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Professor - Art & Sustainability, Hanze University of Applied Sciences, Groningen, NL ๐Ÿ‡ณ๐Ÿ‡ฑ
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Tallin is a medieval gem ๐Ÿฐ ! Loved my time there with the #climatequilts team. ๐ŸŒธ In addition to attending the Climate Quilts Conference, I visited the Maritime History Museum โš“๏ธ๐Ÿšข, met a colleague at the Estonian Art Academy, ๐ŸŽจ and explored the beautiful, colourful city, including cultural centres and community gardens. โ˜˜๏ธ Weather couldnโ€™t be better ๐Ÿ˜๐ŸŒฆ๏ธ 

Huge gratitude for the privilege of participating in this fantastic team. โ€ผ๏ธ๐Ÿ™๐Ÿผ taken in Tallin by @wendygers
2
a day ago
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Off to Tallin for meetings with colleagues in the @climate_quilts project and other events! โ˜˜๏ธFirst time in the Baltic States. Really looking forward to exploring this country! ๐Ÿฅณ๐Ÿ’ฅ taken in Amsterdam Airport Schiphol by @wendygers
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8 days ago
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๐Ÿซ– Its been about a month since my exhibition, UNBROKEN - Bouke de Vries, closed at Keramiekmuseum Princessehof. Everything is packed and cleared and the new exhibition, Koffie, will soon open. Its been the most wonderful experience and the stats indicate it's phenomenal impact: 61,000 visitors ๐Ÿ’ฅ that's 50% more than they had hoped would come, ๐Ÿ‘€ a sold-out publication (2 reprints!) ๐Ÿ“• and 9.3 visitor appreciation score ; the highest they have had for ANY exhibition ever! ๐Ÿ’ฏ And most importantly - an estimated 6 million euro contribution from visitors to the local economy. So much gratitude to (the one and only) Bouke and the staff of Fries Museum & Keramiekmuseum Princessehof who made it happen! As far as I'm concerned; JOB REALLY WELL DONE! ๐Ÿฅ‚ taken in Keramiekmuseum Princessehof by @wendygers
8
16 days ago
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แด›สœแด‡ แด„สŸแด€ส แด€แดกแด€ส€แด…๊œฑ แด€แด› แด€ส€แด› ๊œฐแดส€แดแด‡๊œฑ

๐™Ž๐™š๐™ก๐™š๐™˜๐™ฉ๐™ค๐™ง ๐™Ž๐™ฅ๐™ค๐™ฉ๐™ก๐™ž๐™œ๐™๐™ฉ: ๐˜ฟ๐™ง. ๐™’๐™š๐™ฃ๐™™๐™ฎ ๐™‚๐™š๐™ง๐™จ

๐–ฃ๐—‹. ๐–ถ๐–พ๐—‡๐–ฝ๐—’ ๐–ฆ๐–พ๐—‹๐—Œ ๐—‚๐—Œ ๐–บ ๐—…๐–พ๐–บ๐–ฝ๐—‚๐—‡๐—€ ๐—Œ๐–ผ๐—๐—ˆ๐—…๐–บ๐—‹, ๐–ผ๐—Ž๐—‹๐–บ๐—๐—ˆ๐—‹, ๐–บ๐—‡๐–ฝ ๐–บ๐–ฝ๐—๐—‚๐—Œ๐—ˆ๐—‹ ๐—‚๐—‡ ๐—๐—๐–พ ๐–ฟ๐—‚๐–พ๐—…๐–ฝ ๐—ˆ๐–ฟ ๐–ฒ๐—ˆ๐—Ž๐—๐— ๐– ๐–ฟ๐—‹๐—‚๐–ผ๐–บ๐—‡ ๐–บ๐—‡๐–ฝ ๐– ๐–ฟ๐—‹๐—‚๐–ผ๐–บ๐—‡ ๐–ผ๐–พ๐—‹๐–บ๐—†๐—‚๐–ผ๐—Œ. ๐– ๐—Ž๐—๐—๐—ˆ๐—‹ ๐—ˆ๐–ฟ ๐—๐—๐–พ ๐—…๐–บ๐—‡๐–ฝ๐—†๐–บ๐—‹๐—„ ๐˜š๐˜ค๐˜ฐ๐˜ณ๐˜ค๐˜ฉ๐˜ฆ๐˜ฅ ๐˜Œ๐˜ข๐˜ณ๐˜ต๐˜ฉ: 100 ๐˜ ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฐ๐˜ง ๐˜š๐˜ฐ๐˜ถ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฏ ๐˜ˆ๐˜ง๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ฏ ๐˜—๐˜ฐ๐˜ต๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ด (๐–ฉ๐–บ๐–ผ๐–บ๐—‡๐–บ ๐–ฌ๐–พ๐–ฝ๐—‚๐–บ, ๐Ÿค๐Ÿข๐Ÿฃ๐Ÿง), ๐—๐–พ๐—‹ ๐—‹๐–พ๐—Œ๐–พ๐–บ๐—‹๐–ผ๐— ๐—๐–บ๐—Œ ๐–ฟ๐—Ž๐—‡๐–ฝ๐–บ๐—†๐–พ๐—‡๐—๐–บ๐—…๐—…๐—’ ๐—Œ๐—๐–บ๐—‰๐–พ๐–ฝ ๐—๐—๐–พ ๐—๐–บ๐—’ ๐–ฒ๐—ˆ๐—Ž๐—๐—๐–พ๐—‹๐—‡ ๐– ๐–ฟ๐—‹๐—‚๐–ผ๐–บ๐—‡ ๐–ผ๐–พ๐—‹๐–บ๐—†๐—‚๐–ผ ๐—๐—‚๐—Œ๐—๐—ˆ๐—‹๐—’ ๐—‚๐—Œ ๐—Ž๐—‡๐–ฝ๐–พ๐—‹๐—Œ๐—๐—ˆ๐—ˆ๐–ฝ ๐–บ๐—‡๐–ฝ ๐–ฝ๐—ˆ๐–ผ๐—Ž๐—†๐–พ๐—‡๐—๐–พ๐–ฝ. ๐–ง๐–พ๐—‹ ๐—‚๐—‡๐—๐–พ๐—‹๐–ฝ๐—‚๐—Œ๐–ผ๐—‚๐—‰๐—…๐—‚๐—‡๐–บ๐—‹๐—’ ๐—‹๐–พ๐—Œ๐–พ๐–บ๐—‹๐–ผ๐— ๐—‚๐—‡๐—๐–พ๐—Œ๐—๐—‚๐—€๐–บ๐—๐–พ๐—Œ ๐—‹๐–พ๐—€๐–พ๐—‡๐–พ๐—‹๐–บ๐—๐—‚๐—๐–พ ๐–บ๐—‹๐—๐—‚๐—Œ๐—๐—‚๐–ผ ๐—‰๐—‹๐–บ๐–ผ๐—๐—‚๐–ผ๐–พ๐—Œ, ๐–พ๐—‡๐—๐—‚๐—‹๐—ˆ๐—‡๐—†๐–พ๐—‡๐—๐–บ๐—…๐—…๐—’ ๐–ผ๐—ˆ๐—‡๐—Œ๐–ผ๐—‚๐—ˆ๐—Ž๐—Œ ๐—†๐–บ๐—๐–พ๐—‹๐—‚๐–บ๐—…๐—Œ ๐–บ๐—‡๐–ฝ ๐—๐—๐–พ ๐—‹๐—ˆ๐—…๐–พ ๐—ˆ๐–ฟ ๐–บ๐—‹๐—๐—‚๐—Œ๐—๐—Œ ๐–บ๐—‡๐–ฝ ๐–ผ๐—ˆ๐—†๐—†๐—Ž๐—‡๐—‚๐—๐—‚๐–พ๐—Œ ๐—‚๐—‡ ๐–บ๐–ฝ๐—๐–บ๐—‡๐–ผ๐—‚๐—‡๐—€ ๐–ผ๐—…๐—‚๐—†๐–บ๐—๐–พ ๐—ƒ๐—Ž๐—Œ๐—๐—‚๐–ผ๐–พ ๐–บ๐—‡๐–ฝ ๐—Œ๐—ˆ๐–ผ๐—‚๐–บ๐—… ๐–ผ๐—๐–บ๐—‡๐—€๐–พ. ๐–ถ๐—‚๐—๐— ๐–บ ๐–ฏ๐—๐–ฃ ๐–ฟ๐—‹๐—ˆ๐—† ๐—๐—๐–พ ๐–ด๐—‡๐—‚๐—๐–พ๐—‹๐—Œ๐—‚๐—๐—’ ๐—ˆ๐–ฟ ๐–ฒ๐—Ž๐—‡๐–ฝ๐–พ๐—‹๐—…๐–บ๐—‡๐–ฝ,  ๐—Œ๐—๐–พ ๐—๐–บ๐—Œ ๐—๐–พ๐—…๐–ฝ ๐–บ๐–ผ๐–บ๐–ฝ๐–พ๐—†๐—‚๐–ผ ๐–บ๐—‡๐–ฝ ๐–ผ๐—Ž๐—‹๐–บ๐—๐—ˆ๐—‹๐—‚๐–บ๐—… ๐—‰๐—ˆ๐—Œ๐—‚๐—๐—‚๐—ˆ๐—‡๐—Œ ๐–บ๐–ผ๐—‹๐—ˆ๐—Œ๐—Œ ๐– ๐–ฟ๐—‹๐—‚๐–ผ๐–บ, ๐–ค๐—Ž๐—‹๐—ˆ๐—‰๐–พ ๐–บ๐—‡๐–ฝ ๐—๐—๐–พ ๐–ด๐—‡๐—‚๐—๐–พ๐–ฝ ๐–ฒ๐—๐–บ๐—๐–พ๐—Œ, ๐—‚๐—‡๐–ผ๐—…๐—Ž๐–ฝ๐—‚๐—‡๐—€ ๐–บ๐— ๐—๐—๐–พ ๐–ฏ๐—‹๐—‚๐—‡๐–ผ๐–พ๐—Œ๐—Œ๐–พ๐—๐—ˆ๐–ฟ ๐–ญ๐–บ๐—๐—‚๐—ˆ๐—‡๐–บ๐—… ๐–ฌ๐—Ž๐—Œ๐–พ๐—Ž๐—† ๐—ˆ๐–ฟ ๐–ข๐–พ๐—‹๐–บ๐—†๐—‚๐–ผ๐—Œ ๐–บ๐—‡๐–ฝ ๐—๐—๐–พ ๐–ด๐—‡๐—‚๐—๐–พ๐—‹๐—Œ๐—‚๐—๐—’ ๐—ˆ๐–ฟ ๐–ฆ๐—‹๐—ˆ๐—‡๐—‚๐—‡๐—€๐–พ๐—‡, ๐–ป๐—‹๐—‚๐—‡๐—€๐—‚๐—‡๐—€ ๐–บ ๐—‹๐–บ๐—‹๐–พ ๐–ฝ๐–พ๐—‰๐—๐— ๐–บ๐—‡๐–ฝ ๐–บ๐—Ž๐—๐—๐—ˆ๐—‹๐—‚๐—๐—’ ๐—๐—ˆ ๐—๐—๐–พ ๐—‰๐–บ๐—‡๐–พ๐—….

แด›สœแด‡ ๊œฑแด‡สŸแด‡แด„แด›แด‡แด… แด€ส€แด›แดกแดส€แด‹๊œฑ แดกษชสŸสŸ ส™แด‡ แดษด แด…ษช๊œฑแด˜สŸแด€ส แด€แด› แด€ส€แด› ๊œฐแดส€แดแด‡๊œฑ ๊œฐส€แดแด 16.10.2026 ๐Ÿ–ค by @wendygers
1
20 days ago
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Summer in a nutshellโ€ฆ Netherlands, ๐Ÿ‡ณ๐Ÿ‡ฑ Ireland, ๐Ÿ‡ฎ๐Ÿ‡ช , France ๐Ÿ‡ซ๐Ÿ‡ท , England ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ and Belgium ๐Ÿ‡ง๐Ÿ‡ช 

Exhibitions, performances, family, friends and funโ€ฆ ๐Ÿช„๐Ÿ™๐Ÿผ๐ŸŒธโ˜˜๏ธ๐Ÿ˜

Canโ€™t say I am looking forward to winter ๐Ÿ˜ฑ but I look back with gratitude for all the beautiful moments shared, in the sun โ˜€๏ธ and occasional showersโ€ฆ ๐Ÿšฟ in London, Dunkerque, Lille, Cambridge, New Ross, Ypres, Groningen, Leeuwarden, Schiermonnikoog, Amsterdam etc. 

#goodbyesummer #fallvibes taken in Amsterdam, Netherlands by @wendygers
4
21 days ago
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โ˜˜๏ธ Fantastic day of sharing, learning and connecting at the Celadon symposium at the Rijksmuseum today.  Much gratitude to @chaxartxrtm for the invitation. Wonderful to connect with colleagues from China, Netherlands and present on the work of artist, @jkeep_artpottery โ€ฆ and catch up with @boukedevries ๐Ÿ™๐Ÿผ

#celadon #longquanceladon #rijksmuseum taken in Rijksmuseum by @wendygers
1
23 days ago
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What remains? 
How did the first inhabitants of the *wierden* (artificial dwelling mounds) relate to death? For this work, Leonard Witte explored the rituals in which people and landscape converge. Through 54 incised and glazed tiles, he depicts how the deceased were locally entrusted to the animals around them in the Iron Age period. 

The installation is part of a group show called Surroundings, and part of โ€˜Over le(u)ven
een kunstroute door Het Hogelandโ€™. 

Fantastic installation near #Winsum, #groningen ๐Ÿ™Œ to the artists! 

#ceramics taken in Maarhuizen, Groningen, Netherlands by @wendygers
0
a month ago
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๐Ÿฅ Thrilled to be presenting in the upcoming international symposium, Longquan: Celadon through Time and Space on 25 September at the Rijksmuseum, Amsterdam ๐Ÿงฉ

Renowned for its luminous blue-green glaze and exceptional craftsmanship, Longquan celadon occupies a distinguished place in the history of Chinese ceramics. Emerging in Zhejiang during the Song dynasty, Longquan ware circulated widely through maritime and overland trade networks, reaching East Asia, Southeast Asia, the Middle East, and Europe. Across these regions, it was traded and used in everyday life, admired and collected as an art form, and interpreted through diverse cultural traditions.

The symposium approaches Longquan celadon from multiple perspectives, including archaeology and technology, kiln organization and production, trade and circulation, histories of collecting, museum practices, conservation, and contemporary artistic reinterpretation. By tracing the movement of objects across time and regions, it seeks to illuminate how Longquan ware has been made, used, valued, collected, and reimagined in different cultural contexts.

My presentation explores the awesome celadon work of @jkeep_artpottery 

Contributors represent institutions including the China Academy of Art, the Longquan Research Institute, the Longquan Celadon Museum, Leiden University, the Rijksmuseum, Wereldmuseum, the Princessehof National Museum of Ceramics, the Groninger Museum, and my employer, Hanze University of Applied Sciences.

Free admission. Registration now open via the KVVAK event page. taken in Rijksmuseum by @wendygers
5
a month ago
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Recent visit to the always magical Kettleโ€™s Yardโ€ฆ a home, a collection, a living legacy where you can get intimate with Lucy Rie pottery, sit leisurely in the original chairs and take in the fantastic space.
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#interiordesigninspiration #cambridge #curatedhome #artforthehome taken in Kettle's Yard by @wendygers
3
3 months ago
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Island treasure troveโ€ฆ moon ๐ŸŒ™ jellyfish ๐Ÿชผ like primordial glass paper weightsโ€ฆ nature is artโ€ฆ Murano eat your heart out! 
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#jellyfish #waddenzee_werelderfgoed #beachlife #natureisart taken in Schiermonnikoog by @wendygers
9
3 months ago
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Craft and War explores issues of fabrication, makers, objects, uses and users throughout conflicts across the world to provide a critical understanding of the relationship between craft and contexts of war.

โ€˜These essays air out marvelous examples of humanityโ€™s dirty laundry by identifying many a โ€˜subversive stitchโ€™ (often by a woman) that realized survival and resistance โ€“ and also distinct ways that craft has been co-opted into a nationalist symbol. The authors illuminate specific instances when the human penchant for genocide and civil war disrupted indigenous and artisanal knowledge and savor the expansive field of crafted objects as an immense archive of lived experience and emotions.โ€™ โ€“ Ezra Shales, Massachusetts College of Art and Design, USA

๐Ÿ“šAvailable now from Bloomsbury.com

#craftstudies #craftandwar #craft #materialculture #designbooks by @wendygers
2
3 months ago
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Over the years I have regularly visited the Fitzwilliam Museum in Cambridge. My recent visit was tinged with sadness as many of the vitrines were empty (due to works on the windows) and the hallowed museum felt run-down and tired ๐Ÿ˜ช. Like an aging friend who has lost interest in the world ๐ŸŒ Despite this disheveled appearance, there were lots of treasures to be spotted and gems ๐Ÿ’Ž that I had forgotten! 
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#curator #ceramics #sculpture #ashmolean #cambridge taken in The Fitzwilliam Museum, Cambridge by @wendygers
6
3 months ago
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