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🎉 exhibition IN NOBODYS SERVICE location in bio 👇 in phuket
(opens thursday to sunday 1-6pm) 📌 @thailand_biennale @goetheinstitut.thailand
POSTS STORIES REELS TAGGED
One month left - last chance to see #innobodysservice at @thailand_biennale 2025-26

āđ‚āļ­āļāļēāļŠāļŠāļļāļ”āļ—āđ‰āļēāļĒ āđ€āļ”āļ·āļ­āļ™āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ—āļĩāđˆāļˆāļ°āđ„āļ”āđ‰āļŠāļĄāļĻāļēāļĨāļē "āļ—āļĩāđˆāļ™āļĩāđˆāđ„āļĄāđˆāđ€āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ" āļ—āļĩāđˆāđ„āļ—āļĒāđāļĨāļ™āļ”āđŒāđ€āļšāļĩāļĒāļ™āļ™āļēāđ€āļĨāđˆāļ āļđāđ€āļāđ‡āļ• 

featuring @sarntolstice @qooiam @artworxbykrisanta @rosalianamsaiengchuan @sisumon @oat_montien @nitanitar @nttpsmkw @jasmin1werner @universebaldoza @_maiithai Raksa Bussaraporn and more, @banyingsocial 

please come 👄 by @unthaitled
7
6 months ago
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āđ€āļ›āļīāļ”āļ•āļąāļ§āļŦāļ™āļąāļ‡āļŠāļ·āļ­ â€œāļ—āļĩāđˆāļ™āļĩāđˆāđ„āļĄāđˆāđ€āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ” āļāļīāļˆāļāļĢāļĢāļĄāļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļŠāļąāđ‰āļ™ āļŠāļ™āļ—āļ™āļē āđ€āļ”āļīāļ™āļ§āļēāļ”āļĢāļđāļ› āļāļąāļšāļāļĨāļļāđˆāļĄāļĻāļīāļĨāļ›āļīāļ™ un.thai.tled āļ§āļīāļĐāļ“āļļ āļ āļđāļ­āļēāļˆāļ”āļąāđ‰āļ™, āđ‚āļĢāļŠāļēāļĨāļĩāļĒāļē āļ™āđ‰āļģāđƒāļŠ āđ€āļ­āđˆāļ‡āļ‰āđ‰āļ§āļ™, āļ“āļąāļāļžāļ‡āļĻāđŒ āļŠāļĄāļąāļ„āļĢāđāļāđ‰āļ§ āđāļĨāļ°āļĐāļēāļ“āļ‘āđŒ āļ­āļļāļ•āļĄāđ‚āļŠāļ•āļī āđāļĨāļ°āļ„āļĢāļīāļŠāļąāļ™āļ•āļē āļ„āļēāļāļīāļ§āļ­āļē āđ€āļĄāļīāļ™āļ™āļīāļŠ (āļāļīāļˆāļāļĢāļĢāļĄāļ āļēāļĐāļēāđ„āļ—āļĒ āđ€āļ›āđ‡āļ™āļŦāļĨāļąāļ)

IN NOBODY'S SERVICE: BOOK LAUNCH, FILM SCREENING, NIGHT WALK SKETCH WORKSHOP with Sarnt Utamachote, Rosalia Namsai Engchuan, Wisanu Phu-artdun, Natthapong Samakkaew, Krisanta Caguioa-Moˈnnich

📌 Saturday 4th April , Sketch workshop 3-5pm , Book launch 5-6pm , Film Screening 6-8pm 

📌 āļ§āļąāļ™āđ€āļŠāļēāļĢāđŒāļ—āļĩāđˆ 4 āđ€āļĄāļĐāļēāļĒāļ™ āđ€āļ§āļīāļĢāđŒāļ„āļŠāļ­āļ›āļ§āļēāļ”āļĢāļđāļ›āđāļĨāļ°āđ€āļ”āļīāļ™ 3-5āļ™. āļŠāļ™āļ—āļ™āļēāđ€āļ›āļīāļ”āļ•āļąāļ§āļŦāļ™āļąāļ‡āļŠāļ·āļ­ 5-6 āļ™. āđāļĨāļ°āļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ 6-8 āļ™.

✅ïļFree entry
✅ïļāļŸāļĢāļĩ āđ„āļĄāđˆāđ€āļŠāļĩāļĒāļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒ

📌 āļŠāļ–āļēāļ™āļ—āļĩāđˆ āļĻāļēāļĨāļē "āđ„āļĄāđˆāđ€āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ" (PIN āļāļ”āđƒāļ™ Bio āļ‚āļ­āļ‡āļžāļ§āļāđ€āļĢāļē 👆)

layout by @nttpsmkw
book layout/design by @poopaelita
edited by @sarntolstice @rosalianamsaiengchuan @mltppr

@artworxbykrisanta
@qooiam
@nttpsmkw
@mltppr
@bomdiabooks
@goetheinstitut.thailand by @unthaitled
8
7 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļ“āļąāļāļžāļ‡āļĻāđŒ āļŠāļĄāļąāļ„āļĢāđāļāđ‰āļ§ āļĻāļīāļĨāļ›āļīāļ™āļ—āļąāļĻāļ™āļĻāļīāļĨāļ›āđŒāļ­āļīāļŠāļĢāļ°āļ­āļēāļĻāļąāļĒāļĢāļ°āļŦāļ§āđˆāļēāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™āđāļĨāļ°āļāļĢāļ°āļšāļĩāđˆ āļˆāļšāļāļēāļĢāļĻāļķāļāļĐāļēāļĻāļīāļĨāļ›āļšāļąāļ“āļ‘āļīāļ•āļŠāļēāļ‚āļēāļ āļēāļžāļ›āļĢāļ°āļāļ­āļšāļˆāļēāļāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ Burg Giebichenstein āđ€āļĄāļ·āļ­āļ‡āļŪāļąāļĨāđ€āļĨāļ­ āđƒāļ™āļ›āļĩ 2018 āļœāļĨāļ‡āļēāļ™āļ§āļīāļ—āļĒāļēāļ™āļīāļžāļ™āļ˜āđŒ Move Your Body āļĻāļķāļāļĐāļēāļāļēāļĢāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āļ‚āļ­āļ‡āļœāļđāđ‰āļ„āļ™āđƒāļ™āđ„āļ™āļ—āđŒāļ„āļĨāļąāļš LGBT+ āđƒāļ™āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ Best Experiment Award āļˆāļēāļāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļˆāļąāļ”āđāļŠāļ”āļ‡āđƒāļ™āļŦāļĨāļēāļĒāļŠāļ–āļēāļšāļąāļ™ āđ€āļŠāđˆāļ™ National Art Center Tokyo, Kunststiftung Halle, Aquamediale Festival, Hamburger Bahnhof āđāļĨāļ° Schwules Museum

Natthapong Samakkaew is a visual artist based in Berlin and Krabi. He earned a BA in Illustration from Burg Giebichenstein University of Art and Design in Halle, Germany, in 2018. His dissertation, Move Your Body, explored the representation of people in darkrooms within Berlin’s queer nightlife and received the Best Experiment Award at the university’s annual prize. Natthapong’s work has been exhibited internationally, including at The National Art Center Tokyo (2017), Kunststiftung Halle (2018), Aquamediale 13 Art Festival (2019), BBK Leipzig e.V. (2019), Artburst Berlin (2019), and Projektraum 145 (2019). More recently, his work has been presented at Galerie im Koˈrnerpark (2022), Fluctoplasma Festival (2022), Hamburger Bahnhof Museum as part of Unthaitled (2022), Zemin Berlin (2024), Galerie Wedding (2024), and Schwules Museum in Berlin (2025). by @unthaitled
0
8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļĄāļēāļ™āļīāļ•āļē āđāļāđ‰āļ§āļŠāļĄāļ™āļķāļ āđ€āļ›āđ‡āļ™āļĻāļīāļĨāļ›āļīāļ™āļ—āļąāļĻāļ™āļĻāļīāļĨāļ›āđŒāļ—āļĩāđˆāļ—āļģāļ‡āļēāļ™āļŦāļĨāļąāļāđƒāļ™āļŠāļ·āđˆāļ­āļ āļēāļžāļ§āļēāļ”āđāļĨāļ°āļ āļēāļžāđ€āļ‚āļĩāļĒāļ™ āđ€āļ•āļīāļšāđ‚āļ•āđƒāļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļĻāļīāļĨāļ›āļīāļ™ āļ—āļģāđƒāļŦāđ‰āļĻāļīāļĨāļ›āļ°āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļĢāļēāļāļāļēāļ™āļ‚āļ­āļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļ­āļ­āļāđāļĨāļ°āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļąāļĒāđ€āļĒāļēāļ§āđŒ āļĄāļēāļ™āļīāļ•āļēāļŠāļģāđ€āļĢāđ‡āļˆāļāļēāļĢāļĻāļķāļāļĐāļēāļĢāļ°āļ”āļąāļšāļ›āļĢāļīāļāļāļēāļ•āļĢāļĩ āļŠāļēāļ‚āļēāļāļēāļĢāļ­āļ­āļāđāļšāļšāļ™āļīāđ€āļ—āļĻāļĻāļīāļĨāļ›āđŒ āļ„āļ“āļ°āļĄāļąāļ“āļ‘āļ™āļĻāļīāļĨāļ›āđŒ āļˆāļēāļāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĻāļīāļĨāļ›āļēāļāļĢ āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āļĄāļēāļ™āļīāļ•āļēāļĄāļĩāļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļˆāļēāļāļāļēāļĢāļŠāļąāļ‡āđ€āļāļ•āđāļĨāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļŠāđˆāļ§āļ™āļ•āļąāļ§ āļāđˆāļ­āļ™āļˆāļ°āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āđ€āļ‚āđ‰āļēāļāļąāļšāļĄāļīāļ•āļīāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļĄāļ™āļļāļĐāļĒāļ āļēāļž āļŠāļąāļ‡āļ„āļĄ āđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļœāļĨāļ‡āļēāļ™āļ āļēāļžāļ§āļēāļ”āļ‚āļ­āļ‡āđ€āļ˜āļ­āđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ”āđ‰āļ§āļĒāļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļ āļēāļžāļŠāļ•āļĢāļĩ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāđƒāļ™āļāļēāļĢāļŠāļģāļĢāļ§āļˆāļ­āļēāļĢāļĄāļ“āđŒ āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ āđāļĨāļ°āļ•āļąāļ§āļ•āļ™āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāđƒāļ™āļŦāļĨāļēāļāļŦāļĨāļēāļĒāđāļ‡āđˆāļĄāļļāļĄ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2018 āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āļĄāļēāļ™āļīāļ•āļēāđ„āļ”āđ‰āļˆāļąāļ”āđāļŠāļ”āļ‡āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāđ€āļ”āļĩāđˆāļĒāļ§āđāļĨāļ°āļāļĨāļļāđˆāļĄāļ—āļąāđ‰āļ‡āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđāļĨāļ°āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĒāļ­āļĢāļĄāļ™āļĩ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ­āļēāļĻāļąāļĒāđāļĨāļ°āļ—āļģāļ‡āļēāļ™āļ­āļĒāļđāđˆāļ—āļĩāđˆāļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĒāļ­āļĢāļĄāļ™āļĩ

Manita Kaewsomnuk is a visual artist whose practice focuses primarily on drawing and painting. Growing up in an artist family, she naturally developed a deep passion for the arts from an early age. She received her Bachelor’s degree in Visual Communication Design from Silpakorn University, Thailand. Manita’s artistic practice begins with personal observation and introspection, integrating human sensations within broader social and cultural contexts. Her distinctive paintings often portray female figures, symbolizing diverse aspects of human existence and emotional experience. Since 2018, her works have been presented in solo and group exhibitions in Bangkok and Germany. She is currently based in Berlin, Germany, where she continues to develop her artistic exploration and visual language. by @unthaitled
0
8 months ago
Download
āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at un.thai.tled Sala at @thailand_biennale 

āļĐāļēāļ“āļ‘āđŒ āļ­āļļāļ•āļĄāđ‚āļŠāļ•āļī āļĻāļīāļĨāļ›āļīāļ™ āļ™āļąāļāļ—āļģāļŦāļ™āļąāļ‡āđāļĨāļ°āļ āļąāļ“āļ‘āļēāļĢāļąāļāļĐāđŒāļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆāđƒāļ™āļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ‡āļēāļ™āļ‚āļ­āļ‡āļĐāļēāļ“āļ‘āđŒāļŠāļģāļĢāļ§āļˆāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĻāļīāļĨāļ›āļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāļāļąāļšāļāļēāļĢāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄ āļœāđˆāļēāļ™āļāļēāļĢāļ§āļīāļˆāļąāļĒāļ—āļēāļ‡āļ āļēāļžāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§ āđ€āļ­āļāļŠāļēāļĢāđ€āļāđˆāļē āđāļĨāļ°āļ„āļĨāļąāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ (Archive) āļĐāļēāļ‘āļ“āđŒāđ€āļ›āđ‡āļ™āļŠāļĄāļēāļŠāļīāļāļ‚āļ­āļ‡āļ„āļ­āļĨāđ€āļĨāļāļ—āļĩāļŸ Cruising Curators āļ—āļĩāđˆāđ€āļāļīāļ”āļˆāļēāļāđ€āļ§āļīāļĢāđŒāļāļŠāđ‡āļ­āļ›āļ„āļīāļ§āđ€āļĢāđ€āļ•āļ­āļĢāđŒāļ‚āļ­āļ‡ Berlin Biennale āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 11 (2020) āđ€āļ›āđ‡āļ™āļāļĨāļļāđˆāļĄāļ—āļĩāđˆāļ”āļđāđāļĨāđ‚āļ„āļĢāļ‡āļāļēāļĢ Dissident Paths (2025–26) āļ—āļĩāđˆ nGbK Berlin āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļĨāđˆāļēāļŠāļļāļ”āļ—āļĩāđˆāļĐāļēāļ“āļ‘āđŒāļ„āļīāļ§āđ€āļĢāļ• Young Birds From Strange Mountains (2025) āļ—āļĩāđˆ Schwules Museum āļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āļĻāļīāļĨāļ›āļīāļ™āđ€āļžāļĻāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļˆāļēāļāđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰ āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļ‚āļ­āļ‡āļĐāļēāļ“āļ‘āđŒāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļĻāļīāļĨāļ›āļīāļ™āļāļąāļĄāļžāļđāļŠāļēāļœāļđāđ‰āļĨāļĩāđ‰āļ āļąāļĒāđƒāļ™āđ€āļĒāļ­āļĢāļĄāļ™āļĩāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āđƒāļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢ Where is my karaoke? (2022), Re-Connect: Art and Struggle in the Brotherland (2023) āļ—āļĩāđˆ MDBK Leipzig, Echoes of the Brother Countries (2024) āļ—āļĩāđˆ HKW Berlin āđāļĨāļ° Dislocations–within reach (2025) āļ—āļĩāđˆ Kunst Raum Mitte Berlin āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļĐāļēāļ“āļ‘āđŒāļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āđ‚āļ›āļĢāđāļāļĢāļĄāđ€āļĄāļ­āļĢāđŒ āļœāļđāđ‰āļ„āļąāļ”āđ€āļĨāļ·āļ­āļāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđƒāļŦāđ‰āļāļąāļš Short Film Festival Hamburg, XPOSED Queer Film Festival Berlin āđāļĨāļ° Sinema Transtopia (āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļĄāļĩāđ‚āļ›āļĢāđāļāļĢāļĄ The past is not another country āļāļąāļšāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ—āļĩāđˆāđāļŸāļĢāļ‡āđ€āļŸāļīāļĢāđŒāļ•) āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļŠāļąāđ‰āļ™ I Don’t Want to Be Just a Memory (2022–24) āđ„āļ”āđ‰āļ‰āļēāļĒāļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļī Berlin (Berlinale) āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ 74 āđāļĨāļ°āđ€āļ—āļĻāļāļēāļĨ BFI London Film Festival āļĐāļēāļ“āļ‘āđŒāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āđ‚āļ›āļĢāđ€āļˆāļāļ•āđŒ Dealing With Distance āļ‚āļ­āļ‡āļŠāļ–āļēāļšāļąāļ™āđ€āļāļ­āđ€āļ˜āđˆāđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ•āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰

(English biography in comment section) by @unthaitled
0
8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing artists
at our un.thai.tled Sala at @thailand_biennale 

āļ§āļīāļĐāļ“āļļ āļ āļđāļ­āļēāļˆāļ”āļąāđ‰āļ™ āļ™āļąāļāđ‚āļ†āļĐāļ“āļēāđ€āļŠāļīāļ‡āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāđƒāļ™āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āļœāļŠāļēāļ™āļ„āļ§āļēāļĄāļĢāļđāđ‰āļ”āđ‰āļēāļ™āļāļēāļĢāļ•āļĨāļēāļ”āļāļąāļšāļĻāļīāļĨāļ›āļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ āļĻāļķāļāļĐāļēāļĢāļ°āļ”āļąāļšāļ›āļĢāļīāļāļāļēāđ‚āļ—āļŠāļēāļ‚āļē Media Art and Design āļ—āļĩāđˆāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ Bauhaus āđ€āļĄāļ·āļ­āļ‡āđ„āļ§āļĄāļēāļĢāđŒ āļŠāļ™āđƒāļˆāļŠāļģāļĢāļ§āļˆāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĄāļ™āļļāļĐāļĒāđŒāļāļąāļšāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāļœāđˆāļēāļ™āļŠāļ·āđˆāļ­āļĄāļąāļĨāļ•āļīāļĄāļĩāđ€āļ”āļĩāļĒāđāļĨāļ°āļ”āļīāļˆāļīāļ—āļąāļĨ āđ€āļ„āļĒāļŠāļĢāđ‰āļēāļ‡āļŠāļēāļĢāļ„āļ”āļĩāļŠāļąāđ‰āļ™āļĢāđˆāļ§āļĄāļāļąāļš āļĄāļēāļ™āļīāļāļē āđ€āļ•āļŠāļ°āđ„āļžāļšāļđāļĨāļĒāđŒ āļˆāļēāļāļāļēāļĢāļ§āļīāļˆāļąāļĒāļŦāļąāļ§āļ‚āđ‰āļ­āļœāļđāđ‰āļŦāļāļīāļ‡āđ„āļ—āļĒāđƒāļ™āļ āļēāļ„āļ­āļĩāļŠāļēāļ™

Wisanu Phu-Artdun, a creative advertiser based in Bangkok, skillfully blends his advertising and marketing background with artistic pursuits. His artistic journey commenced during his master’s degree in Media Art and Design at Bauhaus University Weimar. His artistic focus centers on exploring the intricate connections between humans and their environment via new multimedia and digital platforms. With Manika Tejapaibul, they created a short documentary together during their research trip on the topic of Thai Isaan women in the West. by @unthaitled
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8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļĒāļđāļ™āļīāđ€āļ§āļīāļĢāđŒāļŠ āđ€āļšāļēāđ‚āļ”āļ‹āļē āļĻāļīāļĨāļ›āļīāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđāļĨāļ°āļ§āļīāļ”āļĩāđ‚āļ­āļˆāļēāļāļŸāļīāļĨāļīāļ›āļ›āļīāļ™āļŠāđŒ āđ„āļ”āđ‰āļĻāļķāļāļĐāļēāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ—āļĩāđˆ Mowelfund Film Institute āđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄ Berlinale Talent Campus āļ›āļĩ 2008 āđāļĨāļ°āđ„āļ”āđ‰āļĢāļąāļšāļ„āļąāļ”āđ€āļĨāļ·āļ­āļāđƒāļŦāđ‰āļ—āļģāđ‚āļ„āļĢāļ‡āļāļēāļĢ Produire au Sud āļ—āļĩāđˆāļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āđ€āļ˜āļ­āļĄāļĩāļœāļĨāļ‡āļēāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ­āļīāļŠāļĢāļ° āđ€āļŠāđˆāļ™ Shadows of Noon (2011) āđāļĨāļ° Audio Perpetua (2014) āđ€āļ˜āļ­āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļ‚āļ­āļ‡āđ‚āļ„āļĢāļ‡āļāļēāļĢ Dealing With Distance āļ‚āļ­āļ‡āļŠāļ–āļēāļšāļąāļ™āđ€āļāļ­āđ€āļ˜āđˆāđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ•āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰

Universe Baldoza is a filmmaker and video artist. She studied film at the Mowelfund Film Institute. She was a participant in the 2008 Berlinale Talent Campus, Germany and was selected for the Berlinale Talent Campus’s Script Station and the 2008 Produire Au Sud Bangkok. In 2011, she was one of the filmmakers commissioned to create new work for the courtyard space of the Sharjah Biennale in 2011. Aside from Marciano, her other films include Shadows of Noon (2011) and Audio Perpetua (2014). She is part of the current Goethe-Institut Southeast Asia’s “Dealing With Distance” project, which led to this collaboration. by @unthaitled
0
8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļĻāļīāļĻāļļ āļŠāļēāļ•āļĢāļēāļ§āļēāļŦāļ° āļĻāļīāļĨāļ›āļīāļ™āđāļĨāļ°āļ āļąāļ“āļ‘āļēāļĢāļąāļāļĐāđŒāļŦāļĨāļēāļāļŠāļēāļ‚āļēāļ—āļĩāđˆāļ—āļģāļ‡āļēāļ™āļ„āļĢāļ­āļšāļ„āļĨāļļāļĄāļ āļēāļžāļĒāļ™āļ•āļĢāđŒ āļĻāļīāļĨāļ›āļ°āļˆāļąāļ”āļ§āļēāļ‡ āļāļēāļĢāđāļŠāļ”āļ‡ āđāļĨāļ°āļ­āļēāļŦāļēāļĢ āļ‡āļēāļ™āļ‚āļ­āļ‡āđ€āļ˜āļ­āļ§āđˆāļēāļ”āđ‰āļ§āļĒāļĄāļēāļ™āļļāļĐāļĒāļ§āļīāļ—āļĒāļēāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ‚āđ‰āļēāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2022 āđ€āļ˜āļ­āđ„āļ”āđ‰āļžāļąāļ’āļ™āļēāđ‚āļ„āļĢāļ‡āļāļēāļĢāļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ Have You Eaten? āļŠāļģāļĢāļ§āļˆāļ āļđāļĄāļīāļ—āļąāļĻāļ™āđŒāļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđāļĨāļ°āļ­āļēāļĢāļĄāļ“āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āļŦāļāļīāļ‡āđ„āļ—āļĒāļžāļĨāļąāļ”āļ–āļīāđˆāļ™āđƒāļ™āđ€āļĒāļ­āļĢāļĄāļ™āļĩ āļ āļēāļĒāđƒāļ•āđ‰āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ™āļĩāđ‰āđ€āļ˜āļ­āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđāļŠāļ”āļ‡ Somtam Manifesto āļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āđāļŠāļ”āļ‡āđƒāļ™āļŦāļĨāļēāļĒāļŠāļ–āļēāļšāļąāļ™āļĻāļīāļĨāļ›āļ° āđ€āļŠāđˆāļ™ Gropius Bau āđƒāļ™āļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ›āļĩ 2025 āđāļĨāļ°āļĢāđˆāļ§āļĄāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļāļēāļĢāđāļŠāļ”āļ‡āļāļąāļš ChoĖ„ri Collective āđƒāļ™āļāļēāļ™āļ°āļĻāļīāļĨāļ›āļīāļ™āļ—āļļāļ™ Live Works Fellowship āļ—āļĩāđˆ Centrale Fies āđƒāļ™āļ›āļĩāđ€āļ”āļĩāļĒāļ§āļāļąāļ™

Sisu Satrawaha is a multidisciplinary filmmaker, artist, and curator whose practice moves fluidly across film, installation, performance, and food. Her work engages with themes of anthropology, intercultural relations, and contemporary culture, often drawing from personal and collective narratives. Since 2022, Satrawaha has developed the ongoing project “Have You Eaten?,” which explores the political and emotional landscapes of the Thai female diaspora in Germany. As part of the same project, she created the performance Somtam Manifesto, presented in various contexts, including the Gropius Bau during the closing program of “DAS GLUˈCK IST NICHT IMMER LUSTIG”, an exhibition by Rirkrit Tiravanija. In 2025, she joins forces with ChoĖ„ri Collective to create a performance as part of the Live Works Fellowship at Centrale Fies. by @unthaitled
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8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āđ‚āļ­āđŠāļ• āļžāļąāļ’āļ™āļžāļ‡āļĻāđŒ āļĄāļ“āđ€āļ‘āļĩāļĒāļĢ āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĻāļīāļĨāļ›āļīāļ™āļ—āļĩāđˆāļĄāļĩāļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāļœāļĨāļąāļāļ”āļąāļ™āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļēāļ‡āđ€āļžāļĻāļ—āļąāđ‰āļ‡āđƒāļ™āđāļ§āļ”āļ§āļ‡āļĻāļīāļĨāļ›āļ°āđāļĨāļ°āđƒāļ™āļŠāļąāļ‡āļ„āļĄāđ„āļ—āļĒāļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āđ‚āļ­āđŠāļ• āļĄāļ“āđ€āļ‘āļĩāļĒāļĢāļĄāļąāļāļ™āļģāđ€āļŠāļ™āļ­āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ­āļąāļ•āļĨāļąāļāļĐāļ“āđŒāļ—āļēāļ‡āđ€āļžāļĻāļœāđˆāļēāļ™āļĄāļļāļĄāļĄāļ­āļ‡āđ€āļ„āļ§āļĩāļĒāļĢāđŒ āđ€āļŠāļīāļāļŠāļ§āļ™āđƒāļŦāđ‰āļœāļđāđ‰āļŠāļĄāđ€āļ›āļīāļ”āļĢāļąāļšāļĄāļļāļĄāļĄāļ­āļ‡āđƒāļŦāļĄāđˆ āđ† āđāļĨāļ°āļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāļ•āđˆāļ­āļ‚āļ™āļšāđāļĨāļ°āļĄāļēāļ•āļĢāļāļēāļ™āļ‚āļ­āļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļĻāļīāļĨāļ›āļ°āđāļĨāļ°āļ„āļ§āļēāļĄāļ„āļēāļ”āļŦāļ§āļąāļ‡āļ•āđˆāļēāļ‡ āđ† āļˆāļēāļāļŠāļąāļ‡āļ„āļĄ āđ€āļ‚āļēāđƒāļŠāđ‰āđ€āļĢāļ·āļ­āļ™āļĢāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļŠāļ·āđˆāļ­āđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļ—āđ‰āļ§āļ‡āđāļĨāļ°āļ‚āļąāļ”āļ‚āļ·āļ™āļ•āđˆāļ­āļ„āđˆāļēāļ™āļīāļĒāļĄāļ„āļ§āļēāļĄāļ‡āļēāļĄāđāļĨāļ°āļšāļĢāļĢāļ—āļąāļ”āļāļēāļ™āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļĢāđˆāļēāļ‡āļāļēāļĒāđƒāļ™āļ­āļļāļ”āļĄāļ„āļ•āļī āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļ„āđˆāļēāļ™āļīāļĒāļĄāļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļāļĨāļļāđˆāļĄāļ„āļ™āļ—āļĩāđˆāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļēāđ€āļ›āđ‡āļ™ â€œāļ„āļ™āļ­āļ·āđˆāļ™â€ (Otherness) āđƒāļ™āļŠāļąāļ‡āļ„āļĄāđ„āļ—āļĒ āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āđ‚āļ­āđŠāļ• āļĄāļ“āđ€āļ‘āļĩāļĒāļĢāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āđƒāļ™āļŠāļ–āļēāļšāļąāļ™āļĻāļīāļĨāļ›āļ°āļ—āļąāđ‰āļ‡āđƒāļ™āđāļĨāļ°āļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ āļ­āļēāļ—āļī āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒ Schwules āļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™, āļĄāļđāļĨāļ™āļīāļ˜āļīāļ—āļ­āļĄ āļ­āļ­āļŸ āļŸāļīāļ™āđāļĨāļ™āļ”āđŒ (Tom of Finland Foundation) āļ™āļ„āļĢāļĨāļ­āļŠāđāļ­āļ™āđ€āļˆāļĨāļīāļŠ, āļŦāļ­āļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđāļŦāđˆāļ‡āļāļĢāļļāļ‡āđ€āļ—āļžāļĄāļŦāļēāļ™āļ„āļĢ, āļĻāļđāļ™āļĒāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđāļŦāđˆāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ, āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļžāļąāļ’āļ™āđŒāļžāļ‡āļĐāđŒ (Patpong Museum), āđāļĨāļ°āļŦāļ­āļŠāļĄāļļāļ”āđāļŦāđˆāļ‡āļŠāļēāļ•āļī āļœāļĨāļ‡āļēāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ‚āļ­āļ‡āđ€āļ‚āļēāļĒāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ„āļąāļ”āđ€āļĨāļ·āļ­āļāđƒāļŦāđ‰āļ‰āļēāļĒāđƒāļ™āđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢāđŒāļ™āļēāļ™āļēāļŠāļēāļ•āļīāļŦāļĨāļēāļĒāđāļŦāđˆāļ‡āđ€āļŠāđˆāļ™āļāļąāļ™ āļ­āļēāļ—āļī Circa Queer History Festival āđ‚āļ”āļĒ One Institute āļ“ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ‚āļ­āđŠāļ• āļĄāļ“āđ€āļ‘āļĩāļĒāļĢāļ—āļģāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļšāļŠāļļāļĄāļŠāļ™āđ€āļ„āļ§āļĩāļĒāļĢāđŒāđƒāļ™āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āđāļĨāļ°āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ āļąāļ“āļ‘āļēāļĢāļąāļāļĐāđŒāļ‚āļ­āļ‡āđ‚āļžāļ˜āļīāļŠāļąāļ•āļ§āļē āđāļāļĨāđ€āļĨāļ­āļĢāļĩ (Boddhisattava Gallery) āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ āļž.āļĻ. 2563 āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļĻāļīāļĨāļ›āļ°āđāļŦāđˆāļ‡āđāļĢāļāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļ—āļĩāđˆāļ­āļļāļ—āļīāļĻāđƒāļŦāđ‰āļāļąāļšāļĻāļīāļĨāļ›āļīāļ™ LGBTQ+ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°

(English biography in comment section) by @unthaitled
0
8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļˆāļēāļŠāļĄāļīāļ™ āđāļ§āļĢāđŒāļ™āđ€āļ™āļ­āļĢāđŒ āđ€āļāļīāļ”āļ›āļĩ 1987 āđ€āļ›āđ‡āļ™āļĻāļīāļĨāļ›āļīāļ™āļĨāļđāļāļ„āļĢāļķāđˆāļ‡āđ€āļĒāļ­āļĢāļĄāļąāļ™â€“āļŸāļīāļĨāļīāļ›āļ›āļīāļ™āļŠāđŒ āļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆāđƒāļ™āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļŠāļģāļĢāļ§āļˆāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđāļŦāđˆāļ‡āļ­āļģāļ™āļēāļˆāđāļĨāļ°āļ§āļąāļ•āļ–āļļāđāļŦāđˆāļ‡āļŠāļ–āļēāļ™āļ° āļœāđˆāļēāļ™āļĄāļļāļĄāļĄāļ­āļ‡āļāļēāļĢāđ€āļ„āļĨāļ·āđˆāļ­āļ™āļĒāđ‰āļēāļĒāļ‚āđ‰āļēāļĄāļŠāļēāļ•āļī āļœāļĨāļ‡āļēāļ™āļˆāļąāļ”āđāļŠāļ”āļ‡āļ—āļąāđ‰āļ‡āđ€āļ”āļĩāđˆāļĒāļ§āđāļĨāļ°āļāļĨāļļāđˆāļĄāđƒāļ™āļŦāļĨāļēāļĒāļŠāļ–āļēāļšāļąāļ™ āđ€āļŠāđˆāļ™ n.b.k., Galerie Guido W. Baudach, National Taiwan Museum of Fine Arts, Hamburger Bahnhof, KW Institute for Contemporary Art āđāļĨāļ° Westfaˈlischer Kunstverein āļ‚āļ“āļ°āļ™āļĩāđ‰āđ€āļ˜āļ­āđ„āļ”āđ‰āļŠāļ­āļ™āļ­āļĒāļđāđˆāļ—āļĩāđˆ HfbK Hamburg

Jasmin Werner, born 1987 in Germany, is a German-Filipino artist based in Berlin. In her practice, she explores architectures of power and objects of status, drawing attention to transnational movements as she occupies spaces of production and consumption. Recent group and solo exhibitions include n.b.k., Berlin; Galerie Guido W. Baudach, Berlin; The National Taiwan Museum of Fine Arts, Taipei; Kunsthalle Thy, Jutland; Hamburger Bahnhof, Berlin; KW Institute for Contemporary Art, Berlin; Damien & The Love Guru, Brussels;  Projektraum of LKL-Museum fuˈr Kunst und Kultur and Westfaˈlischer Kunstverein, Muˈnster. She currently lectures at HfbK Hamburg. by @unthaitled
0
8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļĢāļąāļāļĐāļē āļŠāļĩāļĨāļēāļžāļąāļ™āļ˜āđŒ āļŦāļĢāļ·āļ­āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāđƒāļ™āļŠāļ·āđˆāļ­āļ­āļĨāļīāļŠ āļ­āļēāļĻāļąāļĒāđƒāļ™āļāļĢāļļāļ‡āļŪāļąāļĄāļšāļ§āļ āđ€āļ›āđ‡āļ™āļĻāļīāļĨāļ›āļīāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ—āļĩāđˆāđƒāļŠāđ‰āļāļēāļĢāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āđāļĨāļ°āļĢāđˆāļēāļ‡āļāļēāļĒāđ€āļžāļ·āđˆāļ­āļŠāļģāļĢāļ§āļˆāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄ āđ€āļ˜āļ­āļŠāļĢāđ‰āļēāļ‡āļœāļĨāļ‡āļēāļ™āļāļēāļĢāđ€āļ•āđ‰āļ™āđ‚āļ”āļĒāļžāļ·āđ‰āļ™āļāļēāļ™āļˆāļēāļāļĢāļđāļ›āđāļšāļšāļāļēāļĢāđāļŠāļ”āļ‡āļŠāļ”āđ†āļ•āđˆāļēāļ‡ āđ† āđ€āļŠāđˆāļ™ āļ•āļąāļ§āļ•āļĨāļ āļŦāļ™āđ‰āļēāļāļēāļ āđāļĨāļ°āļāļēāļĢāđ€āļ•āđ‰āļ™āļšāļđāđ‚āļ• āđƒāļŠāđ‰āļĢāđˆāļēāļ‡āļāļēāļĒāđ€āļžāļ·āđˆāļ­āļĢāļ·āđ‰āļ­āļŠāļĢāđ‰āļēāļ‡āđāļĨāļ°āļ›āļĨāļ”āļ›āļĨāđˆāļ­āļĒāļĄāļąāļ™āļˆāļēāļāļŠāļ–āļēāļ™āļ°āļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄāļ—āļĩāđˆāđāļ§āļ”āļĨāđ‰āļ­āļĄ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ€āļ˜āļ­āļŠāļ™āđƒāļˆāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļžāļĻāļŠāļ āļēāļžāđāļĨāļ°āļāļēāļĄāļēāļĢāļĄāļ“āđŒ (Sexuality) āļ‚āļ­āļ‡āļœāļđāđ‰āļŦāļāļīāļ‡āđ„āļ—āļĒāđƒāļ™āļĒāļļāđ‚āļĢāļ› āđ€āļ˜āļ­āļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļžāļ™āļąāļāļ‡āļēāļ™āļ™āļ§āļ”āđƒāļ™āļŪāļąāļĄāļšāļ§āļāļ”āđ‰āļ§āļĒāđāļĨāļ°āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļāļģāļĨāļąāļ‡āļĻāļķāļāļĐāļēāļ•āđˆāļ­āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļāļēāļĒāļšāļģāļšāļąāļ”

Raksa Seelapan known as Alice, is a performance artist who uses movement to explore profound and poetic themes. Her work draws inspiration from various performance styles, including clown, buffoon, mask, and Butoh dance. She deconstructs, defrosts, and destigmatizes individuals and collectives through her art, using her body and movement to convey stories that resonate physically, emotionally, and spiritually. Currently, Alice is focusing on the themes of sexuality and sensuality as a Thai woman living in Europe. by @unthaitled
0
8 months ago
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āđāļ™āļ°āļ™āļģāļĻāļīāļĨāļ›āļīāļ™ introducing the artist
at our un.thai.tled Sala at @thailand_biennale 

āļ„āļĢāļīāļŠāļąāļ™āļ•āļē āļ„āļēāļāļīāļ§āļ­āļē āđ€āļĄāļīāļ™āļ™āļīāļŠ  āļ„āļļāļ“āđāļĄāđˆāđ€āļĨāļĩāđ‰āļĒāļ‡āđ€āļ”āļĩāđˆāļĒāļ§āļŠāļēāļ§āļŸāļīāļĨāļīāļ›āļ›āļīāļ™āļŠāđŒ āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļģāļ‡āļēāļ™āļ”āđ‰āļēāļ™āđ€āļŸāļ­āļĢāđŒāļ™āļīāđ€āļˆāļ­āļĢāđŒāđāļĨāļ°āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ āđ€āļ˜āļ­āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ āļēāļ„āļŠāļąāļ‡āļ„āļĄāđƒāļ™āļŠāđˆāļ§āļ‡ 8 āļ›āļĩāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āđāļĨāļ°āđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļ™āļąāļāđāļ›āļĨāļ āļēāļĐāļēāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļĻāļđāļ™āļĒāđŒ Ban Ying āļšāđ‰āļēāļ™āļžāļąāļāļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļŦāļāļīāļ‡āļ—āļĩāđˆāļ•āļāđ€āļ›āđ‡āļ™āđ€āļŦāļĒāļ·āđˆāļ­āļāļēāļĢāļ„āđ‰āļēāļĄāļ™āļļāļĐāļĒāđŒ āđƒāļ™āļāļēāļ™āļ°āļĻāļīāļĨāļ›āļīāļ™āļ­āļīāļŠāļĢāļ° āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āđ€āļ˜āļ­āļ–āđˆāļēāļĒāļ—āļ­āļ”āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āļŦāļāļīāļ‡āļœāļđāđ‰āļ­āļžāļĒāļžāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļĢāļąāļšāļĄāļ·āļ­āļāļąāļšāļāļēāļĢāļāļ”āļ‚āļĩāđˆāđāļĨāļ°āļāļēāļĢāļ›āļĢāļąāļšāļ•āļąāļ§ āļœāđˆāļēāļ™āļ‡āļēāļĒāļˆāļīāļ•āļĢāļāļĢāļĢāļĄ āđ‚āļ”āļĒāđƒāļŦāđ‰āļœāļđāđ‰āļŦāļāļīāļ‡āđ€āļŦāļĨāđˆāļēāļ™āļąāđ‰āļ™āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāļœāđˆāļēāļ™āļšāļ—āļŠāļ™āļ—āļ™āļēāđāļĨāļ°āļ āļēāļžāļ–āđˆāļēāļĒ āđ€āļ˜āļ­āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āđ‚āļ›āļĢāđ€āļˆāļāļ•āđŒ Dealing With Distance āļ‚āļ­āļ‡āļŠāļ–āļēāļšāļąāļ™āđ€āļāļ­āđ€āļ˜āđˆāđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ•āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđƒāļ•āđ‰

Krisanta Caguioa-Moˈnnich, a single working mother, originally comes from the Philippines. After studying and working in the furniture, architecture, and interior design industry in the Philippines, she has been involved in the past eight years in the social sector. Krisanta worked as a language and cultural mediator at Ban Ying Counselling and Coordination Center and Shelter against Human Trafficking. Being also a freelance artist, she has been able to overcome her personal and professional coping difficulties being a migrant woman and working for migrant women*, who have experienced exploitation, violence, or human trafficking. Against the background of her own migration stories, she interprets and transforms the observable ways in which the women* deal with their migration experiences in paintings/artworks. The women* are included in the artistic creative process through photos and talks with them. She is a part of the project “Dealing With Distance” of Goethe-Institut Southeast Asia. by @unthaitled
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8 months ago
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