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RED REY

@redredredredred

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🇵🇭📍PAR / SYD / your basement

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Have you met our DJ’s? 🥀🥀🥀

Coming up in the next few weeks:
@_bekefi @redredredredred @panooc @jakereed.dj @blueringedbaby________ @sean.innit @sophiela

Also @queenieprinx @djjoshuajames @viclentaigne on July 25th at our first Trans Pride Charity Ball (tickets in bio) plus a secret set

and don’t forget @drybabe and friends on July 9th at Cream.

See you tonight,
🥀🥀🥀

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💸Tax season is fast approaching, and we've got just the thing! Join us this Wednesday evening for an Artist-2-Artist workshop on Tax for Artists & Creatives, led by Red Rey (@redredredredred) - a multi-disciplinary artist AND Chartered Accountant with 15 years of tax experience. ⁠
⁠
You'll walk away knowing your ABNs from your GST, how to claim creative deductions, and how to handle income from grants and gigs - no prior tax knowledge needed.⁠
⁠
📅 Wednesday 6 May, 6:00 – 8:00pm ⁠
📍City of Sydney Creative Studios (CoSCS)⁠
🎟️$25 or FREE for Artist Pass holders ⁠
⁠
🔗 Spots are limited - grab your ticket at the link in bio! ⁠
⁠
Image credit @duncographic #SupportedByCreateNSW @creatensw ⁠

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Working Memory transformed White Bay Power Station into a living, breathing archive where performance, memory and place collided ✨

The weekend saw six new Australian works premiere in a free and publicly accessible program ranging from high-energy raves to moments of pause and reflection.

Congratulations to all the incredible artists and their audience who made Working Memory unforgettable.

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Weekend plans = sorted with Working Memory at White Bay Power Station 🔥👀

Catch experimental performance THIS Saturday 11 and Sunday 12 April for @biennalesydney.

Free (bookings essential for Wetlands only): link in bio

📸 Daniel Boyd

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Some highlights from an Easter beaster edition of Loose Ends. Still vibing! More to come!

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Snaps from @campbell_lindholm deportation party and a birthday boogie into the wee hours with @sneeyonce 🫠

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This was the sort of commission I relish - photographing the artists @innerwestcouncil has programmed for the @biennalesydney as part of ‘Working Memory’, a “dynamic program of experimental performance works”. And we had the run of @whitebaypowerstation to capture it in.

These artists were such wonderful collaborators. Their actual work/performance is still in development, so there was quite a bit of improvising on an idea rather than a literal representation of what the performance piece will be.

Thanks to all.
@redredredredred, @kitchn___sync, @amrita_moves, @string_of_pearls_productions, @laurenbrincatstudio, @jorthing, @highlystrungpuppets, @__bodyofwork__, @charlottefarrellperformance, @bettygrumble, @gangajan, @infinite.complexity, @amorphousgay @dontcallmeshellyeither @amyliaharris

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Introducing Working Memory: Inner West Council’s major performance commissions ✨

Across a huge weekend on Saturday 11 and Sunday 12 April at White Bay Power Station experience:
🌊 A choreographic study of waterways
🪡 Puppets as “living archives”
⚡ A queer feminist take on power generation through domestic ritual
🚶 A roving performance honouring Filipinx diaspora workers
💃 A moving procession of dance, music & fabric
🎧 A live electroacoustic score through radio headphones

Book your FREE spot now via the link in our bio.

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It's an honour to be part of this new publication and in memory or Bridget Crone, an extraordinary and kind human and spirit:

The Edinburgh Companion to Curatorial Futures
Edited by Bridget Crone and Bassam El Baroni
Published by Edinburgh University Press

The Edinburgh Companion to Curatorial Futures is the first curatorial studies volume to
engage with the increasingly ubiquitous concept of ‘the future’ and its exponential growth in
the fields of artistic research, curating, art and academia. We find ourselves at a point in time
in which we must rethink the place and activity of the curatorial in order to ask, what can be
done? The curatorial can be broadly thought of as a constellation of exhibitionary techniques,
apparatuses and events of knowledge that extend the scope of curating past its historical
territory of contemporary art. With this expansion, which practices and ideas do we need for this moment and for the future? The volume is a collection of new essays by well-respected
curators, artists, writers and theorists, and with a particular emphasis on new voices and those
practicing outside of established contexts in Western Europe and the US. Rather than a survey
of existing curatorial projects and exhibitions, the anthology focuses on curatorial practices
and ideas that take non-standard forms, unfolding through a collection of shorter proposals and longer academic essays. In doing so, the anthology explores, among other things, new forms of activism, ideas and strategies around sonic intervention, Indigenous curating, the role of data and datafication in curating, questions of worlding, “bio-fiction” and, what we term future practice.

*My contribution features GABAN: Gaban is a Wiradjuri word that means ‘strange’ and it describes the disconcerting experience that is the museum for many First Nations and Indigenous peoples. Summoning a number of interlinked stories concerning the mess of the colonial fall-out, the protagonists of GABAN are personifications of Powerful Object...bringing this work to life with an incredible cast of talented family 🥰

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Summer you crazy. X

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the heat and our fairynergy 4000 collab has us reminiscing about how sexycyborg synthetic was ᯓ‎✴︎˚｡⋆ˎˊ˗

i feel like summer is calling for another kind of party in which there may be a body of water to cool down in

dreaming it up rn…

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until then, enjoy these pics

mwah

photos by:
@sweaung_
@two_healths

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Bringing in the New Year with all the best people. Thank you @stereogamous and @affordable.midsize.venue for another beautiful @latenightqueerdance New Year’s Day party ❤️ Could not have thought of a better way to bring in the new year.

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