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tialeaux

@tialeaux

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ordered steps + divine timing | @aarchtect | @saic.maaap

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Over the past two semesters, I have experienced the most rewarding collaboration which resulted in “Forget Me Not” — an exhibition curated in partnership with Epiphany Center for the Arts and SAIC’s MAAAP Program.Helena, Izzy, Serena, and myself poured a lot of time into this show and had a common goal of introducing emerging and mid-career artists to new audiences.I begin my curatorial career with heavy consideration of the way in which art is perceived and how architecture plays a role in that.Showcased Artists:Bianca Pastel: @biancapastel Marlon Tobias: @marlontobiasart Bailey Ellens: @somethinforbreakfast Alayna Pernell: @alaynapernell Juan Molina Hernández: @juanmolinahernandezSelma Suleiman: @selmasperspectiveRex Delafkaran: @rex_delafkaranKitty Rauth: @_sugarm0mmy_ Stevie Connor: @thatsstevieAva Peterson: @artbyavapetersonvideographer: @creativedyl <3 by @tialeaux

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5 months ago

cherishing these last moments of summer… it’s not over until the leos say so tho xoxo by @tialeaux

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7 days ago

the rosary placement over the pew. protection.“Girls at Mass, Notre Dame D’Haiti Catholic Church, Little Haiti, Miami, Florida, 2003.” x Bruce Webercc: @archiveafrica by @tialeaux

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2 months ago

not here without an hbcuthanking God for the endurance He provides me throughout this blessing of grad school at saic. loving the way my thesis is developing. eager to share and hoping the through line of music and Black spiritual practices is peaking through ✨ finished the semester with an essay titled “Music as Translation” ready to get behind some decks this summalove my Spelman sistas :* by @tialeaux

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2 months ago

The Interdenominational Chapel for Tuskegee Institute in Tuskegee, Alabama designed in 1960 by Paul Rudolph and the African-American firm of John A. Welch and Louis Fry (both Welch and Fry were former Tuskegee Institute Faculty members).⁠⁠“The chapel is psychologically a fortress for Tuskegee Institute. Most of the light is brought into the interior from overhead to increase the feeling of security and stability. The non-parallel walls and hyperbolic paraboloid roof assist the acoustical quality of the chapel. The simple space expands itself to form side chapels and entrances in an overlapping and spiraling manner.”⁠⁠Rudolph, Paul. The Architecture of Paul Rudolph. New York: Praeger, 1970. p. 86.⁠Copy Credit: @paulrudolphinst Photo Credits: @document_skegee @hoodmidcenturymodern @paulrudolphinst @jfolan75 by @tialeaux

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3 months ago

As the curtains close on this amazing experience co-curating “Forget Me Not”, I want to share this sweet moment I got to experience with Marlon @marlontobiasart from opening day.We met last summer and instantly bonded over his research and our HBCU experiences. Such a pleasure to have him in one of my first Chicago exhibitions (and before he is displayed in museums globally). 🙂‍↕️ #BlackArtArtwork: The Space Above Where There is Nothing Without What Holds It Up, 2022 📹: @creativedyl by @tialeaux

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3 months ago

Another quarter not beating the East African allegations. Honoured. 🌍 by @tialeaux

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4 months ago

when a special curator & artist collaborate >@stormascher @gregitooo @superpositiongallery I love to document and reflect on how much these moments mean to me 🥲. LA felt so good. The sun, the art & the team warmed me right up. by @tialeaux

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4 months ago

Research is a reminder that even our giants had to start small. 🫶🏾It was a pleasure learning more about these ambitious women who were in pursuit of goals similar to the organizations now a part of the Divine 9. Greek history is Black history. It belongs to all of Us.thank you @taylorveli for always letting me support your scholarship, another story well told. @watchtheyard @uchicago by @tialeaux

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4 months ago

first semester recap @saic by @tialeaux

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6 months ago

my production sounds like a blend of zhané + missy + threetwenty by @tialeaux

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6 months ago

🍓🫐🍋🍒🥝🍑✨ by @tialeaux

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6 months ago