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making audio visual environments
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Viner - 1619
first track from 2330, out now on BC

Built from field recordings I made in Central Asia in 2022, cut into fragments of two seconds or less and looped until they lose count. Then they find their way back.

Full EP Nov 18th on @patar.lab
Pre-order, link in bio

cover @nel_tells_tales 
mastering @fruitbass 
photos @ffeeeeeeeeee taken in Barcelona, España by @vinerrrrr
29
2 days ago
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Going through old photos. Getting a new release ready. Dropping in November by @vinerrrrr
5
2 months ago
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A few months ago, I was invited to record field recordings across Catalonia for a new exhibition at @casabatllocontemporary 
Instead of relying on sound libraries, we captured the real soundscape of the region: mountains and the sea, wind and trees, caves, wood and ceramics, the acoustics of architecture, and the everyday life of small Catalan towns.
On July 8, Gaudí – Miró – Gomis: Deconstructed opens at Casa Batlló Contemporary, co-organized with Fundació Joan Miró. The exhibition explores the connections between the work of Antoni Gaudí, Joan Miró and Joaquim Gomis, bringing together original artworks with new digital installations by Tomorrow Bureau. Through 3D scanning, sound, and generative AI, the project offers a contemporary perspective on the legacy of these three Catalan artists.
Thanks to the @tomorrowbureau team for inviting me to be part of this project and @rbrtvch for your help
—
Fundació Joan Miró, Barcelona / ©️ Successió Miró, 2026 / ©️ Hereus de Joaquim Gomis / Tomorrow Bureau, 2026.
Official exhibition video by @danielsimonr 
Camera assistant: @daniel__.enrique
Music: @tomorrowbureau taken in Casa Batlló, Barcelona, España by @vinerrrrr
31
3 months ago
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Missed my first @nts_radio show while at @fields.music

¯\_(ツ)_/¯ taken in Belgrade, Serbia by @vinerrrrr
34
6 months ago
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TONITE 22H KC GRAD 
(1200rsd)

SUTRA x FIELDS FESTIVAL present

VINER

@vinerrrrr 's music is deeply rooted in old-school electronic sound with its distorted bass and granular synths that sit against thought-provoking soundscapes of weaving instrumental motives and deconstructed polyrhythmic percussion of Central Asia mixed with deep vocals, giving another take on breakcore and footwork.

Constantly re-defining things like freedom and identity, Viner Khaiitov digs his inspiration in musical heritage and the colonial history of Asian Russian peoples, Central Asia, and the Caucasus. He has taken a mathematical and technical approach to creating his sound: a romantic hybrid of Central Asian samplodelica and 808s mixed with idm and gabber-darkside sounds. Viner's music is a rapid switch between fast and slow, good and evil, saturation and emptiness; an aggressive exorcism of the inner dictator who stops his march to exhale in a deep trance pit. taken in Kulturni centar GRAD by @vinerrrrr
16
6 months ago
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Friday night at Fields in KC Grad belongs to SUTRA — one of Belgrade’s boldest promo crews. Their territory is non-obvious club music: from raggaton to singeli, from ghetto-tech to juke.

In recent years, SUTRA have been consistently spotlighting artists from the Global South and emerging scenes — and this showcase is no exception.

Leading the lineup is The Yalla Soundsystem — a pan-Arab trio known for their wild, interactive performances. Made up of Bader Shashit, Acid Ponch and 5Amaseen — alongside their cloud-based ghost producer Cheb GPT — they turn every set into controlled chaos. With 4 CDJs, a drum pad and a sampler — and by actively pulling the crowd into the process — they completely dissolve the boundary between stage and dancefloor.

Also joining: Palestinian DJ and filmmaker habkara, Barcelona-based Viner — curator of the Patar label exploring scenes from the Caucasus and Central Asia — and Belgrade’s Fibra Vrgov, who runs pop and rap through the meat grinder of deconstructed electronics.

SUTRA Night is part of the Weekend Pass. Individual tickets for the night program at KC Grad will also be available at the door.

Fields 2026
April 16-18
🎫 in bio by @vinerrrrr
9
6 months ago
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4 years since I left my country 

— me, and a life
— my family
— my friends
— my art by @vinerrrrr
13
8 months ago
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Azatliq?

music @vinerrrrr - 161914
vocal @suspiria1999 taken in Barcelona, España by @vinerrrrr
3
a year ago
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Liberté? Libertad? Freedom? Freiheit? Ազատություն? Свобода? Azatlıq?

Viner – 161914

My new work — polyrhythmic bass music built on tension between collapse and structure.

The release includes four DJ tools — stems from the original session, open for cutting, resampling, or re-contextualising in live sets.

Available on Bandcamp as name your price — conceived as an act of artistic exchange rather than a sale.

cover @khankuchum
mastering @fruitbass
vocal @suspiria1999 & I
photo @paolaidrontinoart taken in Barcelona, España by @vinerrrrr
14
a year ago
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Viner - 161914
coming out Nov, 12th

This piece is built on tension between collapse and structure. Polyrhythmic bass music that moves like breath: uneven, heavy, fragile, alive.

You get 4 DJ tools with the preorder on BC: the stems from which this track was born. Open fragments for those who want to cut, resample, or play with them in their own sets. The act of an artistic exchange. 

cover @khankuchum
mastering @fruitbass
vocal @suspiria1999 & I
photo @djhotwife taken in Barcelona, España by @vinerrrrr
31
a year ago
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Distorted bass bubbling up from the deep down. This Friday, @vinerrrrr 's Live debut in Barcelona. Tighten up, the pressure’s rising🩸🩸🩸

📅 September 19, 23:00 - 3:30
📍 9D9, Sancho de Ávila, 78, Barcelona
🎟️ €8 on Resident Advisor/ €10 at the door

#bassmusic #barcelonanightlife #undergroundart taken in Barcelona, Spain by @vinerrrrr
9
a year ago
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Here goes our punk-existentialist rant on the disillusionment of modern structures. Nothing’s safe — as @clppng’s been saying for years. No healing journeys, no salvation. Just transgression and collective anti-logic. Sit with it. Or don’t.

Also, our website’s live. Link in bio.

Text @whyyouwhy
Design @khankuchum
Music Remix by @shohin_qurbon for @vinerrrrr ‘s Qurgōn taken in Barcelona, Spain by @vinerrrrr
1
a year ago
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