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Bold-Decisions.biz

@bold_decisions

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Danish Type Foundry — Working from Jeju, Korea. Custom and retail fonts in Latin, Cyrillic, Greek and Hangul.
@madswildgaard
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Save the Date! @joanlosangeles is throwing a JOAN Benefit Party on Sunday, October 18 at Cooper Studios in Downtown Los Angeles. 📍@thecooperdesignspace Join your Bendix neighbors and Cooper fam for an afternoon of art and performance, accompanied by cocktails and food, as they raise funds in support of JOAN’s twelfth year. Proceeds from the event will directly support JOAN’s upcoming programs, artist commissions, and publications, helping @joanlosangeles continue to provide artists with the resources to produce ambitious new work. Design by The Rodina (@therodina) Typefaces: True Sans by Bold Decisions (@bold_decisions) and Womb Script by Rory King (@rorykingetc) #cooperdesignspace #artistsupportartists #dtlaevents #happeningindtla cooperstudios taken in Cooper Design Space by @bold_decisions
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a month ago
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Italics have been added to Spread! 📕📗📘📙 by @bold_decisions
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3 months ago
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Glossy Display in use 🖥️💽 @kasperledet • @toolbeer “Blackberry and raspberry sour? Yes! And you’re gonna love it 💕 Brombajer is our sour wheat pilsner, packed with juicy berries and clean acidity. Sharp, refreshing, and hard to put down” by @bold_decisions
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6 months ago
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Tradition in use by the brilliant @oliverlong_ • @oliverlong_ Some ‘type only’ posters for ‘The Symptomatic Surreal’ at @freudmuseum — opening soon. This project has been a real labour of love with Vanessa Boni. We’re looking forward to sharing more soon. Set in Tradition by @bold_decisions — A digitisation inspired by Percy Delf Smith’s calligraphic work. English and eccentric, just like Carrington. “Gathering together the currently-scattered sketchbook drawings of the British-born, naturalised Mexican surrealist artist Leonora Carrington made between 1939–1941, The Symptomatic Surreal traces Leonora Carrington’s experiences of fleeing Nazi-occupied France, her hospitalisation in a sanatorium in Santander, Spain, and her exile in New York. Through these drawings, the exhibition offers a rare encounter with the visions that shaped her early work. In this exhibition, Carrington grapples with geopolitical crisis, transformation of the self, and the underworld, anchored by her seminal painting Down Below (1940), on show for the very first time in London.” by @bold_decisions
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7 months ago
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Spread is a Scotch Roman with DNA coming from large mid-century agencies, back when campaigns were nothing more than an illustration and good slogans. Its width makes it an economic font for longer text setting but ultimately its power lies in saying it loud. It features a range of alternates and OpenType features to provide your workflow with fun and flexibility. Online now with accompanying trial files Have fun 🏁 by @bold_decisions
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8 months ago
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Glossy Magazine and MSG🫶 • @moonsickgang exhibition identity design for •푸른 세상을 빚다, 고려 상형청자 Sculpted Celadon of the Goryeo Dynasty• 2024.11.26–2025.3.3 at 국립중앙박물관 특별전시실 2 Special ExhibitionGallery2, National Museum of Korea @nationalmuseumofkorea / 국립경주박물관 Gyeongju National Museum 2025.5.3–8.24 @gnmuseum / special thanks to poster design critic from 한겨레 Hankyoreh by @bold_decisions
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10 months ago
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For the redevelopment of the Zuidas area, Victory Group and LMTD worked with @dnco to develop a new vision. ZUDO. A portmanteau of Zuid and Dorp. I helped create a custom stencil font, or — Portmanteau font — composed of True Sans and True Serif. Hinting at both architecture and diversity with it’s wealth of forms. Looking forward to seeing it out. by @bold_decisions
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10 months ago
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Selling fonts is for the good of the majority, but every once in a while, the use of a font can become so integral to an identity that it seems like it never belonged anywhere but there. This is the first time here a font has been closed off for sale because a client wanted exclusive access to it. It’s strangely bittersweet for both Asger and me. It seemed logical, though, that it should be La Veste who wanted this font and to ‘own’ their brand as they’re moving forward and growing. After I visited their pop-up in NYC earlier this year, it was pretty clear to me that not only was the design great and a category in itself, but the materials and craftsmanship tied it together so well. Good people on a good mission. In the next slides, we’ll run through the iconic usage in the past, and then that’s it from Clip. 🫶 @asgerbehncke by @bold_decisions
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10 months ago
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True Sans ✅ The Rodina 🫶• @joanlosangeles As we enter the fall season, we are thrilled to launch J̲O̲A̲N̲’̲s̲ ̲n̲e̲w̲ ̲i̲d̲e̲n̲t̲i̲t̲y̲ ̲a̲n̲d̲ ̲w̲e̲b̲s̲i̲t̲e̲, designed in close collaboration with Amsterdam studio 𝗧𝗵𝗲 𝗥𝗼𝗱𝗶𝗻𝗮. This milestone in our 10th year honors JOAN’s history and the community that sustains our work. 🖤 The identity is grounded in movement and cycles, reflecting artistic process, organizational rhythm, and the setting sun. It unfolds like a Californian sunset—captivating, radiant, and full of motion—while resonating with the rhythm of sound waves, the scripts of choreography, and the imaginative visions of artists. The JOAN logo embodies rotation, a cycle that carries the rhythm of artmaking and the passage of exhibitions. Typeface: True Sans. Designed by: Bold Decisions #therodina @therodina #dutchdesign #femaledesigners #webdesign #visualidentity #graphicdesign #motiondesign #communicationdesign #bolddecisions by @bold_decisions
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a year ago
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True Sans ✅• @roseneveleigh Identity for HEIRLOOM — center for art and archives, based in Copenhagen and run by the fab Stine Hebert and Johanne Løgstrup. The nice thing about much of design work is that the life of the thing begins when I’m finished. The backbone for the website had to be, of course, the extensive archive of material that HEIRLOOM would not only gather, but produce across its various activities. It is great to look again now at the way the website has taken shape, populated and filled out over the last few years. To many more :0) Web dev by Julia Novitch and Alejandro Ample. Typeface by Bold Decisions. @heirloomcaa @stine.hebert @johannelogstrup @alejandroample by @bold_decisions
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a year ago
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True Serif ✔️ • @bardhihaliti Published in 2025, the book ‘7 Tage, 7 Nächte’ accompanies Sarkis’s landmark 2023 exhibition at Kunsthalle Baden-Baden. With contributions from curators Defne Ayas, Çağla İlk, Sandeep Sodhi, and Misal Adnan Yıldız, as well as exhibition readings by Ruth Noack, Lara Fresko Madra, Hou Hanru, and David Kazanjian. Editors Defne Ayas, Çağla İlk, Sandeep Sodhi, Misal Adnan Yıldız Published by Kunsthalle Baden-Baden and DISTANZ Verlag by @bold_decisions
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a year ago
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True Sans ✅• @bardhihaliti ✨ Garrett Bradley – Revolutions ✨ The publication coincides with Garrett Bradley’s receipt of the Eye Art & Film Prize and her exhibition at Eye Filmmuseum, Amsterdam. It features a comprehensive visual section of film stills, alongside a conversation between Garrett Bradley and Rebecca Matalon and an essay by Vincent van Velsen. Edited by: Vincent van Velsen and Marente Bloemheuvel Publisher: Eye Filmmuseum, Amsterdam & naioıo publishers Rotterdam Lithography: Marc Gijzen Printing: Wilco, Amersfoort by @bold_decisions
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a year ago
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