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@bold_decisions

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Danish Type Foundry — Working from Jeju, Korea. Custom and retail fonts in Latin, Cyrillic, Greek and Hangul.
@madswildgaard

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Save the Date!

@joanlosangeles is throwing a JOAN Benefit Party on Sunday, October 18 at Cooper Studios in Downtown Los Angeles.

📍@thecooperdesignspace

Join your Bendix neighbors and Cooper fam for an afternoon of art and performance, accompanied by cocktails and food, as they raise funds in support of JOAN’s twelfth year.
Proceeds from the event will directly support JOAN’s upcoming programs, artist commissions, and publications, helping @joanlosangeles continue to provide artists with the resources to produce ambitious new work.
Design by The Rodina (@therodina)
Typefaces: True Sans by Bold Decisions (@bold_decisions) and Womb Script by Rory
King (@rorykingetc)

#cooperdesignspace #artistsupportartists #dtlaevents #happeningindtla cooperstudios

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특정 공간의 구조적 특징을 바탕으로 설치 작업을 하는 홍수현 작가의 View From Outside 전시의 도록을 디자인했습니다.

두 개의 방(공간)이 벽 하나를 사이에 두고 반으로 똑같이 나뉜 구조물의 특징을 책을 보는 이가 체험적으로 이해할 수 있는 장치를 책 구조에 반영하고자 했는데 N중철로 접히면서 크게 두 섹션으로 나뉘어지고 각 섹션은 다음과 같은 내용을 다룹니다.
- 메인 작품 이미지, 비평문
- 작가가 찍은 건설 현장, 건물 공간 사진

This publication was produced for Soo Hong’s exhibition View from Outside. It brings together documentation of the artist’s installation works, critical essays, and photographs. Her practice is grounded in architectural structures, and this book reflects that approach both in content and form.

The installation consists of two identical rooms symmetrically divided by a single wall, and to translate this spatial condition into a tactile reading experience, the book adopts a Z-binding structure that physically splits it into two sections—one presenting the main installation images with critical texts, and the other featuring photographs of the space taken by Soo Hong.

글 Texts
김유빈 Yubin Kim, 정다영 Dahyoung Chung

@soo_hong_artist @jikjifont @bold_decisions @passage.group

#publication #bookdesign #typography #exhibitions #catalogue #passage

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About five and a half years ago, the first version of the website for photographer @tillmann_franzen was one of the first digital projects I worked on as a newly self-employed freelance creative (back then together with @peerhempel @felixbe @eduardwarkentin_art ). It’s all the more gratifying that Tillmann reached out to me once again to tackle an update that inclided both usability optimizations and a design evolution. Once again we’ve created a digital presence for Tillmann that fully engages everyone involved in the project. This time, Nicholas Myhring aka @earthcore.services handled the technical implementation. Check it out for yourself—it’s live now.

Typeface in use (first and second edition):
Lars by @bold_decisions

#website #webdesign #digital #uxui

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Catalogue we designed a while back for the beautiful Ovartaci exhibition at Kunsten and Brandts.

The exhibition was curated by Naja Rasmussen and Caroline Nymark Zachariassen.
Editor: Amalie Marie Laustsen

@kunstendk @kunstmuseum_brandts @carolinenymarkz @amaliemarielaustsen

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The Remote Archivist
Series 09 ○ Issue 1 of 1
Annosh Urbanke

The art collective OHO explored the idea of mediality. The name of the group “OHO” comes from a combination of the words “oko” (eye) and “uho” (ear) and refers to the senses through which perception is sensed. They worked close to nature, using simple materials to create works on a small scale. On the threshold of their international success in 1971, they decided to withdraw. They were not interested in the international art discourse and instead decided on building a community. OHO Group’s collective art practice continued on an abandoned farm in Šempas, while growing a community for several more years until Marko and Marika Pogačnik decided to focus on the plot of land as a family.

Annosh Urbanke decided to contact Marko and Marika Pogačnik, knowing that Šempas, whether in a different form, still exists, and that the communal practice continued as a family project. One thing led to another and Annosh travelled to Šempas to learn more about the different stages and art practices that shaped their work and life in Šempas.

Published by @de_appel
As always, printed by @drukkerijraddraaierssp
@annshurbnke
@libarch

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For the annual exhibition at Wanås Konst, artist Atang Tshikare was invited by then Creative Leader and Curator Milena Høgsberg to create a new sculptural work for the park, which became Puruma.

This catalogue offers an in-depth exploration through texts by Høgsberg and curator Filipa Ramos, delving into Tshikare’s Puruma as well as his earlier works.

It features two image sections: the first focuses on the newly created Puruma, while the second presents a selection of previous works—introducing us to Tshikare’s practice, which spans over 20 years. Tshikare is based and has his daily practice in Cape Town.

Artist: @atangtshikare
Text: @milena_hoegsberg & @filipaaaaaaaaaaa
Photographer: @r.damisch
Printer: @narayanapress
Proof read: Astrid Trotzig, Tina Hektor
Typeface: @bold_decisions

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Published in 2025, the book ‘7 Tage, 7 Nächte’ accompanies Sarkis’s landmark 2023 exhibition at Kunsthalle Baden-Baden.
With contributions from curators Defne Ayas, Çağla İlk, Sandeep Sodhi, and Misal Adnan Yıldız, as well as exhibition readings by Ruth Noack, Lara Fresko Madra, Hou Hanru, and David Kazanjian.

Editors
Defne Ayas, Çağla İlk, Sandeep Sodhi, Misal Adnan Yıldız

Published by
Kunsthalle Baden-Baden and DISTANZ Verlag

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✨ Garrett Bradley – Revolutions ✨

The publication coincides with Garrett Bradley’s receipt of the Eye Art & Film Prize and her exhibition at Eye Filmmuseum, Amsterdam. It features a comprehensive visual section of film stills, alongside a conversation between Garrett Bradley and Rebecca Matalon and an essay by Vincent van Velsen.

Edited by: Vincent van Velsen and Marente Bloemheuvel
Publisher: Eye Filmmuseum, Amsterdam & naioıo publishers Rotterdam
Lithography: Marc Gijzen
Printing: Wilco, Amersfoort

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printed matters for @tiltxfnst
cover photo: @dajurostudio
custom typeface glossy magazine tilt: generated by @bold_decisions
riso print: @corners.printing
offset print: @intime_2012

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After five years of collaboration, @studiovie.vienna wraps up its work with @burgtheater . Its visual identity (2019–2024) used Phase by @elias_hanzer , a generative typeface built on modular variables, and Lars, a neutral sans by @bold_decisions

Esp.

Después de cinco años de colaboración, @studiovie.vienna cierra su ciclo con el @burgtheater. Su identidad visual (2019–2024) utilizó Phase de @elias_hanzer una tipografía generativa basada en módulos variables, y Lars, una sans neutral, de @bold_decisions

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Definitely worth saving 🗂️

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#typedesign #typeface #typography#typedesigner #graphicdesign #graphicdesignstudio #typographydesign #branddesign #typehelper #th

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