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Laura ᵗʰᵉʸ * ᵗʰᵉᵐ

@lauraflethe

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@nonlinearnarrative
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What do collectives need to move together? We want to discuss what it means to work collectively — from methodologies for collective making, questioning authorship, to building alternative care structures, and figuring out how to sustain ourselves. How can we expand our collective bodies to create a bigger affective net in The Hague and surroundings?

This fall, join us in The Hague for a two-day gathering of collectives! From the 30 to the 31 October, we will come together (together) in @destadswacht for our very first edition of “Collecting Collectives”.

This open call is addressed to collectives of all disciplines in and around The Hague. If you have any questions, send us a message here or via email to hello@togethertogether.space
To respond to this open call, fill out the form (link in bio) by Wednesday, 30 September.

#opencall #collective by @lauraflethe

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a month ago

𝑚𝑒𝑚𝑜𝑟𝑖𝑒𝑠 𝑜𝑓 𝑤ℎ𝑎𝑡 𝑛𝑒𝑣𝑒𝑟 𝑤𝑎𝑠
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Feels too vulnerable to share, but here I am anyway. A film I have been working on since 2024 will be screened on Saturday 19:00 as part of ROOTS Filmfestival at Filmhuis Den Haag. Reach out if you want to see it or just come by <3

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Following my search for the missing memories of my father, 𝑚𝑒𝑚𝑜𝑟𝑖𝑒𝑠 𝑜𝑓 𝑤ℎ𝑎𝑡 𝑛𝑒𝑣𝑒𝑟 𝑤𝑎𝑠 blurs reality and fiction in an exploration of grief, memory and imagination. Can we create memories with lost ones? by @lauraflethe

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10 months ago

𝓂𝒶𝑔𝒾𝒸𝒶𝓁 𝓉𝒾𝓂𝑒𝓈 𝒶𝓉 𝓂𝒶𝓈𝓈𝒾𝒶
@massiaofficinale

disappearing into the bog, finding signs, picking blueberries, enacting memories, gathering mushrooms, embodying the landscape, singing under the moon, burning ticks and dancing together

thank you @artefactourists for inviting me to @tantsumassiiv_ to host my mapping otherwise workshop <3

*･:｡.:*･ﾟ taken in Massiaru, Pärnumaa, Estonia by @lauraflethe

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a year ago

🗺️ “Mapping Otherwise” wonders how a landscape can become a choreography — Or how an embodied memory can become a map. Modern cartography builds on colonial methods and aesthetics, abstracting and dividing land into empty squares and borders. Maps have always been an apparatus, not only of navigation, but also of oppression and violence. “Mapping Otherwise” challenges the notion that mapmaking is objective and neutral. Instead, it recognizes maps as subjective and political documents, that shape perception and navigation.   The site-specific workshop seeks to understand and disrupt these modern colonial ways of emptying and containing our animate world through collective and embodied mapping in which we explore alternative cartography.  The workshop is composed of meditation, movement exercises and conversations. We wonder how the landscape of Massiaru moves us, moves around and within us, to then translate it into body movements. Those movements will be shared with the whole group and collected to form scores that result in a collective choreography, which serves as layers to the known maps. The workshops helps to understand our bodies as a cartographic and choreographic tool and enables participants to create new memories of and relations with the space. 🕸️ by @lauraflethe

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a year ago

✨We are very excited to introduce our guest artist for open call workshop! 🍓
🐚 Laura Flethe is a visual and embodied researcher and facilitator whose participatory artistic practice explores the entanglement of gender, language, and the body. They are interested in speculative fiction, collective storytelling and imagining possibilities. Laura challenges current worldmaking practices by facilitating playful and performative spaces of improvisation, imagination and empathy. Based in collective research they share the dedication to shape creative processes and methods of co-creation in ways that bring us closer to each other. 🫧 by @lauraflethe

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a year ago

Practical proposals of what-might-be, the result of our ongoing research on coming together as politicized experience. On show from today till 08 July 2025 at the @royalacademyofart.thehague

Join us inhabiting the space, wondering, asking, moving and feeling through the site-specific installation, the performance, the video work and extra events on:

03 July, Thursday
18:00 Performance “Whispering bodies: scores for the we”
19:30 Performance “Whispering bodies: scores for the we”

04 July, Friday
15:30 Performance & sharing process “Whispering bodies: scores for the we”
17:00 Performance “Whispering bodies: scores for the we”
18:30 Resting-dreaming-reading session

05 July, Saturday
16:30 Performance & sharing process “Whispering bodies: scores for the we”
18:30 Performance “Whispering bodies: scores for the we”

06 July, Sunday
15:00 Performance “Whispering bodies: scores for the we”
16:00 Open movement session (60 minutes)
18:00 Performance “Whispering bodies: scores for the we”

07 July, Monday
15:30 Performance “Whispering bodies: scores for the we”
17:00 Resting-dreaming-reading session
19:00 Performance “Whispering bodies: scores for the we”

See you there! by @lauraflethe

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a year ago

Non Linear Narrative 2025 Graduate takeover # 5:

We are TogetherTogether (@togethertogether.collective), a research-based artistic collective driven by the need to resist individualism and alienation in contemporary society. Through collaborative practice, we create spaces for counter narratives that spark hope in a paranoiac world. Our work unfolds through embodied experiences, learning through the body, sharing stories, and building meaningful encounters for repairing social fabrics of care.

TogetherTogether is: @silbering @ritacorreiagaspar @lajulita_vavolada @stefano_cattani @lauraflethe 

As artists and researchers, we are often asked to define an individual practice. But what happens when the practice is collective, rooted in togetherness?

“Practical proposals of what-might-be” responds to a society shaped by modernity and coloniality, where individualism is prioritized. In this context, coming together is a politicized experience for which we propose a language that suspends our belief and involvement in exploitative structures. The project exhibits an ongoing research into collective care through public gatherings and interventions, and unfolds in three interconnected pieces.
“Risking entanglement” is a site-specific installation, a playground where we exercise interdependence and rehearse ‘suspension’, not as a way of escaping modernity but as a method of resistance. The performance, “Whispering bodies: scores for the we”, tells a story about the search for collectivity, the joys and frictions of shaping a ‘collective body’, visualizing the intangible relations. “Moving words: a body glossary” presents video essays that explore how meaning is created through the body, becoming an archive of the research process and gestures that hold us together.

This project is both a proposal and a question: a space where we suspend productivism, reclaim agency, imagine futures, and ask what if? taken in Royal Academy of Art, The Hague by @lauraflethe

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a year ago

✨ Thank you to everyone who joined us this afternoon for the opening of Cows at a Puddle at Pulchri Studio! Your presence, conversations, and energy made for a warm and inspiring start to this special exhibition. 💖

A big thank-you as well to Ed van der Kooy and curator Jiyoung Yim for their thoughtful words. We look forward to the coming weeks filled with art, encounters, and conversation.

Don’t miss the upcoming workshops! You can sign up via the agenda on our website.

Cows at a Puddle is on view through July 13.

#CowsAtAPuddle #PulchriStudio #YearOfYoungArt #ThankYou #ArtOpening #TheHague #EmergingVoices #ContemporaryArt #Workshops #JoinUs taken in Pulchri Studio by @lauraflethe

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a year ago

Just a few more days until the group exhibition Beloved Waters opens on Friday 23 May! 🌊

We’re kicking things of with a public procession from @amaredenhaag to Stroom, led by artist Amanda Piña and the collective TogetherTogether. Come walk, move, and celebrate with us! ✨

Start procession: 17:30 PM at @amaredenhaag
Arrival & opening: 18:00 PM at Stroom Den Haag

At Stroom, the exhibition Beloved Waters opens with a ongoing performance, Karim Tazmi @rotational___ spinning tunes, and the festive launch of HOOGTIJ @hoogtijdenhaag your perfect art-filled Friday night in The Hague.

Free entrance & open to all! More info via the link in bio.

#StroomDenHaag #BelovedWaters #Opening #amandapiña #Procession #TogetherTogether #OpeningEvent #HOOGTIJ #ArtInTheHague #DenHaag taken in Den Haag by @lauraflethe

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a year ago

Almost a year ago I finished my bachelor thesis, in which I was 𝑠𝑒𝑎𝑟𝑐ℎ𝑖𝑛𝑔 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑠𝑝𝑎𝑡𝑖𝑎𝑙 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒 𝑜𝑓 𝑏𝑜𝑜𝑘𝑠. I tried to translate the intimate experience of reading into a physical space and to make the book collectively and sensually enterable.

How are books bodily in space as matter? How does their architecture guide us through them? What happens when we leave behind the object, the bound framework, the printed glyphs on paper? When letters become words, words become sentences, sentences become text and texts become stories? We enter — as through a portal — another world and forget the book object in our hands.

a project at @muensterschoolofdesign, supported by Henning Tietz & Lisa Schwarz

with quotes by Johanna Drucker, John Hejduk, Vilém Flusser, Robert Klanten, Matthias Hübner & Andrew Losowsky, Hans-Jörg Pochmann, Georges Poulet, Umberto Eco, Gunhild Kübler & fragments of The Inner Monologue of a Book by @rahel.zoller

font synergy by @jackymartinovic by @lauraflethe

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3 years ago

Almost a year ago I finished my bachelor thesis, in which I was 𝑠𝑒𝑎𝑟𝑐ℎ𝑖𝑛𝑔 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑠𝑝𝑎𝑡𝑖𝑎𝑙 𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑐𝑒 𝑜𝑓 𝑏𝑜𝑜𝑘𝑠. I tried to translate the intimate experience of reading into a physical space, to make the book collectively and sensually enterable.

How are books bodily in space as matter? How does their architecture guide us through them? What happens when we leave behind the object, the bound framework, the printed glyphs on paper? When letters become words, words become sentences, sentences become text and texts become stories? We enter — as through a portal — another world and forget the book object in our hands.

a project at @muensterschoolofdesign, supported by Henning Tietz & Lisa Schwarz

with quotes by Johanna Drucker, John Hejduk, Vilém Flusser, Robert Klanten, Matthias Hübner & Andrew Losowsky, Hans-Jörg Pochmann, Georges Poulet, Umberto Eco, Gunhild Kübler & fragments of The Inner Monologue of a Book by @rahel.zoller

sound by @drflr
font synergy by @jackymartinovic
handmodel @juliaagnes__ by @lauraflethe

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3 years ago

*･:｡.𝓈𝑜𝒻𝓉 𝒷𝑜𝑜𝓀･｡.:*･ﾟwe created together, during the embroidery circle I hosted at this year's @hackersanddesigners 𝐻𝑜𝓅𝑒𝓅𝓊𝓃𝓀 Summer Camp in July. Following our thoughts with thread and needle, we entangled ourselves with each other and reflected on our experience at the camp. I am so thankful for each person that took part in the circle and that we were able to make those connections on the beautiful fabric dyed in @zhangyiii_ room for non-verbal. taken in Het Wilde Weg by @lauraflethe

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3 years ago