thebeatarchive

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a year ago

🗞️Following the release of one of 2025’s most acclaimed albums - If You Asked For A Picture -  Blondshell (Sabrina Teitelbaum) visited the LA studios of Sirius XMU for a spotlight session and ever since fans have been clamouring for the official release of her take of Addison Rae’s ‘Diet Pepsi’ which she performed that day.

Responding to the groundswell of demand for her moody and swoon-worthy reinterpretation, Blondshell has officially released the cover across all DSPs.  She says, “I love Addison’s music and this is my fave song of hers! It was on repeat for me when it came out so when we went in to do a Sirius XMU session it was between this and ‘You’re Gonna Make Me Lonesome When You Go’ by Bob Dylan. Glad we went with this one.”

@blondshell by @thebeatarchive

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🗞️ Ethel Cain returns today with “Nettles”, the first glimpse into her forthcoming sophomore album Willoughby Tucker, I’ll Always Love You, out 8 August. Pre-orders open this Friday, 6 June.

Written during her first week living in the Alabama house where she finished Preacher’s Daughter, “Nettles” sits in that same space of haunted vulnerability — but this time, the grief gives way to something gentler. A dream of love that stays.

“It became a dream of losing the one you love, asking them to reassure you that it won’t come true… to dream, instead, of all the time you’ll have together as you grow old side by side,” Cain shares. “Every once in a blue moon, it feels good to slough off the macabre and to simply let love be.”

#musicnews @mothercain by @thebeatarchive

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@st_vincent by @clareshilland for BEAT

#beatarchive by @thebeatarchive

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