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Global Dystopia – Sound Art Biennial 2026
@haunt_berlin
Sat 27 Sep – Sun 11 Oct
Wed – Sun 2 – 7 pm
@dystopiabiennial
@errant.sound

POSTS STORIES REELS TAGGED

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O Kindred Spirit apresenta “Plan 9 from Outer Space 3.1 (Twin Turbo)”, exposição do ciclo "Hosts" com obras de Alice Dittmar + Carla Cabanas + João Onofre + Jonathan Sullam + Jorge Queiroz + Pedro Gomes + Raquel Melgue + Stella Geppert.

Curadoria de Sérgio Fazenda Rodrigues.

Inauguração 23.10 — 18h00 (CET)

Haunt – Berlin (Kluckstraße 23A - 10785 Berlin)

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Kindred Spirit presents “Plan 9 from Outer Space 3.1 (Twin Turbo)”, a show of the cycle "Hosts" with works by Alice Dittmar + Carla Cabanas + João Onofre + Jonathan Sullam + Jorge Queiroz + Pedro Gomes + Raquel Melgue + Stella Geppert.

Curated by Sérgio Fazenda Rodrigues.

Opening 23.10 — 18h00 (CET)

Haunt – Berlin (Kluckstraße 23A - 10785 Berlin)

Em parceria com / In partnership with frontviews / Haunt - Berlin
Com o apoio de / With the support of Fundação Calouste Gulbenkian e/and Embaixada de Portugal / Camões Berlim

@frontviews_
@haunt_berlin

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Last Thursday, October 1, 2026 — Workshop with @_ether_o_
Thank you so much for joining us and for making this workshop so special!

Photo: @aliceestella

#workshop #berlinculture #art #soundart #artists

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About Saturday…
Thank you so much for this incredible evening!🫶🏼
Photos: Alice Stella @wondylens

#soundart #klangkunst #berlinculture #performance #art

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Very happy to bring Soma of the Tree • Rituals of Repair to @dystopiabiennial Sound Art Biennial 2026 at HAUNT Gallery.

This time, in collaboration with sound artist Amelie Neumann aka @burgund_t_brandt.

08 October · 2–5 pm · HAUNT [Kluckstrasse 23A, 10785 Berlin]

Participation is free · limited capacity
Registration until 05 October: patricia@thesoundescape.com

Come join us. Looking forward.

Photo credits: Resin: @alexseichter. Smoke graphics & digital composition: Patricia Hegglin

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Wir laden dich zu einem ganz besonderen Workshop ein!

We like to invite you to a very special workshop!

frontviews HAUNT
Kluckstraße 23A
10785 Berlin

#klangkunst #soundart #workshop #freeentry #berlinculture

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THIS SATURDAY! OPENING at @haunt_berlin !

HAUNT
Kluckstraße 23A
10785 Berlin

#soundart #klangkunst #berlinart #culture #freeentry

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@haunt_berlin OPENING 26.09.2026!

HAUNT
Kluckstraße 23A
10785 Berlin

#klangkunst #performance #freeentry #berlinculture #soundart

Sound performance, 9 – 19 bamboo intruments and performers, since 2024

Tintin Patrone is a German-Filipino sound and performance artist based in Hamburg. Her work explores the relationships between music, sound, visuality, and experimental gesture, with a focus on how collective practices shape social relations and negotiate identity. She is particularly interested in the human conditions of technology and works with robots, artificial intelligence, and non-human performers to question notions of subjectivity, embodiment, and presence. Her projects combine artistic research, collaborative production, and performative situations that remain accessible, humorous, and physically grounded. Patrone studied at HFBK Hamburg and has been working internationally across performance, installation, and long-term re-search-based formats. As a musician she has performed at festivals like Skaņu Mežs (LV), Intonal (SE), Meakusma (BE), Unsafe&Sound (AT), Lacking Sound Fest (TW) and Les Digitales (CH).

Staffan Westerlund (*1950) is a visual and conceptual artist based in Härnösand in northern Sweden. His artistic practice is characterized by an intuitive and unpredictable approach that seeks encounters between the personal and the public, the banal and the extraordinary, and the abstract and the figurative. Painting serves as a tool of resistance, opening up spaces for questions and capturing moments of both clarity and uncertainty. His work with sound and performance explores the boundaries between peace and violence, fiction and reality.
Over the course of his artistic career, Westerlund studied film and photography at the former Dramatiska Institutet (now Stockholm University of the Arts), as well as fine art and, more recently, sound art. He also taught for many years in preparatory art programs. Since the 1970s, he has exhibited his work throughout Sweden in art centres, museums, and exhibition spaces, including Sundsvalls Museum, Luleå Konsthall, Liljevalchs in Stockholm, Västerbottens Museum, Fylkingen Stockholm, and Bildmuseet in Umeå. Mo

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@wirwirberlin @frontviews_ #thorstenkasper

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Only two days left!

The Master‘s House

FINISSAGE EVENTS

Sat 19 Sep

Come visit us and discover numerous young, exciting, and budding artistic voices from the far north—from the Muthesius School in Kiel—and perhaps even a rising star or two on tomorrow’s art scene. You still have two days to gain a fascinating insight into the art classes led by the outstanding artists Almut Linde and Andreas Greiner. Students are presenting their projects—developed in collaboration with curator Almut Hüfler—on the significant issue of structural violence.

With a grand finale—a curator-led tour, a panel talk and a concert—the Muthesius School bids farewell to Berlin once again.

Sat 19 Sep
with

2:30 – 3:30 pm
Guided Tour
by Curator Dr. Almut Hüfler

4pm
Panel Talk
Structural Violence and the Role of Art with Dr. Hannah Franzki (INTERACT, FU Berlin), Nina Hartmann, Freya Stoermer, Jo Anneke Mückel, and Malin Sauermann
moderated by Dr. Almut Hüfler

6 pm
Concert by FKK
(Elsa Blöbaum & Xenia Fourmanov)

Finissage 5 - 8 pm

Social Media
instagram
@frontviews_
@muthesiuskunsthochschulekiel
@interdisziplinaere.praxis
@medienklasse_kiel
@almutcorneliahuefler
@almutlinde
@andreas.greiner.berlin

@reza_arabgari_
@amin.azv.art
@elsa.bloebaum
@siri.dahlhaus
@atefeh_ghasemi_painter
@futurefluxus
@jomajojupe
@Linn.Johanna.Johannsen
@unterdiszipliniert
@lsnkgr
@lina_akrami1
@malnsrmnn
@joannekemueckel
@phivostheodotou
@fjonnaramin
@john.rautenberg
@Sacha_ghilardi
@freytaag

Public Transport
Bus Linie M48 or M85 from Potsdamer Platz/Bus Stop
Lützowstr./Potsdamer Str. and a 4 minute walk // U-Bahn
Kurfürstenstraße Line U1 and U3 and a 6-minute walk // M29 Bus Stop Gedenkstätte Dt. Widerstand and a 2-minute walk.

This project is generously supported by the Senate Department for Culture and Social Cohesion and Muthesius Hochschule Kiel. It's also made possible with the initiative of the whole collective.

Video by @kristina.miltcheva

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”Drawn from Quiet Waters -静かな水面から引き上げられたもの”

オープニング/ 2026年10月10日(土）・10:00 - 18:00
オープニングパフォーマンス・サウンドパフォーマンス / iYi・mii89・15:00 - 16:30

展示期間/ 2026年10月10日 — 10月18日
会場/ 加賀依緑園石川県加賀市山中温泉南町ロ87番地１
営業時間/10:00 - 18:00
定休日/木曜日（祝日の場合は営業）
入場料/フライヤー持参で入場無料

アンドレアス・シュミット（Andreas Schmid）、池田ルナ（Runa Ikeda）、ウィレム・ベッセリンク（Willem Besselink）デニス・ショル（Dennis Scholl）、ステラ・ゲッパート（Stella Geppert）、池田真一郎（Shinichiro Ikeda）、フリーダ・ウン・エー・インヴェッソン（Frida Eun Ae Yngvesson）浅村祐貴 (Yuuki Asamura)、河崎龍弘 (Tatsuhiro Kawasaki)、森口信一(Shinichi Moriguchi)、大村大悟 (Daigo Ohmura)

キュレーション、プロジェクトテキスト：ニコラ・エリザベート・ペテク（Nicola E. Petek）
主催：frontviews およびメンバー

@kaga_iryokuen @frontviews_ @nicola_petek @shinichiro__ikeda @willembesselink @stella.geppert @aschmidart @studio_dennisscholl @runaikedart @frida_eunae @tatsuhiro_kawasaki @yuki__asamura @daigoohmura @atorie48kazetani @iyi.berlin @mii89.mii89

この度石川県とベルリンをつなぐ国際交流プロジェクトの第一歩としてベルリンより現代アートコレクティブ frontviewsのメンバーおよび作品を迎え、石川県出身、または石川県にゆかりのあるアーティストと共に“Drawn from Quiet Waters“と題した展覧会を開催いたします。

本展覧会”Drawn from Quiet Waters -静かな水面から引き上げられたもの”は固定された声明を提示するのではなく、「始まり」として位置づけられています。そこは、異なる芸術言語や物語、ものの見方が、初めて触れ合うことのできる場です。
静かな身振りや微細な変化を通して語りかける作品がある一方で、社会的、歴史的、あるいは政治的な現実とより直接的に向き合う作品もあります。
展覧会のタイトル Drawn from Quiet Waters には、意図的に二重の意味が込められています。
一つは、展覧会で紹介される数多くのドローイングや紙作品を指し、線や身振りが持つ即時性を前景に浮かび上がらせるものです。しかし同時にそれは、場所や記憶、観察、出会い、あるいは内面の状態といった何らかの源から、何かが形を成していくことも示唆しています。
「Quiet waters（静かな水面）」という言葉は、加賀依緑園とその庭園が醸し出す穏やかな空気を指すと同時に、芸術的な思考やイメージが立ち現れてくる、より深く、目には見えにくい流れを想起させます。
この二つの言葉は、媒体であると同時にプロセスでもあるもの―すなわち、世界を観察し、受け取り、翻訳する方法としての芸術、そして何かを水面へと浮かび上がらせる行為としての展覧会―の双方を表しています。
このように、加賀依緑園は単なる展覧会の舞台ではなく、その建築や歴史、そして周囲の風景との関係性そのものが、この出会いを形づくる重要な一部となっています。
そこは、継承と変化、人為的なものと自然との対話、そして静かに思索すること、もてなし、文化的交流の伝統によって形づくられてきた場所です。
この文脈において本展は、芸術的な実践が、ある場所を定義しようとすることなく、どのようにその場所に応答できるのかを問いかけます。その固有の空気に耳を澄まし、そこから新たなつながりが生まれていくことを受け入れようとする試みを是非体感していただけたら幸いです。

改めまして、本プロジェクトの開催にあたり、多大なご協力をいただきました協賛企業の皆様、そして個人様に心より感謝申し上げます。

皆様にお会い出来る事を楽しみにしております。

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Rollbild157 o.T. / Scrollpainting157 untitled | 11.07. - 22.08.2026 | 2x oil on paper, nylon thread, found pieces |
in: Judgment and Calculation, with works by Carsten Becker + Harm van den Dorpel
frontviews at HAUNT, Berlin
concept: Carsten Becker, exhibition text > www.frontviews.de : Qin Yan
photos: 1 Ralph Maak 3/4 Carsten Becker
finissage >> 22.08. 6-9pm
@frontviews_ @carsten_becker @harmvandendorpel @qin__yan #sitespecific #installation #paperinstallation #flexiblesculpture #elisabethsonneck

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