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Alexandra Beteeva

@getbeta

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@rca_painting 2026
@new_contemporaries 2023
RSA New Contemporaries 2024
@glasgowschoolart / @turpsbanana
Based in London
🕊️

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Сегодня жду всех на ярмарке молодого искусства @blazarart, где наша галерея Deep List представит «Бюро находок» 📋 На стенде #17 вы найдете работы 6 авторов: Кристины Манучарян, Алины Утробиной, Софьи Шпуровой, Катрин Зак, Александры Бетеевой и Анны Таганцевой.

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В этом году на ярмарке молодого искусства @blazarart галерея Deep List представит «Бюро находок» 📋 На нашем стенде вы найдете работы 6 авторов: Кристины Манучарян, Алины Утробиной, Софьи Шпуровой, Катрин Зак, Александры Бетеевой и Анны Таганцевой.

Ждём вас на стенде #17.

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rip to the show that never happened… gone but never forgotten

here are pics of what you would’ve seen if the @dmz_studio group show went ahead

thank u to all the artists who contributed and to everyone at my studio ! it was lit traumatic

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Meet the next generation of painters 🎨

The graduate collection marks the first collaboration between the Royal Society of Arts and the @rca_painting MA Painting programme, bringing together a selection of emerging artists at a pivotal moment in their creative journeys.

Discover the exhibition at RSA House, free to visit now.

Find out more via the link in bio

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June, was a vibe ☀️

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Alexandra Beteeva — A Singing Blackbird
oil on canvas, 30x40 cm
2025

acquired from @set.projects @deeplist_

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@getbeta

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The RCA MA Painting cohort was proud to showcase the following works at RCA2026:

Benjamin Blanc @bbenjaminblanc
“Inventory”
Oil on Linen
200 x 180 cm, 2026

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Nadia Da Silva @Ndsilvaart
“The Hierophant”
Oil on salvaged canvas
120 x 150 cm, 2026

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Alexandra Beteeva @getbeta
“It Was Just The Light Changing”
Oil on canvas, stoneware, underglaze, brush-on glaze
150x200 cm (diptych), variable dimensions (ceramics), 2026

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Matteo Pasquale Forgione @fvrge
“The Mind. A Garden”
Mixed media on canvas
157 x 182 cm, 2026

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Giorgia De Stefano @giorgiadsart
“What You Do To Me”
Oil and raw pigment on canvas
130 x 170 cm, 2026

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Final Day, Sequel: ... go spectate RCA's MA Painting Show in Battersea. From 12pm - 6pm. (Until June 21)

Howie Street, Battersea SW11 4AY

Image 2: Robyn Olive Carey

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@rca_painting @royalcollegeofart @_yuijn @lux_laoli @badeliaameliaart @robynolivecarey @dorathedrawer @paoyustudio @lizomo._ @isabellezetterstrom @ema.pina @lottejohnson.art @zahidajea @lugovska_anna @getbeta @zinziminott @siulistudio @maddalenazadra @elinayum_art @jaguar @choungha.lee @siulistudio @kittyngstudio @ndsilvaart @unioftheartslondon @claudeai @canartfair @lbfcontemporary @thegreatwomenartists @women_in_art__ @womensartcollection @cassart1984

#mapainting #royalcollegeofart #rca #RCADegreeShow #RCA2026 #art #contemporaryart #painting #contemporarypainting

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some film pictures of people i love 🤍

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1 week to go!

Will you be there?

#RCA2026 Group of people stand around, constructing wooden house shaped frame

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𝙀𝙭𝙥𝙚𝙘𝙩𝙚𝙙 / 𝙀𝙭𝙥𝙚𝙘𝙩𝙞𝙣𝙜 is now launched at Small Gallery London.

𝑬𝒙𝒑𝒆𝒄𝒕 /ɛkˈspɛkt/
Etymons: Latin exspectāre.
“To look out for, await”
“To think or believe something will happen”

We always carry a certain form of expectation toward ourselves, which gradually dissolves alongside the trajectories of life, yet continuously regenerates itself within the unconscious. “Expected” and “Expecting” together form a resonant duo, throughout time, like a version of the future that was meant to be realised, but has never come to pass.

In this sense, expectation becomes more than anticipation. It becomes a kind of illusion about our ability to understand reality. While entering the exhibition carrying “expectations,” what lies within has already been pre-constructed in a certain way. By reexamining “expectation” itself, we might recognise that expectation is never neutral but always directed.

Here, we attempt to question the familiar ways of encountering contemporary art, how it may shape, limit, or even obscure our expirence of it. At the same time, we ask why we are drawn to things that have not yet happened, and why the future often seems more capable than reality of carrying emotions that remain difficult to express.

我们总对自身怀有期待，其随生命轨迹的延长而逐渐消散，又在不经意间重新生长着。“我们曾期待的”与“我们正期待的”跨越时间，持续着纠缠与共鸣——一个或可发生、却从未到来的幻象于其中被我们窥见。
“期待”并不会随现实的到来而终止其行动，它们于正进行的现实中藏匿，又在认知中洄游，搅动微波，影响着当下我们的一举一动。当“期待”携我们走进展览，展厅中的样貌或已被其预先绘制于脑海。“期待”一举，终指向一方。
我们于此向当代艺术的固有理解发出挑战——它们是否塑造了、限制了、甚至遮蔽了我们本应体验到的更多可能。同时我们叩问：我们为何总对尚未发生之事物充满期待？“期待”是否能够成为一把开启现实更多可能性的金钥匙？

Participating Artists
Dedong Ao @addadd_ao
Alexandra Beteeva @getbeta
Sparro Chen @sparrookc0
Tianyi Li @tytyty_li
Zixi Liu @liujianniur
Cong Peng @dionccong
Lael Reiss @laelreiss

Curated by
Cecilia Yiqing Mao @cecilia_maooo
Jiaao Song @soongjiaao
George Zhaozhi Zhang @georgeeeezhang

Visual Design: Seunghui Kang @huiih.ee
Interior Modelling: Yun Dong

Duration: 17–23 May, 11 am–6 pm
Location: Small Gallery, 12 Blakeney Close, London N20 9LH

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