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ANTHONY MILER

@anthonymiler

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NUMEROUS CONCERNS, archive of a private practice on view @shrine.nyc through June 27th, 2026
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#drawing
#graphite
#archive
#anthonymiler taken in Shrine by @anthonymiler

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2 months ago

NUMEROUS CONCERNS is open through June 27, 2026 @shrine.nyc it is the first exhibition of an 18 year small format, mostly private, drawing practice @relim_ynohtna_drawings
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#drawing
#archive
#shrinegallery
#numerousconcerns
#anthonymiler by @anthonymiler

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2 months ago

Numerous Concerns, an archive of a private practice will open at SHRINE May 15, 2026
@relim_ynohtna_drawings
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#numerousconcerns
#archive
#shrinenyc
#anthonymiler by @anthonymiler

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4 months ago

It is. What is.
It is not science.
Every guess is met with silence or negation.

graphite on lenox cotton paper, 38x50 inches by @anthonymiler

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6 months ago

New Acquisition!

Soft gradients of color and rhythmic blue contours define "Land is Witness", a painting by Anthony Miler (@anthonymiler) that merges clarity of form with quiet emotion. Through its flowing lines and luminous palette, the work suggests a landscape distilled to essence, at once serene and vibrant. Exemplifying Miler’s continued engagement with abstraction and observation, "Land is Witness" invites reflection on the relationship between line, light, and land.

Anthony Miler, "Land is Witness", 2023, Acrylic on canvas, 18 × 24 in. Photography by Ed Mumford. Courtesy of the Artist and The Pit. © Anthony Miler. by @anthonymiler

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8 months ago

pencil on paper, marking… time?
searching through something that does not appear to give, does not appear to reveal, its action is its action by @anthonymiler

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8 months ago

aluminum with black flocking
2025

“Tomorrow’s Not What It Used To Be” is open through August 9th @thepitla by @anthonymiler

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a year ago

“Tomorrow’s Not What It Used To Be”
@thepitla through August 8

#anthonymiler by @anthonymiler

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a year ago

I’d been kicking these pieces of aluminum around the studio, literally, since 2017. Similar to having fully formed ideas of the tally paintings a decade before making any.
Somehow this makes it harder to place them in time, which I enjoy as a relaxed poetic inquiry, un-rushed by any demand for acceleration and resolution, instead an example of inquiry suspended in time, as they oscillate with an indeterminate function.

Their artifactual language suggesting a time-past, I wonder more often if they are a softly spoken predictor of a terrifying future. One where they bear the language of their own disuse, and so come more fully into their artifact nature. As we accept our methods of inquiry are broken, having forgotten how to learn, as we suckle on the reliable cancerous drip of so called entertainment, which continues ever to stir the pot of resentment.

However, it’s not what I think about every day, nor what drives their creation, though if I willingly look through the lenses being rushed to my eyes, one does wonder …

Not Titled
aluminum, found concrete, found wood
2025
#anthonymiler by @anthonymiler

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a year ago

Tomorrow’s Not What It Used To Be

Opens today at The Pit, Los Angeles, Dolores Street alongside concurrent solo exhibitions by Llyn Foulkes and Pepe Mar

#llynfoulkes
#pepemar
#anthonymiler
#thepit taken in The Pit La by @anthonymiler

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a year ago

Part of “Tomorrow’s Not What It Used To Be” opening this Saturday, June 28, at The Pit, Dolores Street, Los Angeles.

While traditionally discreet object-based sculptural processes often fall within a binary of additive or subtractive, this is made via compression. Thinking alongside geological processes, and our basic drive towards extraction. In person, from a distance and at specific angles one can make out the vestige of a head lying on its side, which upon approach disappears to be a less revealing, less penetrative geological substance of unknown origin akin to a moon rock. Time slows, acceleration is suspended momentarily.

This object may in part be considered a manufactured artifact, built to speak, perhaps in reverse.

Not Titled
Aluminum
24x36x32 inches
2025

#anthonymiler taken in The Pit La by @anthonymiler

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a year ago

My show “Tomorrow’s Not What It Used To Be” opens in Los Angeles at The Pit, June 28th, 2025

Thank you to the whole team at the gallery

Not Titled
Oil and Acrylic on Canvas
2025

#anthonymiler taken in The Pit La by @anthonymiler

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a year ago