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Erica Petrillo

@eri.pet

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@2050.plus
teaching at @rca.ads8 @ied_milano

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Come anticipato nel precedente post, ecco la mostra che dovete vedere a Venezia. Chi ancora deve andare a @labiennale chiude, non può perdersi CANICULA, al Complesso dell'Ospedaletto, promossa dalla Fondazione In Between Art Film e curata da Alessandro Rabottini e Leonardo Bigazzi e scenografia di 2050+ Kudos!
E' una collettiva di videoarte, il terzo capitolo di una trilogia. Che è un po' come dire una mostra di pittura, ovvero tutto e niente. Perchè il video è un linguaggio, non un contenuto. Proprio come la pittura. Ma lo sottolineo perché la produzione e l'esposizione della videoarte si sono notevolmente ridimensionata negli ultimi anni. E, per quanto mi riguarda, è un vero peccato. Ne sono ancora piu convinta dopo avere visto Canicula (e Liminal di Pierre Huyghe a Punta della Dogana alla Biennale 2024).
Lavori potenti, valorizzati da un allestimento suggestivo che dialoga in modo magistrale con una location densa di energia, anche greve. Canicula è un'immersione nelle profondità umane, fino ai suoi abissi piu opachi.
Quando sono uscita alla luce del sole, ho preso fiato. Mi sentivo piu umana. Che poi è quello che cerco sempre nell'arte: il senso di essere umani. Nel bene e nel male.

P.S. Da curatrice, non ho potuto evitare di pensare al budget a disposizione dei colleghi. D'altra parte, molte mostre con budget davvero faraonici passano senza lasciare il segno. Canicula, invece, segna

#Canicula @fondazioneinbetweenarrfilm
until Nov. 22, featuring @LawrenceAbuHamdan #MassimoDAnolfi & #MartinaParenti, @yaremsandkhimei @Janisrafa, @p__Staff, @buddhathugtuo @yuyanwang @Maya_Watanabe_
Exhibition design @2050.plus

#Venezia

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«Across these terrains — Lesotho, Lebanon, Bolivia, Kashmir, the Golan Heights, the UAE, and the other chronicles presented in the exhibition — we see winter sports not as Alpine or Scandinavian traditions only, but as globally mobile practices, continually transforming and acquiring new meanings across continents, cultures, and social classes. Their diffusion is neither linear nor uniform: at times it takes the form of mimicry, at others cultural hybridisation, and elsewhere acts of reclamation or reparation. In certain contexts, the mountain becomes more than a site of leisure or sport — it is a stage upon which gendered, religious, or other identitarian forms of resistance and emancipation are asserted. Here, winter sports manifest not only as geographically mobile, but continually renegotiated through questions of visibility, inclusion, and representation, taking shape in ways as diverse as the latitudes they span.»

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Extract from “Winters Elsewhere”, a curatorial exploration of the “microhistories of snow” and how they can reshape our understanding of winter cultures, written by @eri.pet for the 7th issue of @hardpackmagazine, edited by @zachseely.

Published months after the closing of the exhibition “Fuoripista. Art, Sport and Winter” hosted at @gres_art_671, the text explores the “unbeaten” territories of winter sports — but are they really? — with a view to broadening their cultural and emotional horizon.

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Words by @2050.plus (@eri.pet)
Edited by @zachseely
Commissioned and published by @hardpackmagazine
Photographs by @toddantonyphoto @kari_medig @paolobiava_ph @diegodepol @_marcog

FUORIPISTA was on view at gres art 671, Bergamo through 08.02.2026
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)

#Hardpackmagazine #Fuoripista #Microhistories #WinterSports #Exhibition

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Boisbuchet, July 2026.
We collected, sorted, assembled,
and let fragments take shape.

A few moments from a workshop led by @2050.plus ,
with @eri.pet & @___radicale___ ,
where scraps became part of a process of collecting, classifying, and exploring possibilities.

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WORKSHOP SEASON 2026 | Scrap-Kammer: A Cabinet of Curiosities

In this workshop, participants explored the taxonomy of the Scrap-Kammer, treating discarded materials and production leftovers as valuable resources rather than waste. By collecting, classifying, and assembling fragments found across Boisbuchet, they designed and built a contemporary cabinet of curiosities that functioned as both an archive and a working device. The workshop invited participants to investigate architecture as an operational framework rather than a finished object: a device that recorded processes, hosted residues, and revealed the intelligence of making.

Season curated by : Guillermo Gil Fernández @guillegilfernandez & Pablo Sevilla @sevillaisnotacity  Tutors : @2050.plus
Erica Petrillo @eri.pet & Davide Marcianesi @___radicale___ 
Boisbuchet Media Team:

Photos : Yachu Hsu (Joy) @xxyachu & Manon Arrougé @m_arrouge (3) 
Led by Manon Arrougé @m_arrouge & Pablo Sevilla @sevillaisnotacity

Boisbuchet Technical Team:

Daniel Hernández @daniarmario Lucía Navas @lucianavassss
Yannis Hotz @yannishotz
Led by Dean Toepfer @deantoepfer

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WORKSHOP SEASON 2026 | Scrap-Kammer: A Cabinet of Curiosities

In this workshop, participants explored the taxonomy of the Scrap-Kammer, treating discarded materials and production leftovers as valuable resources rather than waste. By collecting, classifying, and assembling fragments found across Boisbuchet, they designed and built a contemporary cabinet of curiosities that functioned as both an archive and a working device. The workshop invited participants to investigate architecture as an operational framework rather than a finished object: a device that recorded processes, hosted residues, and revealed the intelligence of making.

Season curated by : Guillermo Gil Fernández @guillegilfernandez & Pablo Sevilla @sevillaisnotacity  Tutors : @2050.plus
Erica Petrillo @eri.pet & Davide Marcianesi @___radicale___ 
Boisbuchet Media Team:

Video: Yachu Hsu (Joy) @xxyachu 
Led by Manon Arrougé @m_arrouge & Pablo Sevilla @sevillaisnotacity

Boisbuchet Technical Team:

Daniel Hernández @daniarmario Lucía Navas @lucianavassss
Yannis Hotz @yannishotz
Led by Dean Toepfer @deantoepfer

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WORKSHOP SEASON 2026 | Scrap-Kammer: A Cabinet of Curiosities

In this workshop, participants explored the taxonomy of the Scrap-Kammer, treating discarded materials and production leftovers as valuable resources rather than waste. By collecting, classifying, and assembling fragments found across Boisbuchet, they designed and built a contemporary cabinet of curiosities that functioned as both an archive and a working device. The workshop invited participants to investigate architecture as an operational framework rather than a finished object: a device that recorded processes, hosted residues, and revealed the intelligence of making.

Season curated by : Guillermo Gil Fernández @guillegilfernandez & Pablo Sevilla @sevillaisnotacity  Tutors : @2050.plus
Erica Petrillo @eri.pet & Davide Marcianesi @___radicale___ 
Boisbuchet Media Team:

Photos : Yachu Hsu (Joy) @xxyachu 
Led by Manon Arrougé @m_arrouge & Pablo Sevilla @sevillaisnotacity

Boisbuchet Technical Team:

Daniel Hernández @daniarmario Lucía Navas @lucianavassss
Yannis Hotz @yannishotz
Led by Dean Toepfer @deantoepfer

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Last July, @2050.plus was invited to take part in the summer workshop programme at @boisbuchet with “Scrap-Kammer: A Cabinet of Curiosities” — an architecture workshop exploring the reinvention of the 16th-century typology of the Kunstkammer.

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Domaine de Boisbuchet is an international centre for design and architecture in southwest France, founded by Alexander von Vegesack, legendary design collector and founding director of the Vitra Design Museum.

Set across a 150-hectare estate, Boisbuchet encompasses an architectural park, residencies, and a long-running programme of workshops led by internationally recognised architects and designers. Over the years, the programme has welcomed figures including Ron Arad, Jasper Morrison, Shigeru Ban, Lina Ghotmeh and Álvaro Siza, among others.

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For “Scrap-Kammer”, participants were invited to experiment with the residual matter of Domaine de Boisbuchet — scraps, errors, leftovers, tests, mock-ups, fragments and found objects generated through the ongoing activities of the Domaine. The workshop explored how these overlooked materials could be collected, reinterpreted and transformed into new forms of architectural curiosity. The same collection of materials was transformed into two contrasting installations: one a dream-like, suspended composition inspired by the kinetic movement of mobiles; the other organised vertically according to the specific weight of each object, understood both as physical mass and material value.

The “Scrap-Kammer” became both archive and device, memory and generator — a living index of collective experimentation at the Domaine.

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Photos and videos by @xxyachu, @m_arrouge
Workshop by @2050.plus (@___radicale___, @ippopeste, @eri.pet)
Living Matter curated by @boisbuchet (@sevillaisnotacity, @guillegilfernandez)

#Boisbuchet #ScrapKammer #2050plus #Workshop

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* A slightly rambling visual diary of summer.

Love, darkness, endless conversations, burning sun, insects humming and frogs leaping, thunder and lightning. Making things together, then destroying them together. Longing, exhaustion, little rushes of the heart. Laughing until we cried, crying until we laughed. Lying down. The forest, the lakeside, the river, scattered trees, the château.

When I was asked about my favorite moment at Boisbuchet, countless moments flashed through my mind. And I realized how precious it is to have so many moments you love that you simply cannot choose one.

Through more than forty summer nights, loose with moonlight, I closed my eyes and tried desperately to feel and keep everything.

Later, you learn that some people will leave in a hurry, while others will suddenly arrive. And somehow, the life ahead of you feels a little less likely to run dry, because these memories are now part of it.

To everyone who built this memory with me,
the stream keeps running softly. Thank you, summer wind, for blowing you into my memory.
Love you all (｡♥‿♥｡)

* 一份有點囉嗦的夏日視覺日記。
愛，黑暗，無盡的對話，炎日，蟲鳴蛙跳，電閃雷鳴，共創，摧毀，憧憬，疲憊，心動，大笑大哭，躺下，叢林，湖岸，河流，散開的樹，城堡。在被問到boisbuchet最愛的瞬間的時候，我的腦海裡閃過了無數的瞬間，這樣的感覺難以想像地珍貴：你喜愛的瞬間多到選不出來。在四十幾個月光散漫的夏夜中閉上眼睛我拼命感受。後來你知道有人會匆匆離開，但也會有人突然降臨。往後的人生卻因有這些回憶不再會乾涸不已。共建這份回憶的每一個人，溪流潺潺，謝謝夏日的風把你吹進我的記憶裡。

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Founded in Milan back in 2020 out of the need to make sense of the complexity of the world we live in, 2050+ builds new narratives by working across spatial practices, curatorial research, and interdisciplinary collaborations. Architect, curator and founder of 2050+ Ippolito Pestellini Laparelli, together with curator and studio partner Erica Petrillo, told us what it means to be part of a young practice that dissolves the boundaries between disciplines, shaping a rich, unique language of the present.

Read the whole interview by Maddalena Domenghini at the link in bio!

@2050.plus
@ippopeste
@eri.pet
@_alibett

#cplusc #2050plus #curatorialstudies #architecture #curating

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dos mil cincuenta ‘plus’ en españa, olé! ❤️

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Electropark Walkscapes.

Guidata da Andrea Bagnato, Erica Petrillo e Luca Gerry Conte, con un contributo in collegamento da Bogotá di Antonio Bermudez Obregon, la camminata urbana ha attraversato le strade di Genova soffermandosi su luoghi, monumenti e riferimenti legati alla storia coloniale della città.

Partendo da piazza Acquaverde, il percorso ha invitato i partecipanti a osservare il paesaggio urbano attraverso temi come Cristoforo Colombo, il commercio marittimo, la schiavitù e il ruolo delle istituzioni finanziarie.

Alcuni momenti della camminata.

Credit: @emanuela.zampa.photo

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Electropark Walkscapes.

Led by Andrea Bagnato, Erica Petrillo and Luca Gerry Conte, with a live contribution from Bogotá by Antonio Bermudez Obregon, the urban walk moved through the streets of Genoa, stopping at places, monuments and references connected to the city’s colonial history.

Starting from Piazza Acquaverde, participants were invited to look at the urban landscape through themes such as Christopher Columbus, maritime trade, slavery and the role of financial institutions.

A few moments from the walk.

Credit: @emanuela.zampa.photo

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“The question of belonging is inseparable from questions of access, labour, memory, ecology, and displacement. Yet these practices also insist on the symbolic and affective dimensions of dwelling: on the gestures, images, materials, and stories through which a space becomes lived, shared, and recognised as one’s own.”

The last artist selected by Erica Petrillo is Antonio Bermúdez-Obregón.

Antonio Bermúdez-Obregón is an architect and visual researcher whose practice operates at the intersection of culture and land, intertwining the physical reality of territory with its layered meanings. Through maps, archives, and historical collections, his work explores landscape semantics, geopolitics, colonial imaginaries, and the ways images shape our understanding of nature and place.

His work has been presented internationally at institutions including the Humboldt Forum Berlin, the Metropolitan Museum Quito, MAMBO Bogotá, and gres art Bergamo.

Artist: Antonio Bermúdez-Obregón (@tintuco)
brave now selector: Erica Petrillo (@eri.pet)

📷:

1. Antonio Bermúdez-Obregón. Courtesy of the artist.

2. Antonio Bermúdez-Obregón, TOPONYMS FOR A DISTRACTED STATE, Intallation, an orthographic gradient made out of names of places, illustrating a violent idiosyncrasy.

3. Antonio Bermúdez-Obregón, BACK TO THE CENTER OF THE WORLD, Reproduction of Humboldt’s drawings of latin american landscape made with Google Earth, Gelatin Silver Print.

4. Antonio Bermúdez-Obregón, NATURE IS NOT GREEN, Sound Recording device, 12 hours of simultaneous streaming from the Amazon Forest.

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