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“All together:”Goodbye Master!” @artnoble_gallery
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We are back and pleased to invite you on Wednesday, September 30, to the opening of “All together: Goodbye Master!”, a group show with works by Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka and Dardan Zhegrova, curated by Arnold Braho. 

The exhibition takes as its starting point the historical, political, and symbolic role of puppets and marionettes, developing a reflection on animism and on the possibility that objects, materials, and images possess their own agency and memory. All Together: “Goodbye Master!” considers puppetry not only as a popular form of entertainment or a pedagogical tool, but as an imaginative technology capable of destabilizing power, carnivalizing the world, and staging alternative social relations.

It is within this tension that the title “All together: Goodbye Master!” takes shape: a farewell to the puppeteer, and to any single principle of control, in order to imagine other forms of agency and coexistence.

See you all at the opening on 30.09 ❤️

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova 
Curated by @arnbrh 
Graphic Design @giordanocruciani 

#art #contemporaryart #artnoblegallery #exhibition #milan taken in ArtNoble by @arnbrh
18
2 months ago
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This winter I travelled with @borababoci and @elian.stefa to the wetlands and along the coast of Vlorë to conduct research for the project at @galeria.e.bregdetit , before the scale of the threats posed by large-scale investments in Albania’s natural areas became clear, particularly for migratory birds such as flamingos.

For the exhibition Paradiz. Economies of Sand, @borababoci invited me alongside Doruntina Vinca, Edona Bylykbashi, Elian Stefa, Ervin Qafmolla, and Lekë Gjeloshi, to contribute to a publication accompanying the exhibition. Bringing together seven texts, including one by the artist, the publication explores the Albanian coast through a plurality of narratives.

My contribution ‘Broken Chords Can Sing a Little’ emerged from this encounter with the landscape, connecting migratory birds to theories of exile, personal memory, and music. Through fabulation, I sought to bring together faded memories, images, and fragments, exploring how they might acquire new meanings and open up other ways of recounting the relationships between diaspora, belonging, and territory.

Thank you Bora for the invitation.

You can read the full text via the link in bio. taken in Vlorë, Albania by @arnbrh
4
4 days ago
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I’m very happy to share a few shots of the works featured in All Together: “Goodbye Master!” at @artnoble_gallery , open until December 15.

The curatorial research explores the different, and at times seemingly contradictory, functions the puppet has served throughout its history. On the one hand, it embodies one of the most immediate forms of animism: an object endowed with a soul, a voice, an intention, to the point of producing the illusion of a subjectivity of its own. On the other, precisely through its artificial, caricatural and disproportionate nature, the puppet has been an instrument for the carnivalisation of the world.

«Addio, mascherine! Mi avete ingannato una volta, e ora non mi ripigliate più.»

Artists: @__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova

Curated by @arnbrh

Installation views, All Together: “Goodbye Master!”, curated by Arnold Braho, courtesy of ArtNoble Gallery, Milano. Photo credit: Michela Pedranti @michelapedranti 

Thanks @matt_nbl @__maud__greppi for the amazing collaboration 🤍 by @arnbrh
17
5 days ago
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Thank you all for coming last week to the opening of “All together: “Goodbye Master!”” group show with Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka, Dardan Zhegrova, curated by Arnold Braho ❤️ 

The exhibition is open until 15.12.2026

Full documentation of the show is available on our website. For info, inquiries, or to book an appointment, please DM or send email to info@artnoble.co.uk

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova
Curated by @arnbrh

📸
Installation views, “All together: “Goodbye Master!”, curated by Arnold Braho, courtesy ArtNoble Gallery, Milano, ph credit Michela Pedranti @michelapedranti

#artnoblegallery #group #exhibition #arnoldbraho #andeeaanghel olivierofiorenzi anitamuçolli liselorperez barbaraprenka dardanzhegrova taken in ArtNoble by @arnbrh
16
11 days ago
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Before the puppeteer, there was always a crowd — watching, waiting, believing.
“What happens when the puppet leaves the stage?”

All Together: “Goodbye Master!” 
opening Wednesday, September 30, 
h 18:00–21:00

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova 
Curated by @arnbrh 

#art #contemporaryart #artnoblegallery #exhibition #milan taken in ArtNoble by @arnbrh
2
24 days ago
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Vlora, Galeria e Bregdetit, Paradiz. Economies of sand, Tirana days taken in Vlorë, Albania by @arnbrh
4
a month ago
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19 September 2026, 18:00h
BORA BABOÇI – Paradiz. Economies of Sand
Curated by Arnold Braho

Paradiz. Economies of Sand by Bora Baboçi, curated by Arnold Braho, presented at Galeria e Bregdetit in the Bay of Vlorë, finds its starting point in a body of archival materials related to expeditions of the Albanian Coast carried out in the 1980s, when these territories were still largely militarized and inaccessible to public. 

This exhibition aims to analize the actual conditions and possible futurities of the shoreline before and after it had fully emerged as a landscape in the contemporary sense. Within this context, the project brings together a new body of work where sand becomes the guiding thread of the project: a material, an infrastructure, and a surface through which to observe the economies that shape the territory and continuously redefine both its natural and infrastructural boundaries.

The accompanying publication brings together multiple voices, each opening onto a different dimension of the research. Together, they present a kind of critical fabulation around the coast, its off-season ruins, and the movements that continue beyond human presence. Here, the economy of sand is also the movement of sand itself: where is this land coming from?

This exhibition was made possible through the support of the Ministry of Tourism, Culture and Sports of Albania, with supplemental support by Hotel Picasso Radhimë. by @arnbrh
4
a month ago
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"When Species Don't Meet"
Luca Petti, Davide Dicorato @dicor.sa @lucapetti_
Curated by Edoardo De Cobelli, Arnold Braho @e_decobelli @arnbrh
Spazio Volta, Piazza Mercato Delle Scarpe 2, Bergamo @spaziovolta
23.05-12.09.2026

Read the complete text on theitalianartguide.com web platform (🔗 in stories).

#pressrelease

[...] “When Species Don’t Meet” stems from a desire to question the ways in which animality is observed, represented, and exhibited within various institutional and architectural settings. The project takes shape from a reflection on the limits of the zoological gaze and on the conditions that make encounters between species possible, questioning the dynamics of exhibition, spectacularization, and control that have historically defined the relationship between humans and animals.
Natural history museums, understood as devices for the production and sharing of knowledge, have contributed to establishing the forms through which living beings are classified, made visible, and transformed into images. From taxidermy to dioramas, and through the more recent immersive and educational strategies, these institutions have exhibited animals through systems of representation that, far from presenting them as neutral presences, operate within frameworks of scientific, narrative, and visual mediation. 
[...] Here the device is dismantled and rendered opaque, revealing its fractures, its fictions, and the structural limits of the encounter between species. [...] (from pr, English translation: Dobroslawa Nowak)

Images: "When Species Don't Meet" exhibition views, ph Zoe Speziale, Edoardo Bonacina (mix) @zoe.speziale @edoardovb, courtesy the artist and the gallery;

Italy - italiano - contemporary art - exhibition - artist - artista - #tiagtribe #artecontemporanea #contemporaryart #theitalianartguide taken in Bergamo, Italy by @arnbrh
10
2 months ago
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happy to share some single shots from the opening of Infinito Pratico, which opened on August 1 at Palazzina Azzurra in San Benedetto del Tronto, and also some images from the first collateral event, with a performance by emimaggi at @iodio_libreriabar .

a special thanks to @studioeliseomattiacci for lending us the preparatory sketch for Zatteronmarante, presented at the 1969 Biennale di San Benedetto del Tronto, and the work that opens the exhibition Infinito Pratico.

curated by me and @giuliasfirro, thanks to the invitation of Adriatica Contemporanea.

with:
@artetetra_records
@chiaracamillii
@kkeewa
@benedetta_fioravanti
@oliviero.fiorenzi
@monaldidavide
@stefano_ortega
@marila.scartozzi
@mulsucht
@gi.a.k.a.unprofessional
@viniciusjaymevallorani

Photo by
@edoardo.comba taken in Palazzina Azzurra San Benedetto Tr by @arnbrh
8
2 months ago
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taken in China中国 by @arnbrh
0
3 months ago
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02 July 2026, 7 PM
Renid Tosuni
This time I didn’t light a candle

Text by Arnold Braho @arnbrh
Photo by Nina Shuli @teshtena

@bazamentartspace
02.07 — 13.08.2026

I’m very happy to be contributing for the first time to this amazing space in Tirana with my words @bazamentartspace 

If you are in the city or planning to pass through Albania in the coming weeks, I highly recommend stopping by to see @redtosuni ´s exhibition taken in Bazament Art Space by @arnbrh
0
4 months ago
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Infinito Pratico.
Exhibition - Dall’1 al 25 Agosto, Palazzina Azzurra, San Benedetto del Tronto
&more - Per tutto il mese di Agosto eventi diffusi sul territorio 

Artists
@artetetra_records 
@chiaracamillii 
@kkeewa 
@benedetta_fioravanti 
@oliviero.fiorenzi 
@monaldidavide 
@stefano_ortega 
@marila.scartozzi 
@mulsucht 
@gi.a.k.a.unprofessional 
@viniciusjaymevallorani 

A cura di
@arnbrh 
@giuliasfirro 

Graphics 
@giordanocruciani by @arnbrh
13
4 months ago
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