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Sotokler Studio

@sotoklerstudio

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A concierge furniture procurement service for interior designers. Custom Made & Vintage.
Based in Rome, Italy.
— by @legaressinkler & @viktor.sobra

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As 2026 gets off to a strong start, we wanted to take a moment to reintroduce ourselves and share a bit of our story.

Last year was our strongest so far. We worked closely with even more interior designers around the world, developing unique custom made furniture and sourcing rare vintage designs. Each project pushed our team further, challenged our artisans and expanded what our clients could achieve in their beautiful projects.

This year, we will continue sharing the stories of the interior designers, architects, and friends we meet along the way.

Thank you for being part of this journey,
Legare Sinkler & Viktor Sobra taken in Rome, Italy by @sotoklerstudio

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9 months ago

From sketch to flame.

We assist interior designers from the conception of their custom designs to their realization by one of the finest glassblowing ateliers on the island of Murano.

A custom chandelier for a home in Charleston, SC 🇺🇸 taken in Murano, Veneto, Italy by @sotoklerstudio

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a year ago

Introducing our podcast, Sotokler Sessions!

We cannot wait to share with you all of these beautiful episodes we have worked on these past few months taken in Rome, Italy by @sotoklerstudio

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a year ago

Recently sourced for a residential project in Houston, Texas.

A Hunting Chair designed by W.D. Andersag and manufactured by Ideal Piacenza, Italy, 1959.

Although relatively little is documented about Andersag himself, his Hunting Chair belongs to a longer history of campaign and safari seating. Originally developed as portable furniture, this type of chair was reinterpreted by modernist designers such as Wilhelm Kienzle in the late 1920s and Kaare Klint in the 1930s, using wooden frames and tensioned leather instead of conventional upholstery.

Andersag’s interpretation takes this tradition in a more architectural direction. Produced in Italy at the end of the 1950s, the chair reflects the period’s interest in exposed construction, natural materials and functional forms.

The structure consists of a solid teak frame with long, intersecting wooden elementi supporting a low, reclining leather seat. Thick black leather is suspended between the frame and secured through a system of leather cords threaded directly into the wood, leaving the fastening details visible.
The leather-wrapped armrests and small headrest cushion complete the design, while the natural patina of the wood and leather reveals traces of its age and use.

We playfully rendered the chair into this warm interior, imagining how this 1959 design might sit in a more contemporary setting. taken in Houston, Texas by @sotoklerstudio

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5 days ago

Venice, Italy.
Where centuries of human ingenuity have created an extraordinary balance between beauty and fragility. taken in Venice, Italy by @sotoklerstudio

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10 days ago

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12 days ago

From Episode 14 with Viktor Sobra and Legare Sinkler from @sotoklerstudio ✨

Available to wherever you listen, link in bio.

🎙️ @lmcsoundsystem by @sotoklerstudio

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12 days ago

Episode 14 is now live ✨

Today we welcome Viktor Sobra and Legare Sinkler, founders of the Italian based Sotokler Studio. Viktor and Legare are old friends from university, who discovered a mutual love for design, craftsmanship, and the thrill of the hunt. After many years of helping friends and family source antiques from across Europe, they began a business that finds beautiful and unique vintage pieces from near and far for their clients. In addition they have established relationships with an impressive collection of skilled artisans and craftspeople who can make just about anything you can dream up- all at the highest level. But the best part about working with Sotokler Studio, is their deep commitment to quality, multi-impeccable customer service and their deep commitment to supporting artisans. This is their story….

Available to wherever you listen, link in bio.

🎙️ @lmcsoundsystem by @sotoklerstudio

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18 days ago

Developed and proposed for the home office of a residential project in the Hamptons by interior designer @danielbylina

The direction for the space referenced the atmosphere of Don Draper’s office, with dark brown leather, polished metal and a strong mid-century corporate character, reinterpreted with a more contemporary approach.

We developed a series of custom desks including this bold design with a sculptural polished chrome structure and brown leather top, alongside a ceiling light in dark patinated chrome with an integrated circular light source.

Playfully rendered here against a warm wood interior, exploring the contrast between chrome, leather and timber. taken in The Hamptons by @sotoklerstudio

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25 days ago

Marrakesh, Morocco.
Inside the Royal Mansour, commissioned by King Mohammed VI.

More than 1,500 Moroccan artisans and master craftsmen contributed to the hotel, working across zellige, carved cedar, sculpted plaster, brass, copper, textiles and custom-made furniture. Many of these techniques are still practiced by maâlems, the master craftsmen of Morocco, whose knowledge is traditionally passed from one generation to the next.

This week, Sotokler Studio founders Legare and Viktor are on the ground in Marrakech, sourcing vintage and antique pieces across the Medina and meeting local artisans working with these same techniques. taken in Marrakesh, Morocco by @sotoklerstudio

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a month ago

Recently sourced and proposed for a residential project in Arizona. 
A Throne Chair by Carlo Bugatti, circa 1902, executed by A. De Vecchi & Co. in Milan. 
Bugatti developed one of the most distinctive approaches to furniture at the turn of the 20th century. His work combined references to Moorish and Islamic architecture across North Africa and the Arab world, alongside Japanese design and other decorative traditions, rather than drawing from Morocco specifically. 
This chair reflects many of those influences through its elongated vertical elements, almost minaret-like silhouette, geometric detailing, tassels, painted vellum and extensive use of metalwork. It is made in walnut with hand-painted vellum, pewter, brass, copper, embossed copper and silk.
The chair dates from the same period as Bugatti’s presentation at the 1902 International Exhibition of Modern Decorative Arts in Turin, where his work received significant recognition. When Queen Elena of Italy reportedly described his furniture as “Moorish style,” Bugatti replied that the style was “his own”. taken in Rome, Italy by @sotoklerstudio

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a month ago

Developed for a residential project in South Carolina after a request from the team at @fritzporterchs, this custom daybed was designed to work equally as a generous sofa for indoor or outdoor use.

We explored several directions around the same brief before developing this version in dark walnut-stained rattan. The frame would be entirely manufactured in Italy, with the natural rattan construction, curved sections and wrapped joints all remaining visible beneath the darker finish. The cushions would also be made and upholstered in Italy, with the final fabric, density and detailing to be further refined before starting manufacturing.

This is often how we like to work on custom pieces. We first develop and render the design, then continue refining the proportions, construction details, and finishes together with the interior designer before moving into samples and production.

We playfully rendered the daybed in this Mediterranean interior. taken in Rome, Italy by @sotoklerstudio

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a month ago