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@dpr_barcelona

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Architectural research practice + publishing house founded in 2007 by @cerreyes + #EthelBaraona ~ making books, curatorial projects, critical thinking

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Avui hem rebut a la llibreria els participants del LINA Forum, que enguany se celebra a Barcelona. Ens han explicat que acaben de crear una guia virtual de llibreries i que nosaltres en formem part, cosa que ens fa molt felices! Ja podeu consultar-la a la seva web.

Gràcies per donar visibilitat als espais que estimem els llibres. Ha estat un plaer compartir aquesta estona amb vosaltres! 🫶

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“We had all dreamed of the ocean, of the deep sea. Were we not dreaming now?”
— Ursula K. Le Guin, The New Atlantis

An evening in Giudecca for ocean stories, imagined worlds and the sea tales we keep returning to. We’ll read together, share memories, and perhaps write a few new fabulations of our own.

Everyone is welcome. Bring a favourite text or simply come to listen, talk and drift.

Reading the Sea, in Venice
Sea Tales and Other Fabulations

Saturday 14 November 2026 · 17:00–21:00
Giudecca Art Space / Studio d’Arte Claudia Corò
Fondamenta Santa Eufemia 673, Giudecca, Venice · Palanca boat stop

With Nina, Jamie and others of @continentcontinent.cc.
Live painting by Claudia Corò @coroclaudia and cello by Davide Da Dalto @dddofficial__. Wine and time to drift.

#ReadingTheSea #Giudecca #Venice

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What carries a signal? A screen, a body, a fossil, a seed?

Aea Space’s inaugural exhibition, Drifting Signals, Lasting Traces, looked at forms of exchange that exist around us but fall outside our immediate, everyday understanding of communication. The exhibition’s curator, Katya Savchenko @katesavchenko, has selected several publications that expand on some of its central questions: how we as humans relate to our environment and bodies; what kind of relationships unfold in more-than-human worlds; and what are the traces that technologies leave behind.

Explore some of these works on our shelves at Aea Space inside @tims.lisboa.

Cover photo: @zheltikova.anastasia.

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SOFT is taking over the LINA Library!

Softness is often seen as a practice of yielding: quietly receiving whatever life brings with grace and a warm smile. For us, however, softness means radically taking responsibility for oneself and others, while nurturing the capability for critical introspection. Being Aggressively Soft, by extent, is to be militantly committed to embracing others, across borders, binaries and disciplines. Aggressively Soft is a practice of resistance.

SOFT – School of Transformation embodies a critical stance towards the architectural discipline, its institutions and pedagogies, envisioning a juster practice through parasitic, soft, and joyful interventions. As radical non-experts we learn by doing and actively engaging with social issues, questioning hierarchies at every level and challenging the violence of bureaucratic standardisation and physical normativity.

Together, we will investigate how the LINA-library can transgress its archival purposes by becoming an active medium of discourse that is able to adapt its form to the diverse spatial output of the LINA community.

Since Aggressively Soft is above all dedicated to the process of collective exploration and an open-ended search for an alternative pedagogy, we welcome you to join us for twelve experiments of talking space, power, landscape and the forces of identity, until perhaps these conversations blur into someplace Soft entirely.

SOFT is @soft_schooloftransformation @ameliepretsch @anthonyzbutcher @rhabarbarosine @eduardapoubel @elena__mercedes @flaranzi @lucie.zoe @_marie_leber @saroltaszathmari @simo__.o_.ns_sto_.ries @__tinamh__

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Pre-occupancy 4
Blurring the Kitchen Work Triangle
Ethel Baraona Pohl, Anna Puigjaner, Cesar Reyes Najera

The fourth tenant moves in.

Our kitchens are not neutral. Before the postwar suburban home, apartment-hotels across 19th-century New York shared kitchens, dining halls, and laundries between families — a model born from postwar economics and early feminist theory. Read how the kitchen work triangle turned that collective living into isolation, dressed up as progress.

Pre-occupancy is a series by @volume.architecture.mag and the @europeancollectivehousingaward on what happens when the occupant stops being an afterthought. Seven pieces from the VOLUME archive, plus one new arrival, moving in one at a time.

Read it now - link in our bio.

Next Monday, the fifth - and a new - tenant arrives.

#europeancollectivehousingaward #architecture #housing #collectivehousing #architecturestudent

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Ara és el torn de Bartlebooth, en Paco Ibáñez comparteix les seves recomanacions de la llibreria Finestres d’Art i Còmic al voltant del congrés mundial d’arquitectura. Que encara que hagi acabat, ha remarcat tots els dilemes de l’arquitectura i amb aquests títols podreu continuar explorant aquestes línies de pensament crític:

📚’¿Alguien dijo participar?’ de Markus Miessen i Shumon Basar. En aquest llibre es dibuixa una cartografia de projectes que trenquen els límits professionals, en els quals l’arquitectura ensopega amb implicacions polítiques i socials.

📚 ‘The Funambulist’, revista editada per Léopold Lambert. Una revista que s’inscriu en la cruïlla de l’arquitectura, l’acadèmia i l’activisme mitjançant la formulació d’enfocaments espacials a les lluites anticolonials, antiracistes, queer i feministes a tot el món.

📚’Arquitecturas peligrosas’ de Pol Esteve Castelló. Un llibre que indaga en les categories culturals com la sexualitat, la comoditat, el gènere, el plaer o la salut a partir d’una sèrie d’arquitectures anònimes i col·lectives que acomoden pràctiques socials fora de la norma.

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Avui, l’Ethel Baraona Pohl ens recomana tres llibres sobre arquitectura que li agraden molt i que podeu trobar a Finestres d’Art i Còmic.

📚 ‘Flotando en litio’, de Marina Otero. Entre l’assaig, la crònica i el manifest, aborda la qüestió del liti, element químic popularment conegut com “l’or blanc”. Reflexiona sobre el futur, la salut i l’energia des d’un punt de vista crític i sensible.

📚 ‘Derechos no humanos y otros ensayos acerca de la aquitectura del bosque’, de Paulo Tavares. Ens convida a revisar i repensar noves formes de pensament que lluitin per protegir els nostres ecosistemes i altres entitats no humanes davant l’acceleració i l’extractivisme dels recursos.

📚’Deserts are not empty’, de Samia Henni. Des de diferents formats i òptiques, aquest recull desconstrueix la percepció colonial del desert com un espai buit i deshabitat, ens convida a repensar i imaginar-lo d’una altra manera.

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How could political imagination trigger the transformation of current environmental, political, and cultural crises into desirable futures?

This programme explores how design research can become an operational tool for investigating contemporary challenges and developing situated interventions within specific spatial, environmental, and political contexts.

In a moment marked by climate crisis, political polarization, war, technological disruption, and growing inequality, new forms of imagination and action become increasingly necessary. This programme understands design not as the production of objects, but as a tool for investigating reality, revealing hidden tensions, opening public debates in order to construct different futures.

The Master brings together architects, designers, environmentalists, activists, artists, filmmakers, technologists, researchers, and critical thinkers from diverse backgrounds who want to engage with the urgent questions shaping contemporary society.

Situated in Barcelona, the programme takes city as a laboratory and develops in constant dialogue with museums, cultural institutions, festivals, collectives and research centres such as Sónar+D, CCCB, MACBA, La Virreina Centre de la Imatge, or the Design Hub among others.

Alumni of the programme have gone on to exhibit internationally, participate in festivals, and establish independent practices across architecture, design, art, performance and media.

Over one year, students combine theoretical inquiry with research through design through lectures, seminars, workshops, field visits, and public events led by an international faculty of architects, designers, filmmakers, scientists, technologists, artists, curators, activists, and hackers.

Works by Giulia Fagundes, Lina Sofía Córdoba, Carmo Caldas de Siqueira, Arianna di Palo developed during their Thesis investigations directed by Cristina Goberna, and through courses taught by
Grandeza Studio, Taller Estampa, Maite Borjabad, Ethel Baraona, Paolo Cirio, Bartlebooth, Mario Sabtamaría, Blanca Pujals, plus conversations with Olga Subirós.

Directed by @cristinagoberna

More information at: https://www.elisava.net/en/masters/

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PUNCH pop-up at MuzA - Muzeul de Arhitectură @muza.muzeuldearhitectura for the week with a selection of titles on architecture, design, curating and institution building.

📅 11-14 June
📍Palatul Creditului Funciar Rural
str. Doamnei 22, Bucharest

HQ will stay closed this week. See you here 👋

#punchbucharest #popup #bookshop #muzeuldearhitectura

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In April, we launched the first annual LINA Blueprints, and with it, the exhibition Materials & Libraries. Don't miss the guided tours: the first one is taking place this Sunday!

Materials & Libraries presents the work of LINA Fellows who are shifting the focus of architecture away from the constant production of novelty towards a practice that strives for a more just society, for responsible stewardship of our planet’s limited resources, and for an architecture grounded in care.

The exhibition presents the programmes of TU Vienna @gbl.tuwien , Atelier LUMA @luma_arles, the @thelinalibrary programme by @dpr_barcelona, and featuring 6 films created through LINA collaborations.

Join curator & LINA Coordinator Nuša Zupanc Pavlič @nusa_z on guided tours of the exhibition at the Museum of Architecture and Design (MAO) on:
- Sunday 10 May at 12.00;
- Friday 15. May at 17.00 (stay for the "A Free Palestine" discussion with Antoine Raffoul)
- Sunday, 24. May at 12.00,
- Sunday, 31. May at 11.00

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Two weeks ago, we co curated LINA Blueprints: (un) Common Practice in Ljubljana, a three day programme of conversations, workshops, exhibitions, and collective activities centred on communing as a way of working, learning, and inhabiting space together.
Bringing together @lina.community members and fellows, the event created a space to reflect on the network’s first three year cycle, digesting its outcomes while laying the foundations for the next phase.
Rooted in the LINA community, the programme framed the platform as a living collective that gathers, exchanges, and produces knowledge in common. Particular attention was given to how we come together, actively designing forms of proximity through shared time, exchange, and collective action. Through lectures, discussions, walks, cooking workshops, and site-based activities at the Museum of Architecture and Design and the Faculty of Architecture, communing unfolded as a set of spatial practices.
In this context, architecture shifted from object making toward relationship building, between people, territories, and institutions. The “un” in (un) Common acknowledged that community is not seamless but shaped through friction, difference, and negotiation, foregrounding process and shared responsibility rather than fixed outcomes.
Thank you to all contributors and participants who made this possible. Special thanks to the incredible LINA team for all the support and of course to @mao_slovenia for hosting us with such generosity.

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Last week, we spent three inspiring days in Ljubljana with members and fellows of the LINA platform, who took part in the inaugural LINA Blueprints festival. Together with curator Federica Zambeletti, we explored the key contemporary challenges of (un)common architectural practices in the context of the climate crisis. We discussed research into natural materials, the rules we need to unlearn, endangered public housing, situated making practices, concerns regarding adaptive reuse and participation, dialogue and writing about architecture, among other topics.

While methods of architecture that lead to projects with a minimal environmental footprint are relatively well known, our challenge lies in implementing them in planning practices. This involves planning based on the actual needs of the community and influencing the scale, method and materials used in new construction. Over the past three years, we have supported 322 projects through our member organisations and engaged 110 LINA Fellows: talented and promising young architects and other professionals from across Europe.

I would like to thank all our partners, platform members and LINA Fellows for all they have achieved in the last three years. Thanks to Federica Zambeletti for her thorough and in-depth review of these results. Thanks also to the team at the Faculty of Architecture, where we coordinate the platform, and to MAO Slovenia, who kindly hosted the festival.

I am especially grateful to the LINA team, @hanacirman, @nusa_z and Maja Bevc, who have been coordinating the platform with great care and attention for the last three years. Thanks also to @mateja_k_b, with whose help we launched the project in its first year.

Finally, many thanks to the @creative.eu programme for co-financing our work.

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