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RED REY

@redredredredred

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🇵🇭📍PAR / SYD / your basement

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HOUSEKEEPING (2026) was a dream, hoping we made the ancestors proud. Thank you @kitchn___sync for your HARD work and @biennalesydney @innerwestcouncil @whitebaypowerstation for having us.

HOUSEKEEPING is a roving performance by Red Rey in collaboration with costume designer Kit Wu- Bylett that explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members are invited to wash the body of Idiyanale in an act of care, service, and reverence.

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www.red-rey.com

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2 years ago

ROCKY HORROR TECHNO SHOW! 🤡💋👠

Boiler Room set live in 3..2..1.. Wed 7pm UTC+1 (EU) / Wed 6pm GMT (UK) / Thu 4am AEDT (AU).

Repping @clubmince and this city on an international stage WOWOW @boilerroomtv. Mince fam really showing the world what this town is made of! I am BRACING myself for some real homophobia in the youtube comments so please send love to DROWN THAT OUT. Where are these keyboard 'ravers' in real life??? the queers are THE PARTY and always have been THE PARTY 💁‍♀️💅🌈 Huge honor to share this alongside legends Simon Caldwell @annabel.le.gaspar @sage_introspekt @rroxymore. With much gratitude to @lover_tits I owe you the world and TY to the lovers and friends who clawed tooth and nail to share the stage with me, your energy meant everything! 💃🩷😈

#houseofmince #rave #boilerroom #boilerroomtv #technodj #clubmince #sydney #queertechno #gaytechno #queer #rockyhorrorpictureshow #techno

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HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of overseas Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.

Captured by @_j.eicreative Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation

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HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.

Captured by @_j.eicreative Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation

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HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.

Captured by @_j.eicreative Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation

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3 months ago

HOUSEKEEPING (2026) is a performance work by Red Rey and Kit Wu Bylett for the 25th Biennale of Sydney. It explores the invisible labour of diaspora Filipino workers (OFW) in service industries such as hospitality, domestic care and adult industries. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged act where audience members wash the body of Idiyanale in an act of care, service, and reverence.

Presented by @biennalesydney @innerwestcouncil @whitebaypowerstation

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3 months ago

Debuting a new work with my baby @kitchn___sync at @biennalesydney x
@innerwestcouncil. 12pm Sat 11 April and 12pm Sun 12 April at @whitebaypowerstation. 📽️🎬 @sam_phibbs

Housekeeping is a roving performance by Red Rey in collaboration with costume designer Kit Wu- Bylett that explores the invisible labour of diaspora Filipinx workers in service industries such as hospitality, domestic care, and sex work. The performance follows a ghost-like figure who slowly navigates the space of White Bay Power Station, draped in a layered and textured costume constructed of embellished white face towels. As the figure walks and repeatedly calls out the word "Housekeeping," they engage directly with passerby and gathered audience members by removing the towels one by one and placing them into their hands. With the shedding of each offering, the figure is gradually revealed as an embodiment of Idiyanale, the pre-colonial Filipino deity of labour associated with horned water buffalos, carabao. The performance culminates in a staged ritual where audience members are invited to wash the body of Idiyanale in an act of care, service, and reverence.

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4 months ago

4pm-late, 12th Dec. @brandxinc The live performance of FLOORPLAY plays with queer intimacy and visibility through endurance. Over several hours, Red Rey stretches and meditates within the tiled front window of City of Sydney Creative Studios. Each moment of direct eye contact with the public is marked by a tally on the wall, a ritual form of record-keeping that references the coded systems of cruising and desire within gay culture. Lightly covered in coffee grounds, the artist’s body deposits grime across the space as it shifts from clean to unsanitary. The performance reflects on the charged dynamics of looking, particularly for queer Asian bodies, merging experiences of shame, racialised desire, attention and accumulation into a meditative, durational act.

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7 months ago

#tyrabanks

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8 months ago

Here for u sweetie

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8 months ago