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arimeta

@uhharim

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new essay on 𝘬𝘪𝘭𝘭 𝘧𝘦𝘦 i wrote a few months ago in a kind of frenzy one morning. funny how some writing arrives in its fragmented parts while others are torrential and suffocating — maybe thats part of why i took so long to share with you. 🔗 to my substack in bio and stories

will be posting about some plans i have for 𝘬𝘪𝘭𝘭 𝘧𝘦𝘦 in the next few days so please be sure to keep up with me there my dear. by @uhharim

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4 months ago

¿Qué arte se produce desde el imperio cuando el imperio mismo se desmorona?

La 82ª Bienal Whitney reúne a 56 artistas en una exposición sin tema ni título, donde la relación, la fragilidad y la incomodidad atraviesan el recorrido. Entre cuerpos grotescos, paisajes devastados, memoria colonial y futuros inciertos, arimeta diop lee esta edición como un retrato del desconcierto estadounidense contemporáneo.

“¿Qué significa estar ‘en relación’ mientras Estados Unidos enfrenta su propia fragilidad como proyecto de nación?”

Desde las esculturas de Nanibah Chacón hasta las instalaciones de Basel Abbas y Ruanne Abou-Rahme, la muestra ensaya formas imperfectas de convivencia en medio del ruido político, afectivo y territorial del presente.

👉 Lee la crítica de arimeta diop (@uhharim) en arteinformado.com

📸 Imagen: Taína H. Cruz, I Saw the Future and It Smiled Back (2025). Cortesía del Whitney Museum.

#WhitneyBiennial #Whitney2026 #ArteContemporáneo #ArteYPolítica #Arteinformado taken in New York, New York by @uhharim

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5 months ago

and where does criticism reside ? if it is / trying to be good / alongside, alongside, alongside—latest from me for @elephantmagazine

grateful to @camillegbacon for her words her time her gathered treasures, this look into a body of work already so rich is the ideal note to open the year on. by @uhharim

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9 months ago

favourite photo of myself this year—you cannot see what i actually was looking at but know i saw beauty, pure and true by @uhharim

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9 months ago

an essay up on ‘kill fee’ for your commute; marie antoinette and all the ingénue fashioned in her archetype, her image, have been haunting my feeds. my words bolstered also by a conversation with @bethkatleman who welcomed me into her studio this summer ahead of her inclusion in the exhibition ‘Marie Antoinette Style’ on view @vamuseum

but more than that thinking endlessly about digital ownership, mould making, civic autonomy and how to swallow a girl whole — my treat to you, i hope you’ll find some sliver as sweet as cake

#art #essay by @uhharim

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a year ago

i spoke with @alison_saar ahead of her accepting the @highmuseumofart Driskell Prize for @elephantmagazine — a winding morning conversation from the potential of eBay as a spiritual realm of charged materials, anonymous legacy, red Georgia clay.

grateful for the time and richness; nina’s “new world coming” feels especially apt by @uhharim

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a year ago

“That may be Duet’s true delight: an attempt to dance on the grave of old and waning norms of the art world as it stands before us. Breaking into the hometown abandoned mall to fill it with new vitality; remake the space in your image by reveling in the space. Luckily a chapel was erected downstairs so all who observe might properly mourn the passing of an older era. On that meta-level, Duet’s curatorial focus on the twin becomes compelling when considering the crossroads that those within the arts find themselves at. “All” the galleries are closing yet season’s openings remain packed with eager bodies. We should be well-accustomed to the cycle of things. If something is dying here, something else is dying to be born.”

The inaugural group show and gallery presentation at WSA (@wsanyc) offers a new imagining of what an exhibition might be, while signaling fashion and art’s spatial collapse upon one another. Words by Arimeta Diop (@uhharim).

Installation view, courtesy of WSA by @uhharim

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a year ago

going to the mall ? my essay reviewing @wsanyc’s ‘duet’ for @elephantmagazine is live for your reading pleasure—some highlights from the show also,
@outofonesskin, @ofthecloth.us
@cluvie
@naamatsabar, @spinelloprojects
@brian_thoreen, @masagaleria
@elliotanderick
Radcliffe Bailey, @jackshainman
@karondavis by @uhharim

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a year ago

my review for @impulse_magazine_ of #DavidAntonioCruz at @icasanfrancisco and @khari.studio at @jonathancarvermoore went up last weekend, a precious stitching

and another opportunity to release some more of what i saw during that cali trip by @uhharim

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a year ago

#selfie by @uhharim

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a year ago

here, still, under bleached sky, running out of continent by @uhharim

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a year ago

end of an era, vanity fairwell ♡ by @uhharim

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a year ago