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Barcelona-based artist exploring how the world negotiated through the body
via painting, sculpture and installation
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Studio visits and Catalogues 👇🏾
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“I need to leave” - ephemeral person, almost real chair. What’s going to stay?

2022
Oil and mixed media on wooden panel

Those times when I was filming timelapses 🥲

Many of my works are very textured. This one was made using cork shavings

DM me for collectors catalogues and to reserve your online studio visit by @yulia__bas
7
4 days ago
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⚫️ But seriously, I believe it’s very harmful to feel ashamed of your hard work, your safe place, your prosperity, or even your luck.

It makes no sense, because then any goal that leads you towards growth, success, or a safer environment is doomed to make you feel like some kind of privileged bully.

So I prefer to believe in perseverance, kindness, hard work, and the right to be proud of your achievements. These are things available to everyone.

Nobody knows what you’ve been through to get where you are. People can always say you’re just entitled or privileged. But I’d rather keep those moral judgment games to myself.

And keep doing what I have to do, right where I fought to be. by @yulia__bas
56
6 days ago
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⚫️ A glimpse into the earliest stage of an “Altar” painting series: 

images accumulating from personal archives, Instagram feeds, news headlines, and ambient visual culture, drawn together by the strange combinations that arrive un-curated the visual residue of living in a world of information and nervous system overload. by @yulia__bas
7
11 days ago
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⚫️ For years, I chased validation outside myself, but I only started winning the moment I surrendered to making work with my bare hands, with no safety net. 

So much work, and so much financial and emotional instability to digest.

I struggle much more — but I’m so much truer to myself.

Insane decisions — artist’s life, artist’s love. by @yulia__bas
214
5 months ago
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PART 1 
⚫️ violence in the purpose and softness in the structure ⚫️

Women’s armor made from the soft parts of lingerie is where this work begins for me. 
The piece came from a question: what does protection look like when the body that needs it already knows it can be hurt? 

⚫️ “Dedicated to a daughter” soft sculpture created during @domartresidence for Personal Structures in Venice by @yulia__bas
24
19 days ago
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‘Altar’ project in progress / 2025-26 taken in Barcelona, Spain by @yulia__bas
36
3 months ago
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Painting “Not So Safe Space” from a while ago. but so relevant for me now.

100 x 81 cm
Oil on 3d cardboard collage on wooden panel.
Available through my studio 

📩DM me or request collector’s catalogue via link in BIO

Photos of me by my dearest 
@dianaavkhadieva 
@amletique by @yulia__bas
13
a month ago
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⚫️ I don’t think this question “how do feelings get transformed into an art piece” could be fully answered. 

If it could, we wouldn’t be making art at all.

There are several new works that will be presented at an exhibition “EROS & ASHES” curated by @why_nat_projects 
in Florence, at the @spaziosassetti with @ariaartgallery . 
The opening - May 15th by @yulia__bas
59
5 months ago
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Building Soft Armor for me and My Daughter ⚔️

This project is part of my DOM Art Residency @dom_art_residence, where I’m developing the work through regular live streams from my studio, streaming for eight hours a day with the process open to an audience online and in Venice pavilion.

The project began with a very ordinary object associated with the female body and gradually became an inquiry into bodily autonomy, personal boundaries, vulnerability, protection and female agency.

I’m interested in what happens when a material associated with shaping and exposing the female body is transformed into a structure of defense.

For me, the material is not separate from the idea. It carries the meaning.

This is part of my broader interest in feminist contemporary art, the body as a site of memory, materiality, embodied experience and the relationship between vulnerability and strength.

These images are simply the process: cutting, stitching, assembling, trying, changing, and slowly watching the armor take form. by @yulia__bas
8
2 months ago
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🌑 As an artist I find that the disappearance of nuance is one of the most serious crises in contemporary cultural life 🌑

I have watched the art world, a field built on reflection and dialogue, become a place where the range of permitted opinion field shrinks each year. 

🚨 Refusing to take the whole package is read as disloyalty, not as thinking. 

I think the capacity to say I need more information before I decide is one of the harder things a person can do right now, and one of the more necessary.

🪽 by @yulia__bas
328
a month ago
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New paintings about old stories coming along 🌑 @gallery.culture by @yulia__bas
9
8 months ago
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⚫️ The moment I put down the brush and let pure anger become my medium, everything changed. Hands in direct contact—frustration, failure, and finally, a strange sense of rebuilding. 

For me, art only became honest once I stopped trying to control the outcome and let the process pull me apart. 

Have you ever had a breakthrough only after letting something break? 
Share your moment below.
I want to hear how destruction led you to your own creative shift.

💧 taken in Barcelona, Spain by @yulia__bas
215
6 months ago
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