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RED REY

@redredredredred

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🇵🇭📍PAR / SYD / your basement

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www.red-rey.com by @redredredredred

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22

2 years ago

Dump of these disgusting snaps of my performance with @newleeroy @wytchings @bennibluu for @soft_centre @carriageworks . These images make me sick 📸 @jordankmunns 📸 @jacquisharah so good 😬😱 by @redredredredred

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4 years ago

LONDON 3rd July, pride weekend! Playing at the legendary tank room at @rosesofelagabalus📸 @unprotectedsuccess by @redredredredred

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23 days ago

Bye Sydney 👋 Looking for hangs and catch-ups in Paris, Madrid, London, Berlin, Marseilles, Manila(?) from now to October pls 🙏 by @redredredredred

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2 months ago

HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of overseas Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.Captured by @_j.eicreative Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation by @redredredredred

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3 months ago

HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.Captured by @_j.eicreative Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation by @redredredredred

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3 months ago

HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.Captured by @_j.eicreative Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation by @redredredredred

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5

3 months ago

HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation by @redredredredred

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3 months ago

HOUSEKEEPING (2026) was a dream, hoping we made the ancestors proud. Thank you @kitchn___sync for your HARD work and @biennalesydney @innerwestcouncil @whitebaypowerstation for having us.HOUSEKEEPING is a roving performance by Red Rey in collaboration with costume designer Kit Wu- Bylett that explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members are invited to wash the body of Idiyanale in an act of care, service, and reverence. by @redredredredred

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3 months ago

Final chance today to see a new work with @kitchn___sync at @biennalesydney x @innerwestcouncil. 12pm Sun 12 April at @whitebaypowerstation. 📸 @daniel.boudHousekeeping is a roving performance by Red Rey in collaboration with costume designer Kit Wu- Bylett that explores the invisible labour of diaspora Filipinx workers in service industries such as hospitality, domestic care, and sex work. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged ritual where audience members are invited to wash the body of Idiyanale in an act of care, service, and reverence. by @redredredredred

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3 months ago

Debuting a new work with my baby @kitchn___sync at @biennalesydney x@innerwestcouncil. 12pm Sat 11 April and 12pm Sun 12 April at @whitebaypowerstation. 📽️🎬 @sam_phibbsHousekeeping is a roving performance by Red Rey in collaboration with costume designer Kit Wu- Bylett that explores the invisible labour of diaspora Filipinx workers in service industries such as hospitality, domestic care, and sex work. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged ritual where audience members are invited to wash the body of Idiyanale in an act of care, service, and reverence. by @redredredredred

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4 months ago

Been in Sydney 2 days and so wild to see my face postered around town. Debuting a new work with my baby @kitchn___sync at @biennalesydney x @innerwestcouncil. 12pm Sat 11 April and 12pm Sun 12 April at @whitebaypowerstation. Thank you 📸 @daniel.boud by @redredredredred

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4 months ago