Instagram story viewer> @arnbrh> Tagged

arnold braho

@arnbrh

5.6K

followers

6938

following

curator
“All together:”Goodbye Master!” @artnoble_gallery
Co-founder @provinciale_11
Avant-Gardening @tectum_garden
Tirana Art Week
@sa.turnplatform

POSTS STORIES REELS TAGGED

Save the date!

E.A. Shared Space is pleased to announce Latent Slumber, the first exhibition to open the program of our new location. The exhibition brings together works by Andro Eradze, Teimuraz Eristavi, Lea Vajda, and Peng Zuqiang, curated by Arnold Braho.

Please join us for the opening on November 8th, 16:00-20:00!

Address: 2 Beri Gabriel Salosi I Turn, Tbilisi, Georgia

With the kind support of Steiner Stiftung.

#AndroEradze #TeimurazEristavi #LeaVajda #PengZuqiang #ArnoldBraho

ჩაინიშნეთ თარიღი!

მოხარულები ვართ დაგპატიჟოთ ჩვენი სივრცის ახალ მისამართზე ისანში! “თვლემა” პირველი ჯგუფური გამოფენაა რომელიც გახსნის პროგრამას. გამოფენა აერთიანებს თეიმურაზ ერისთავის, ანდრო ერაძის, ლეა ვაიდას და პენგ სუჩანგის სივრცისთვის შექმნილ და უკვე არსებულ ნამუშევრებს. გამოფენის კურატორია არნოლდ ბრაჰო.

შემოგვიერთდით გახსნაზე 8 ნოემბერს, 16:00 - 20:00!
მისამართი: ბერი გაბრიელ სალოსის პირველი შესახვევი, ნ2, ისანი, თბილისი.

პროექტს ფინანსურად მხარში უდგას: @steiner_stiftung

183

9

Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka, Dardan Zhegrova
All together: “Goodbye Master!”
A cura di Arnold Braho
Art Noble Gallery, via Ponte di Legno, 9, Milano
30 settembre - 15 dicembre, 2026

Installation View, courtesy ArtNoble Gallery, Milan , ph credit M. Pedranti

6

0

I have a little shadow that goes in and out with me (2026) — Oliviero Fiorenzi @oliviero.fiorenzi
All Together: "Goodbye Master!"
Curated by @arnbrh at @artnoble_gallery | open until December 15, 2026 👥🏛️

[ENG] Viewers are often fascinated by the idea of becoming part of the artwork, or at least sensing a feeling of agency and control. However, reality is far more uncompromising. The art world is not a one-way mirror; one realm constantly feeds into the other, and on many occasions, we completely lose track of who is narrating and who is being told. Within this exhibition, the installation demonstrates that despite fleeing the puppet theater and its representation, one remains a mere element within the plot for the story to keep unfolding. Fiorenzi systematically breaks the boundary between reality and fiction, proving that "chi anima e chi è animato finiscono per coincidere".

[ITA] Lo spettatore è spesso affascinato dall'idea di diventare parte dell'opera, o almeno di percepire un senso di controllo e potere di agenzia. Tuttavia, la realtà è ben diversa. Il mondo dell'arte non è uno specchio a senso unico; un regno alimenta costantemente l'altro e, in molte occasioni, si perde del tutto il senso di chi narra e di chi viene raccontato. In occasione di questa mostra, l'installazione ci dimostra che, nonostante si tenti di fuggire dal teatro e dalla rappresentazione, si continua a essere un fattore, un elemento della storia affinché essa continui a essere raccontata, rompendo ancora e ancora il limite tra la realtà e la finzione in cui "chi anima e chi è animato finiscono per coincidere".

#OlivieroFiorenzi #ArtNobleGallery #GoodbyeMaster #ContemporaryArtMilan #VisualResearch

3

5

Anita Muçolli’s mirrored rocking horse, with the real horse’s bridle and blinkers, at “All together: “Goodbye Master!”” group show, curated by Arnold Braho ❤️

The exhibition is open until 15.12.2026

Full documentation of the show is available on our website!

For info, inquiries, or to book an appointment, please DM or send email to info@artnoble.co.uk

📸
ph credit Michela Pedranti @michelapedranti

#artnoblegallery #group #exhibition #arnoldbraho

@laanitamucolli
Curated by @arnbrh

3

7

Garden Scores by Concrete Poetry (Mark Lowe & Sarah Shin) | Provinciale 11, Italy

What does a garden sound like before it takes form?

Last week, Concrete Poetry (a new architecture~art~storytelling collaboration by Sarah Shin and I) shared our ongoing research into Garden Scores, our original design concept and methodology, with participants in the Provinciale 11 residency, as part of their garden module.

We explored gardens as places, living compositions, of memory, imagination and sensory experience through deep listening, sonic mapping and experimental scoring.

Together, we listened to the Tuscan landscape, intuitively mapped its sounds and rhythms, and translated these observations into scores. These became the beginnings of imaginary gardens, composed through sound, gesture and collective imagination and performance.

Thank you to Provinciale 11 and everyone who joined us for such a generous and thoughtful exchange.

#GardenScore #DeepListening #SonicMapping #SoundArt #Gardens

155

2

As far as I can’t, 2026
Sewn silk installation

Part of the exhibition “All Together: “Goodbye Master!”, curated by Arnold Braho @arnbrh at ArtNoble Gallery @artnoble_gallery Milan.

132

2

Orgiastic Rites #drawing #poem at @artnoble_gallery
Curated by @arnbrh

Courtesy: ArtNoble Gallery, Milan
Photo credit: M. Pedranti

34

5

Thank you all for coming last week to the opening of “All together: “Goodbye Master!”” group show with Andreea Anghel, Oliviero Fiorenzi, Anita Muçolli, Liselor Perez, Barbara Prenka, Dardan Zhegrova, curated by Arnold Braho ❤️

The exhibition is open until 15.12.2026

Full documentation of the show is available on our website. For info, inquiries, or to book an appointment, please DM or send email to info@artnoble.co.uk

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova
Curated by @arnbrh

📸
Installation views, “All together: “Goodbye Master!”, curated by Arnold Braho, courtesy ArtNoble Gallery, Milano, ph credit Michela Pedranti @michelapedranti

#artnoblegallery #group #exhibition #arnoldbraho #andeeaanghel olivierofiorenzi anitamuçolli liselorperez barbaraprenka dardanzhegrova

238

16

I have a little shadow that goes in and out with me (2026). Legno dipinto. Dimensioni variabili.

Le ombre mascherate di Oliviero Fiorenzi sembrano essere fuggite dal proprio teatrino e aver invaso lo spazio della mostra. I personaggi vagano sostenuti dalle loro stesse aste, sproporzionate rispetto ai corpi che sorreggono: un uomo vestito da rondine, una figura mascherata da cavallo, corpi che sembrano oscillare tra animale, attore e marionetta. Il dispositivo teatrale è qui evidente, diventa parte del personaggio stesso. La scena si espande così oltre il proprio limite e la rappresentazione comincia a raccontare anche il proprio funzionamento, in una sorta di meta-narrazione in cui chi anima e chi è animato finiscono per coincidere.  

@artnoble_gallery  
All Together: “Goodbye Master!”
A cura di Arnold Braho @arnbrh  
30 settembre - 15 dicembre 2026

Courtesy ArtNoble Gallery, Milan. Ph credit Michela Pedranti

348

4

I have a little shadow that goes in and out with me (2026). Legno dipinto. Dimensioni variabili.

Le ombre mascherate di Oliviero Fiorenzi sembrano essere fuggite dal proprio teatrino e aver invaso lo spazio della mostra. I personaggi vagano sostenuti dalle loro stesse aste, sproporzionate rispetto ai corpi che sorreggono: un uomo vestito da rondine, una figura mascherata da cavallo, corpi che sembrano oscillare tra animale, attore e marionetta. Il dispositivo teatrale è qui evidente, diventa parte del personaggio stesso. La scena si espande così oltre il proprio limite e la rappresentazione comincia a raccontare anche il proprio funzionamento, in una sorta di meta-narrazione in cui chi anima e chi è animato finiscono per coincidere.  

@artnoble_gallery  
All Together: “Goodbye Master!”
A cura di Arnold Braho @arnbrh  
30 settembre - 15 dicembre 2026

Courtesy ArtNoble Gallery, Milan. Ph credit Michela Pedranti

297

3

Ndërsa filmimi paraqet disa plazhe që rikrijohen dhe mirëmbahen artificialisht gjatë dimrit, rëra bëhet filli që përshkon të gjithë projektin: një material dhe një sipërfaqe përmes së cilës mund të vëzhgohen ekonomitë që i japin formë vijës bregdetar dhe që vazhdimisht ripërcaktojnë kufijtë e tij natyrorë dhe infrastrukturorë, por mbetet një paradoks. Nga vjen kjo tokë? Çfarë formash territori shfaqen kur materia kuptohet si diçka që vazhdimisht zhvendoset, grumbullohet dhe rishpërndahet? Territori bashkëkohor shfaqet si diçka ciklike, paraqitur në një formë idilike, si një peizazh në dukje i paprekur, i prodhuar artificialisht. Gjithçka që na mbetet është alegoria. “Alegoristi i mbahet fort rrënojës”

Pjesë nga teksti kuratorial i Arnold Brahos për Paradiz: Ekonomitë e rërës tek Galeria e Bregdetit, Radhimë. Ekspozita do të jetë e hapur jashtë sezonit, deri në prill.

While the video shows several beaches being continuously reproduced and artificially maintained throughout the winter, sand becomes the thread running through the project: a material and a surface through which to observe the economies that shape the coastal territory and continuously redefine its natural and infrastructural boundaries, but also a paradox. Where does this earth come from? What forms of territory emerge when matter is understood as something that is constantly moved, accumulated, and redistributed? The contemporary terrain appears as something cyclical, destined to present itself in an idyllic form, as a seemingly untouched landscape that is artificially produced. All that remains for us is the allegory. “The allegorist holds tightly to the rubble.”

Excerpt from @arnbrh curatorial text for Paradiz: Economies of sand @galeria.e.bregdetit. The exhibition will be on view during off-season until April

62

1

Before the puppeteer, there was always a crowd — watching, waiting, believing.
“What happens when the puppet leaves the stage?”

All Together: “Goodbye Master!”
opening Wednesday, September 30,
h 18:00–21:00

@__cigaroh @oliviero.fiorenzi @laanitamucolli @iszor @barbara_prenka @dardanzhegrova
Curated by @arnbrh

#art #contemporaryart #artnoblegallery #exhibition #milan

3

2