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7 months ago
Photo by Joanna Kitto on March 24, 2026.
Photo by Joanna Kitto on March 24, 2026.
Photo by Joanna Kitto on March 24, 2026.
2
Posted On: March 25th 2026, 02:18 am
Moorina Boniniโ€™s ๐˜Š๐˜ฐ๐˜ฅ๐˜ฆ-๐˜š๐˜ธ๐˜ช๐˜ต๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜จ: ๐˜Š๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜š๐˜ฑ๐˜ข๐˜ค๐˜ฆ ๐˜ต๐˜ฐ ๐˜ˆ๐˜ญ๐˜ช๐˜จ๐˜ฏ ๐˜š๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ข๐˜ญ ๐˜๐˜ข๐˜ญ๐˜ถ๐˜ฆ๐˜ด examines the ontological design of western institutions through practice and Indigenous-led research. With this body of work, @moorinabonini reframes wooden archival boxes from the Melbourne Museum, saying,

โ€œThese boxes were created to hold Indigenous South-East cultural material collected by anthropologists, ethnographers, farmers, regular people, donated to the museum collection or acquired by the museum.
They are echoes of the violent acts of colonisation that occurred across our woka (country) and wala (water) to which we as a people are still recovering and healing from today.

The burnt markings across the surface of the wooden boxes have been Informed by embodied cultural knowledge of mark-making. The historical and signifcant cultural practice of burning is used to reposition the narrative regarding these colonial containers. Indigenous cultural practice and knowledge is centred in this work that aims to acknowledge the dark history of historical over-collecting of Indigenous cultural materials.โ€
Comments (2)
davidsequeirastudio 7 months ago

davidsequeirastudio

๐Ÿ‘๐Ÿพ๐Ÿ‘๐Ÿพ๐Ÿ‘๐Ÿพ๐Ÿ‘๐Ÿพ๐Ÿ‘๐Ÿพit was a joy to share this exhibition with you โค๏ธ

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