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today’s rainbow is tomorrow’s tamale
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In the latest installment of Echoes & Origins at Rodeo Cinema Stockyards, we find Texan indie pioneer Eagle Pennell’s Last Night at the Alamo paired with Jackson Cropper’s No Acorns for a Blind Hog in a night of beer-fueled Neo-realism.

In their newest write-up, programmer Elijah Bigler (@eli.bigler) sat down with Jackson to discuss influence, shooting on film, the importance of ethnography, and the scope of modern-day Southern filmmaking.

You can read the interview now through the link in bio! taken in Stockyards City, Oklahoma City by @twincoves_
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2 months ago
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pretty cool! but I think I prefer blue album hot springs a little more taken in Pinkerton Hot Springs by @twincoves_
9
5 years ago
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Autolandscapes — Utah taken in Moab, Utah by @twincoves_
16
6 years ago
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The pet raccoon of a hitchhiker in Forsyth Park, March, one week before quarantine 🦝 taken in Forsyth Park Savannah, Georiga by @twincoves_
15
6 years ago
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a park for all. thanks, george! taken in Gathering Place for Tulsa by @twincoves_
0
8 years ago
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we found some flags so that must mean we’re at the top !! taken in Buena Vista, Colorado by @twincoves_
6
8 years ago
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lakeside vol. ii taken in Ed Galloway's Totem Pole Park by @twincoves_
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8 years ago
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one year ago today we met the best pet squirrel that ever lived - RIP Phil 🐿
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phil's legacy does not end here. Our award winning documentary link in bio #vivalaphil taken in Tulsa, Oklahoma by @twincoves_
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9 years ago
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My granddad taken in Arcadia Round Barn by @twincoves_
0
11 years ago
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