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CASA YALI

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@amyrevier

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A scent sealed forever, briefly released through fire.

Inspired by the protective blend @amyrevier created for her textile works and cedar bonfires in Texas, the burning paper editions offer an ephemeral experience of the scent held inside the unguentaria in Attunement.

Included with each unguentarium and exhibition publication, it reveals the recipe behind the scent.

To be kept as an object, or experienced through its disappearance.

DM or email for more informations.

Artist @amyrevier
Curated @marina____marques
Developed @12butterflies.am
Formulated and produced @osmio76studio

Image credit
@enricofiorese @__filippo__rossi__

Graphic design @chiaraaalexandra by @casa_yali

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2 days ago

Eternity or experience?

Developed with @12butterflies.am and formulated by @osmio76studio the fragrance conceived for @amyrevier Attunement takes its inspiration from a blend the artist prepared during her residency to protect her woven works.

The new formulation seeks to capture the olfactory impression of that original blend, while incorporating UV protection designed to slow its degradation over time. Sealed inside Revier’s hand-blown glass birds, the fragrance is conceived to remain preserved, potentially forever, echoing the ancient Roman Colombina di Rovasenda whose contents survived for nearly two millennia.

Like the original vessel, the glass birds hold a scent that can only be released through an irreversible gesture: breaking the tail. Preservation and disappearance thus become inseparable, as the possibility of experiencing the fragrance depends on accepting its fading through the breakage of the bird's glass tale.

More informations and details in the publication, link in bio.

ATTUNEMENT
Amy Revier

curated by Marina Marques

Mon - Sat
10 am - 6 pm

CASA YALI
San Marco 3079
Ramo Malipiero
Venice

Image credits
@enricofioresd
@marina___marques by @casa_yali

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4 days ago

At the origin of Attunement is the Colombina di Rovasenda, an ancient Roman bird-shaped glass vessel dating to the first century AD, preserved at the Museo di Antichità in Turin.

Bird-shaped unguentaria were used to contain scented substances and are often associated with funerary rituals. Their contents could be released by breaking the narrow glass tail, an irreversible gesture that transformed the vessel and its contents.

What makes the Colombina di Rovasenda particularly remarkable is the survival of traces of its original contents, offering a rare opportunity to investigate an ancient fragrance preserved for nearly two millennia.

For Attunement, the Museo di Antichità in Turin generously shared previously unpublished documentation of the scientific examinations carried out on the vessel to investigate its contents and identify the fragrant substances.

These archival materials, together with the ancient object itself, became an important point of departure for Revier’s research, informing her series of hand-blown glass birds, each containing a sealed fragrance that can only be experienced by breaking its tail.

Part of this research is brought together in the publication accompanying Attunement, connecting archaeological evidence and curatorial framework. by @casa_yali

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8 days ago

The Blue of Distance & Attunement is out!

The publication accompanies Amy Revier’s residency and exhibitions at CASA YALI bringing together the research, images and the curatorial framework through which the exhibitions were conceived.

Out of the collaboration with @12butterflies.am the publication concludes with a burning paper insert carrying the fragrance developed through Attunement.

The book is available now at CASA YALI, Venice on our website, and through selected retailers including @10corsocomo Milan; @12_15_reading_room Vilnius; and @librairieyvonlambert Paris, with more to come.

LINK IN BIO.

Artist @amyrevier
Curator & Editor @marina____marques
Authors @ducrotisabella @jennifer_higgie @marina___marques
Design @chiaraaalexandra
Photography @enricofiorese @g.i.a.c.o.m.o.b.i.a.n.c.o @ppp.lsn @marinamarques
Editorial Assistants @shita4.0 @alggida
Print @graficheveneziane
Scent Concept Development @12butterflies.am
Formulation @osmio76studio

Produced by @CASA_YALI by @casa_yali

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11 days ago

Last few days to visit Amy Revier’s studio at CASA YALI, where her textile practice has taken shape during her time as part of the CASA YALI Residency Programme.

Come by and discover the work developed during her time in Venice, until Wednesday 7th October, by appointment.

Dorsoduro 2525
Fondamenta Rossa
@fondazionemarchesani
30123, Venezia

Images @joe.habben @matteo.copiz by @casa_yali

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12 days ago

The Loom Recording Session III marked the end of Amy Revier's residency at CASA YALI together with the display of TOOLS and SPOONS, an ongoing body of work by our founder Marie-Rose Kahane.

For this session, composer and archlute player Agnese Menguzzato attuned with the artist's loom, weaving sound and gesture through a process of improvisation, repetition and listening.

A loop recording between weaving and composition: the movements and rhythms of the loom became material for improvisation, while the performance itself became a weaving score that might be one day performed again.

Thank you to everyone who joined us, listened, and shared this final moment together.

Thank you to @__hildegarda @cosmogramvenice @lorenzomasonstudio @fondazionemarchesani

Images @joe.habben by @casa_yali

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14 days ago

This Saturday, join us for breakfast at CASA YALI on the occasion of the presentation and signing of the publication accompanying our current exhibition, Attunement, followed by a guided tour with artist Amy Revier and curator Marina Marques.
@amyrevier @marina____marques

The book brings together curatorial research and archival material developed during the artist’s residency, offering a closer look at the references and processes behind the work.

Saturday, 3 October
10 am–12 pm
Book presentation & guided tour
11 am

CASA YALI
San Marco 3079
Ramo Malipiero
Venice by @casa_yali

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15 days ago

ATTUNEMENT
Amy Revier
Curated by @marina____marques

For What Falls Between Part I, 2026
Burnt silver fir bird box, single-channel digital video with sound
11 sec., presented on a five-minute loop
20,5x30x21 cm

During her residency at the @amacademyrome Amy Revier noticed that crows were using the roof of her studio to crack open walnuts. She began responding to their presence by leaving walnuts for them and collecting the broken shells they left behind.

Brought with her to Venice, these fragments became molds for a series of small pewter sculptures, cast during her residency at CASA YALI.

The work reflects an idea that runs throughout Attunement: listening in dialogue with making. Rather than imposing a predetermined form, Revier’s practice begins by paying attention to what is already happening around her, allowing accident, chance and unpredictability to enter the process as co-creative forces.

DM or email us for more informations about the work.

Images credit
@joe.habben
@filipporossi by @casa_yali

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16 days ago

This Saturday, join us for breakfast at CASA YALI on the occasion of the presentation and signing of the publication accompanying our current exhibition, Attunement, followed by a guided tour with artist Amy Revier and curator Marina Marques.
@amyrevier @marina____marques

The book brings together curatorial research and archival material developed during the artist’s residency, offering a closer look at the references and processes behind the work.

Saturday, 3 October
10 am–12 pm
Book presentation & guided tour
11 am

CASA YALI
San Marco 3079
Ramo Malipiero
Venice

Images
@joe.habben by @casa_yali

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17 days ago

Attunement marks Amy Revier’s first work in glass, developed during her residency at CASA YALI with the support of the @nancygravesfoundation Artist Grant 2025–26.

Hand-blown in Murano, the glass birds take their form from ancient Roman bird-shaped unguentaria: vessels made to contain scented oils and associated with funerary rituals.

Each bird holds a sealed fragrance. Like their ancient counterparts, the scent remains inaccessible unless the vessel is broken at the tail — turning the object into both a container and the possibility of an irreversible gesture.

Part of Attunement, Amy Revier’s second exhibition and residency chapter at CASA YALI curated by @marina____marques

Olfactory Concept Development @12butterflies.am
Formulation @osmio76studio

Images credit
1, 2,3,4,7,8 @__filippo__rossi__
5,9 @enricofiorese by @casa_yali

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18 days ago

Exactly one week ago, we gathered for the last workshop with Amy Revier, as part of her residency at CASA YALI in the new venue at @fondazionemarchesani

We learned the early step of the weaving process: dressing the loom. A gesture that requires several hands, and is intrinsically performative in the way it unfolds — through coordination, tension, repetition.

Tomorrow, we come together once more for the closing event of Amy Revier’s residency at CASA YALI.

Loom Recording Session III with @__hildegarda
Sunday 27 September at CASA YALI

Fondazione Marchesani
Dorsoduro 2525
Fondamenta Rossa
Venice

Images credit @matteo.copiz by @casa_yali

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20 days ago

Reliving a few glimpses of the conversation between Paola Petrobelli and Rainald Franz, Curator of Glass and Ceramics at the @mak_vienna during @theveniceglassweek

The conversation explored Paola Petrobelli’s artistic practice, her creative agency, and the relationship with the material and its making.
Drawing on Jean Baudrillard’s description of glass as the “degree zero of matter” the talk reflected on the possibilities of challenging, reinterpreting, and transgressing Murano’s glassmaking heritage.

Thank you to everyone who joined us for their curiosity and the conversations sparked by the event.

The exhibition is open Monday to Saturday, 10 am to 6 pm, until November 21th.

Video @claro.que.ni by @casa_yali

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21 days ago