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on view @maj_van_der_linden — Narratives of Making
soon @kunstvereinmuenchen — Jahresgaben 2026
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Moving through the studio with MAERZ, where heritage craftsmanship meets the art of making today.

Brought to life with a wonderful team

Creative concept & production: @inkcorporated 
Photography: @matzeziegler 
Videography: @maxwell_christmann
Hair & makeup: @marija.pavleka

For @maerzmuenchen taken in Munich, Germany by @zeynep.boyan
27
3 days ago
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NOIRE photographed by @studio.brinth w/ @lalune.galerie taken in Paris, France by @zeynep.boyan
7
10 days ago
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Open Studio — October 10 & October 11
Schulstraße 36, 80634 München

During the Kultüren in Neuhausen weekend, I’ll be opening the studio to visitors for two days.

Saturday, October 10, 2–6 PM
Sunday, October 11, 12–4 PM

An opportunity to visit the studio, see current works and works in progress, and spend time with the pieces in its working environment.

Everyone is warmly welcome 🤍 taken in Munich, Germany by @zeynep.boyan
8
14 days ago
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Körper, 2026, stoneware sculpture - in dialogue with bodily references in bronze, marble, and plaster, alongside other sketches. 

The piece asks whether a sculpture behave like a body, carry weight, resist gravity, hold tension, and preserve the memory of motion? by @zeynep.boyan
10
17 days ago
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Untitled, 2026 by @zeynep.boyan
0
24 days ago
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Introducing my new lighting sculptures inspired by my childhood summers in southern Turkey.

The series reimagines the traditional Turkish su kabağı (calabash gourd) lamp, crafted in Turkey’s southern regions using age‑old perforation techniques. Traditionally, the gourds are harvested in autumn, left to dry, and then carefully carved throughout the winter. A seasonal practice deeply tied to both nature and local craft traditions. The collection translates a core memory into clay, creating cultural continuity by reinterpreting a familiar object through a different material. Each lamp is traced by a movement that is entirely intuitive and unique.

Editions of LAMP NO. II will be on view at Narratives of Making at @maj_van_der_linden Gallery, presented as part of @currents.berlin during @berlinartweek. 

+ Join me for an artist talk on 12 September at 4 pm, where I’ll be sharing the making process and story behind these pieces.

Opening Event — Sep 9, 6-9pm
Artist Talk — Sep 12, 4-5pm

@ MAJ VAN DER LINDEN Satellite 
Johannisstraße 14, 10117 Berlin taken in Berlin, Germany by @zeynep.boyan
0
a month ago
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Mother and Child, 2026

[2] Fragment of a terracotta relief of a woman and child, Greek, South Italian, Tarentine, mid-4th century BCE.
[3-4] Madonna and Child, Donatello.
[5] Madonna and Child,  possibly Italian, Florence, late 15th–early 16th century.
[6] Virgin and Child, French, 14th century.
[7] Virgin and Child, Master of the Mansi Magdalen, Netherlandish.
[8] Virgin and Child, after a model by Donatello, Italian, 15th century or later, after ca. 1450 model.
[9] Virgin and Child, Imitator of Mino da Fiesole (Mino di Giovanni), Italian, probably 19th century. Mother and Child, 2026, Zeynep Boyan by @zeynep.boyan
0
a month ago
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I’m happy to share that I’ll be exhibiting at @enterartfair with @neudeutsch.collective , curated by @julian_daynov in collaboration with the German Embassy.

As the only non-German artist invited to present work alongside a new generation of German creatives, this feels especially meaningful. Thank you @julian_daynov 

I’ll be presenting a new body of work exploring the body through biomorphic form - where hints of limbs, bellies, and spines emerge through clay. The presentation includes sculptures named Körper and Untitled, both shown publicly for the first time.

Photographed above:
Körper
Ceramic sculpture
61 x 20 x 17 cm
1/1, Unique

Enter Art Fair 
27-30 August 2026
Copenhagen · Lokomotivværkstedet

@enterartfair @neudeutsch.collective @julian_daynov @tyskeambassadedk I’m proud to share that I’ll be exhibiting at @enterartfair with @neudeutschcollective, curated by @julain.daynov in collaboration with the German Embassy.

As the only non-German artist invited to present work alongside a new generation of German creatives, this feels especially meaningful.

I’ll be presenting a new body of work exploring the body through biomorphic form - where hints of limbs, bellies, and spines emerge through clay. The presentation includes sculptures named Körper and Untitled, both shown publicly for the first time.

Photographed above:
Körper
Ceramic sculpture
61 x 20 x 17 cm
1/1, Unique

Enter Art Fair 
27-30 August 2026
Copenhagen · Lokomotivværkstedet taken in Copenhagen, Denmark by @zeynep.boyan
9
2 months ago
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Friday evening at the studio. A giant vase commission finally finished and Berlin Art Week just ahead. Art keeping me company (zoom in and you might spot his pointy nose). Now time for a little break. taken in Munich, Germany by @zeynep.boyan
4
a month ago
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A conversation with @rheastore.official for their Rituals series.

Photography by @linamendozza by @zeynep.boyan
8
a month ago
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A series of moving images extending my ongoing practice of photographing and cataloguing my work. by @zeynep.boyan
0
a month ago
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Mother and Child, 2026. A piece I began working on during my grandmother’s sickness and eventual passing. It became a reflection of three generations of women in my family; my grandmother, my mother and myself. Each holding one another. Forever embodied in a sculpture. taken in Mother Earth by @zeynep.boyan
10
2 months ago
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