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Lucky Strike

@7ucky.strike

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LUCKY STRIKE | New contemporary art platform by Lauren Johnson @lo.etgo and Oscar Ramos @oscar__ramos 🦂⭐️🦂 Stockholm, Sweden
59.3327° N, 18.0656° E
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Lucky Strike x RIFT at Nordiska Galleriet Archives celebrating 20 years of Market Art Fair ☆ ☆ ☆ ☆ ☆ Love to the core team @oscar__ramos @lo.etgo @carlfredriclarsson @bismille @orbitnino @petrastenvall1 and all of you that made this possible! Love to the amazing artists that performed and exhibited @professor.stranger @ishi____vu @flute_oflife @femifrykberg @josephinemoriko @nellyhinas @merq__ @oskar.korsar @georgnordmark @susanna.olle @chuckle_dust @mirawooood pc @mattematrix Until next time ;) taken in Nordiska Galleriet Archives by @7ucky.strike
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5 months ago
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[Second batch of documentation images] LUCKY STRIKE × NORDISKA GALLERIET ARCHIVES x MARKET ART FAIR With works by: @merq__ @oskar.korsar @georgnordmark @susanna.olle @chuckle_dust @mirawooood 22 - 26 APRIL @nordiskagallerietarchives @marketartfair @7ucky.strike Photos by @mattematrix by @7ucky.strike
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5 months ago
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[ First batch of documentation] LUCKY STRIKE PRESENTS: @merq__ @oskar.korsar @georgnordmark @susanna.olle @chuckle_dust @mirawooood OPEN 22 - 26 APRIL @nordiskagallerietarchives Wednesday 11.00 - 17:30 Thursday 11.00 - 16.00 Friday 11.00 - 16.00 Saturday 11.00 - 16.00 PARTY 18.00 - 1.00 Sunday 11.00 - 16.00 Photos by @mattematrix by @7ucky.strike
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6 months ago
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Meet the artists taking part in an exhibition curated by @7ucky.strike this week at our neighbours in Frihamnen, @nordiskagallerietarchives in Magasin 6. Lucky Strike is a floating stage for shared encounters in contemporary art founded by @lo.etgo and @oscar__ramos Without a fixed address, it embraces risk and the chance of a lucky strike. It connects artists and publics across Sweden and internationally through exhibitions and hybrid events. Come by after the fair on Saturday for a party with music organised by @riftcontemporary. See you there? 🍻 Opening hours: Wednesday 11.00–17.30 Thursday - Sunday 11.00–16.00 Party Saturday 18.00–01.00 Location: Nordiska Galleriet Archives Frihamnsgatan 50, Magasin 6, 115 56 Stockholm RSVP: https://marketartfair.confetti.events/lucky-strike-rift-at-nordiska-galleriet-archives by @7ucky.strike
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6 months ago
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LUCKY STRIKE PRESENTS: @merq__ @oskar.korsar @georgnordmark @susanna.olle @chuckle_dust @mirawooood OPEN 22 - 26 APRIl Wednesday 11.00 - 17:30 Thursday 11.00 - 16.00 Friday 11.00 - 16.00 Saturday 11.00 - 16.00 PARTY 18.00 - 1.00 Sunday 11.00 - 16.00 Poster: @axisvictor taken in Nordiska Galleriet Archives by @7ucky.strike
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6 months ago
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Hilda Stammarnäs (b. 1989 in Gothenburg, Sweden) lives and works in Berlin. Hilda studied at HfBK Städelschule, Frankfurt am Main and at Valand Academy in Gothenburg. Her paintings begin with images lifted from mass media, children’s films, and viral news. She redraws them by hand, then tweaks and sabotages, layering grids, pixel residue, and neon shards until the image barely holds. The surface behaves like a body: porous, breached, questioning where it begins and where it ends. The works glitch into unstable fields shaped by visibility and surveillance. Drawing on the “Universe 25” experiment, Hilda considers how excess and control fracture behavior and split the psyche. As Huxley wrote, schizophrenia becomes the characteristic condition, a mind under pressure dividing against itself. Blackout, erasure, perforation act as both shield and revision, interrupting the extraction of the self. The paintings become mindscapes of leakage, where private and public, real and simulated, blur into one shifting terrain she calls “mental wealth.” Previous group and solo exhibitions include “Dour Ether” at CHB 2 in Berlin 2025; “Feelings Change” at Shell Space in Stockholm (2024); “Duftpyramide” at Parfumerie Frankfurt in Frankfurt (2024) “Downtown Issues II” at ISSUES in Stockholm (2023); “Let’s Celebrate Diversity” at Gleiss Lutz in Frankfurt (2022); “Potpourri” at ISSUES in Stockholm (2022); “Lash 23” at Naussaicher Kunstverien in Wiesbaden (2019); “(Yas/Yas) The Carrosserist” (2019 solo) at Joanne Gallery in Frankfurt, and “Jiwon Lee” at Index in Stockholm (2016). Hilda is the recipient of scholarships from the Otilie Roederstein-Stipendien, Hessisches Ministerium für Wissen- schaft und Forschung, Kunst und Kultur (2024); The Heinz und Gisela Friedrich Stiftung (2023); The Petersenska Hemmet Foundation (2017–2022) and the Helge Ax:son Johnson Foundation (2015). @chuckle_dust Images: Pausrädchen”, 2024, acrylic and pencil on linen, 110 x 160 cm, courtesy of Till Hunger Hilda Stammarnäs courtesy of the artist by @7ucky.strike
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6 months ago
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Time Bohlin (b. 1997 Gothenburg, Sweden) lives and works in Umeå. Time sees her work as a search for guiding light, force, emotion and a mixing of escape and reality. Using her expression as a processing lens spread through many mediums, with drawing and video as a base. Her process goes back and forth from carefully detail-oriented and zoomed in to intuitively impulsive and experimental. Time holds a BFA from Umeå Academy of Fine Arts and graduates with an MFA from Umeå Academy this spring. She most recently exhibited in the drawing biennial “Och Teckning” in Stockholm (2025), Bjurholmsbienallen, at Konsthall Väst på Fjället in Bjurholm (2025), and Bothniasalong at Västerbottenmuseet in Umeå (2024). @merq__ Images: “Fuel” 2025, colored pencil on green paper, 30 x 20 cm Portrait of Time in her studio, courtesy of the artist by @7ucky.strike
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6 months ago
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Meet the Artist 🎥 Get to know Susanna Olle and discover what she is bringing to Stockholm Art Week. #stockholmartweek #art #stockholm taken in Stockholm, Sweden by @7ucky.strike
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6 months ago
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Susanna Olle (b. 1994) lives and works in Stockholm. Mainly working with oil painting, she explores subconscious thoughts and dreamscapes. Susanna has a Bachelor’s degree in Mathematics and Computer Science, and draws inspiration from abstract mathematical concepts by applying them to philosophical questions and comparing them to arbitrary functions, patterns or structures found in nature, society or herself. Her work is based on a form of exploration to further an understanding of the surrounding world, a continuous digging, scratching and mapping. @susanna.olle Images: “Skogbevuxen ö”, 2025, oil on linen canvas with artist made frame in pine, 106 x 87 cm Portrait of Susanna, courtesy of the artist by @7ucky.strike
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6 months ago
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Oskar Korsár (b. 1977 in Umeå, Sweden) lives and works in Berlin. Oskar developed an original visual language early on where the motifs are as effective as the technical qualities are striking. His sculptures in bronze and paintings on paper depict female figures with elongated bodies and creatures in different environments. Oskar has always been devoted to his own expression and the motifs often contain art historical, mythological or philosophical allusions. In “Häxorna och vansinnet” Oskar returns to a composition with three women or three witches, a literary, visual and mythological element that occurs abundantly in Western cultural history such as Shakespeare’s Macbeth, the Greco-Roman Moirai and the Old Norse Norns. In a landscape of a bright red, burning sky, a blue-green river flows. On the river’s shore stand the witches and their dog companion, resembling a contemporary Cerberus, the creature that guards the gates of the underworld in Greek mythology. After completing his studies at Konstfack in 2001, Oskar Korsár was engaged repeatedly as an illustrator, including by Dagens Nyheter and Bonniers Litterära Magasin. In 2002 he made his debut in Stockholm at ALP gallery Peter Bergman and in 2007 he made his first international appearance with a solo exhibition at Yossi Milo Gallery in New York. In 2011 he moved to Berlin, in 2016 he was awarded the Åke Andrén Foundation artist’s scholarship and the following year a retrospective exhibition of his artistry was shown at Fullersta gård in Huddinge. Oskar’s most recent solo show includes “Speglingar på Styx” at Åmells in Stockholm (2024). His most recent group shows include “Mythic Origins” at SETAREH in Berlin (2024) and “I dialogue, Kinch” at Belmacz in London (2021). @oskar.korsar Image: “Häxorna och vansinnet”, 2024, wax crayon on paper, 75 x 107 cm, courtesy of Åmells Konsthandel by @7ucky.strike
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6 months ago
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Georg Nordmark (b. 1994 Gothenburg, Sweden) lives and works in Gothenburg and Berlin. Georg holds a BFA and MFA from the Royal Institute of Art in Stockholm. His practice takes as its point of departure the concept of “enrichment” in animal husbandry, wherein stimuli are introduced to render conditions of captivity more tolerable by eliciting species-specific behaviors. Working primarily through sculpture, he examines how such apparatuses operate as forms of control, drawing formal and conceptual parallels to the agency of the art object. These inquiries are further situated within contemporary cultures of engagement, where similar behaviorist principles structure interaction and consumption. In works such as “Fire Hose Rose Bouquet”, this line of thinking extends toward an aesthetic of behavioral abstraction, as environments are supplanted by refined behaviorist criteria. Recent solo and duo shows include “Optimal Tonus” at General Expenses in Mexico City (2025), “Georg Nordmark and Robin Seir” at Cora Hillebrand Gallery, Gothenburg (2025); “Creature Comfort” at Simulacra Gallery, Beijing (2024); “Knot Garden” at Minor Gallery, Copenhagen, and The Great Exhibition & Hall Gallery, Stockholm (2024), and “Housebroken” at ISSUES Gallery, Stockholm (2023). Recent group exhibitions include “For Pete’s Sake 2.0” with Carl Kostyál at Market Art Fair, Stockholm (2025) and “Gullringsbo Konstsamling” at Hospitalet, Stockholm (2025) amongst others. @georgnordmark Images: “Fire Hose Bouquet (black)”, 2024, rubberized fire hose, garden hose, aluminum, steel, 65 x 51 x 34 cm, courtesy of Galleri Cora Hillebrand, Gothenburg Portrait of Georg in his studio by Hilda Randulv by @7ucky.strike
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7 months ago
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⋆⋆⋆ Introducing the artists in our upcoming exhibition during Market Art Fair and Stockholm Art Week April 22 - 26 First up————————> Mira Wood (b. 2000, London) is an artist based in Stockholm. Her practice explores the juxtaposition of hypocrisy within material and meaning - between strength and fragility, function and symbol, duration and dissolution. By sandcasting tools and weapons in glass, Mira transforms objects usually associated with control and power into something fragile and transparent. While in her work with wood and clay, she seeks a slower and more tactile process, where the touch of the hand and the memory of the material become visible expressions of both linguistics and time. @mirawooood Image: “XXX”, 2025, glass, 45 x 35 cm (each). by @7ucky.strike
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7 months ago
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