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Glen Wexler

@glenwexlerstudio

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conceptual photographic artist | staged realities + perceptual abstraction

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This body of work has been traveling — and I’m grateful for the momentum.

After recent stops in New York, Aspen, Milan, London, Palm Springs, and LA, White Sands and Horizons now land at ZonaMaco Foto in Mexico City — one of the world’s great art cities.

If you’re at the fair, come say hi. Showing with Fabrik Projects / Booth F14
 @fabrikprojects
@zonamacofoto

#ZonaMaco #ZonaMacoFoto #MexicoCityArt #CDMX #ArtFair #ContemporaryPhotography #FineArtPhotography #PhotoArt #PhotographyArt #FabrikProjects #GlenWexler by @glenwexlerstudio

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9 months ago

editorial assignment = "Will We Be Safer" for TIME. A feature story from 2002 about living with the threat of biohazards. Feels kind of timely.
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model: @jennawexler
styling: @tinwornom
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#glenwexler #glenwexlerphotography #biohazard #timemagazine #editorialshoot #fidosphere #bluechimpeditions by @glenwexlerstudio

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7 years ago

Photographed at my studio in Hollywood in 1984 shortly before The Victory Tour.

#glenwexler #glenwexler photography #michaeljackson #rollingstone by @glenwexlerstudio

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6 years ago

Remembering Eddie today.

January 26, 1955 – October 6, 2020 by @glenwexlerstudio

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10 days ago

My new website is live.

I’d love to hear what you think.

glenwexlerstudio.com by @glenwexlerstudio

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a month ago

Tokyo Gendai 2026

I’m very pleased to be exhibiting in Japan this September, with works from Horizons and White Sands presented by Fabrik Projects in Miki, the fair’s new sector dedicated to photography and works on paper.

Tokyo caps a remarkable year for these bodies of work, with exhibitions across three continents. I’m deeply grateful to the galleries, fairs, collectors, and supporters who have helped bring the work to new audiences.

Fabrik Projects | Miki | Booth M04 taken in Tokyo, Japan by @glenwexlerstudio

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2 months ago

And then there was one.

RIP, Frank.

It was a privilege.

My deepest condolences to Frank’s family and to Billy. by @glenwexlerstudio

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2 months ago

There’s still time to make your collection part of something bigger ⛰️

Art for ACF, Intersect Aspen’s initiative with @AspenCommunityFoundation, continues online through August 31. Participating galleries have designated select works, with 15 percent of net proceeds supporting ACF’s work strengthening communities across the Roaring Fork and Colorado River valleys.

Among the works still available: Glen Wexler’s “Ascension” with Fabrik Projects, Paul Nicklen’s “Face to Face” with Hilton Contemporary, and Oksana Mas’s “Immersion 3” with SEA Contemporary Art.

Explore the full selection and collect with purpose. Link in bio.
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@glenwexlerstudio @fabrik_projects @paulnicklen @hiltoncontemporary @oksanamas_official @sea_contemporary_art
#IntersectAspen #ArtforACF #AspenCommunityFoundation #ArtandDesign #Aspen taken in Intersect Art and Design by @glenwexlerstudio

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2 months ago

Do Fireflies Come Out During a Solar Eclipse? 
2017 (still) 
2022 (animation)

In a few days, the moon will briefly turn day into night.

I started wondering what the rest of the natural world makes of that sudden darkness — and whether, for a few minutes, the rules of day and night become something else entirely.

Still + moving image. by @glenwexlerstudio

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2 months ago

Home stretch at Intersect Aspen. Thanks for having us! taken in Intersect Art and Design by @glenwexlerstudio

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3 months ago

Featured in HYBRID WORLDS curated by THE ELEMENTAL @the.elemental

HYBRID WORLDS brings together seven international artists whose video works draw from the natural world, and return with something else entirely. The works gathered in HYBRID WORLDS occupy a charged threshold between ecological fact and dreamscape, between the visible and the felt, amidst analog process and technological transformation.

LUNAR THRESHOLD 360º (2026) isolates the moon from its cosmic context and suspends it in an undefined earthbound void, poised between light and shadow, realism and abstraction. Built from a photographic image created in 2024 and expanded through CGI rotation using lunar surface data mapped by NASA, layered fog, shadow, and theatrical illumination, the work transforms a familiar celestial body into a slow, seamless moving tableau. Both object and question, it suggests a threshold between the observed world and the imagined one.

I’m pleased to be included with this incredible group of artists:

Cristopher Cichocki - @cristophercichocki
Jeff Frost - @frostjeff
Cameron Gainer - @cameronkgainer
Reine Paradis - @reineparadis
Robert Seidel - @studiorobertseidel
Alexia Saigh - @alexiasaigh

Exhibited at @palmspringsnext - June 22-23, 2026 by @glenwexlerstudio

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3 months ago

The evolution of an idea.

In 1990, I was commissioned to create a series of art posters interpreting dreams. For one image, I built a 30-inch-diameter moon as a physical studio prop.

That moon has continued to reappear in my work for more than three decades.

Sometimes placed in unexpected earthly environments, sometimes transformed into a surreal object, and sometimes simply used to give the night sky an unexpected physical presence.

A few appearances across 34 years:

1990 — The Weight of Heaven
 1992 — Balance: Gravity and Grace
 1999 — The Near Moon
 2019 — Out of Sync
 2022 — Lunar Threshold by @glenwexlerstudio

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3 months ago