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agustina woodgate

@lawoodgate

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Opening Nov. 18 at Oolite Arts! “What Water Remembers,” curated by Sara Cluggish @cluggish, brings together eight artists who reveal how histories are held, transformed and transmitted through water. Moving across oceans, seas, rivers, rainstorms, and canals, the exhibition connects specific bodies of water with the people and events that shaped them. The artworks included draw on personal memory, oral traditions, mythology, and archives, returning to waterways shaped by colonialism, extraction, migration, and environmental change. Participating artists: Miya Ando @studiomiyaando Ayesha Hameed @sayeshahameed Adelita Husni-Bey @house.of.platitudes Saodat Ismailova @saodatismailova Lee Pivnik @eelpicnic Beatriz Santiago Muñoz @beatriz_santiago_munoz Juana Valdés @jvaldesart Agustina Woodgate @lawoodgate Join us for the opening reception on Wednesday, Nov. 18, from 6–9 p.m., and experience the exhibition throughout Miami Art Week, including during our annual Art Week Brunch and Open Studios on Thursday, Dec. 3. “What Water Remembers” will be on view through Feb. 7, 2027. Learn more at the link in bio. #OoliteArts #WhatWaterRemembers #MiamiArtWeek #MiamiArt #MiamiBeach
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Artist Agustina Woodgate is featured in Art New York Magazine @lawoodgate To order a physical copy please visit: artnewyorkmagazine.com Sponsors: New to The Street @newtothestreettv Bagaturia News @bagaturianews
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🇧🇷[Fairs / Ferias] SP-Arte Rotas SAO PAULO, Brasil Agustina Woodgate participa de Mirante, una sección de SP–Arte Rotas, una exposición con curaduría Bernardo Mosqueira y Ana Clara Simões Lopes, que reune obras en torno a la idea de paisaje. Toma como punto de partida la idea de un paisaje expandido: no solo un género de la representación artística, sino un campo para pensar las múltiples relaciones entre los seres humanos y sus entornos. El conjunto reúne tanto experiencias históricas y contemporáneas de experimentación del paisaje como obras que revelan la enorme diversidad de modos de pensar, saber, sentir, imaginar, vivir juntos y concebir el cosmos, tan característica de América Latina. En ellas, el paisaje sobrepasa los límites de la representación para convertirse en un campo expandido de relaciones, donde memoria, ecología, espiritualidad, política, historia e imaginación se entrelazan como formas complementarias de comprender el mundo al que pertenecemos. - Agustina Woodgate is participating in Mirante, a section of SP–Arte Rotas, an exhibition curated by Bernardo Mosqueira and Ana Clara Simões Lopes that brings together works centered on the idea of landscape. It takes as point of departure the concept of an expanded landscape: not only as a genre of artistic representation, but as a framework for considering the many relationships between human beings and their environments. The exhibition brings together both historical and contemporary explorations of landscape, as well as works that reveal the remarkable diversity of ways of thinking, knowing, feeling, imagining, living together, and conceiving the cosmos that are so characteristic of Latin America. In these works, landscape extends beyond the limits of representation to become an expanded field of relationships, where memory, ecology, spirituality, politics, history, and imagination are intertwined as complementary ways of understanding the world to which we belong. Shelter #13 2020 78 x 52 cm. Pieles de animales de peluche. @sp_arte @lawoodgate @bernardomosqueira @anaclarasimoeslopes
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👄 BUENOS AIRES [Muestras / Exhibitions] Analía Saban & Agustina Woodgate SEGUNDAS VIDAS Curaduría / Curated by Sonia Becce En 2010 Agustina Woodgate concibe ARC (Animal Rug Cooperative), una iniciativa colaborativa de fuerte impacto social para su trabajo y para los que forman parte del proyecto. Se trata de una cooperativa formada por artistas y artesanos que se ocupa del proceso de desarmado de los juguetes y del posterior rearmado manual, dándoles así una segunda vida al convertirlos en alfombras. Los peluches, ya recategorizados como obras de arte, se han alejado mucho de su función de origen. Este gesto opera simultáneamente como una transformación material y como una intervención, que interrumpe la trayectoria lineal que conduce de la producción al descarte. — In 2010 Agustina Woodgate founded the ARC (Animal Rug Cooperative), a collaborative initiative that had a significant social impact on her work and everyone involved in the project. The cooperative consisted of artists and craftspeople who took apart the toys and subsequently remade them by hand, thus giving them a second life as rugs. The stuffed animals, now relabelled as works of art, ended up a long way removed from their original function. The gesture works as both a material transformation and an intervention that interrupts the linear trajectory beginning with manufacture and ending with the products being thrown away. Hasta / Until 17.07 📷 Agustina Woodgate, Petrodolar, 2026 From the series ARC (Animal Rug Company) Pieles de animales de peluche / Stuffed animal skins 172 x 215 cm 📷 Agustina Woodgate, Salmuera, 2026 From the series ARC (Animal Rug Company) Pieles de animales de peluche / Stuffed animal skins 140 x 190 cm BARRO Caboto 531 La Boca, Buenos Aires Lunes a Viernes / Monday to Friday 12—6 PM @analiasabanstudio @lawoodgate @sonia.becce Ph. @siesta.__
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Voices of Hope: Agustina Woodgate The water tanks from @lawoodgate La Planta now support community gardens, schools, parks, and cultural spaces across Argentina's Riachuelo basin, where water remains a vital resource - extending the project's impact beyond the gallery walls. Watch the full video via the link in bio. #TheHopeForum2026 #VoicesofHope #ArtforGlobalGoals
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Voices of Hope: Agustina Woodgate @lawoodgate is an artist who investigates the hidden systems that shape how resources move, tracing the politics and poetics of infrastructure. In La Planta, she transformed a gallery into a functioning water purification and distribution system, drawing groundwater from six meters beneath the gallery floor. The work has since entered a new chapter: its water tanks have been redistributed to community gardens, schools, parks, and cultural spaces throughout Argentina's Riachuelo basin, where water remains essential to everyday life. An artwork with a strong social and environmental commitment that continues to exist - and to drive change - beyond the gallery walls. #TheHopeForum2026 #VoicesofHope #ArtforGlobalGoals
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👉🏼 Se viene NODO, el circuito de arte contemporáneo más esperado del año, y en Zibilia te armamos una mini agenda para que no te pierdas nada 🎨✨ Deslizá y descubrí 5 destacados imperdibles! 📌 Las galerías abren de 14 a 20 h con entrada libre y gratuita. @somosmeridiano
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👄BUENOS AIRES Inauguración / Opening Sábado / Saturday 30 MAY, 3-7 PM [Muestras / Exhibitions] Analía Saban & Agustina Woodgate SEGUNDAS VIDAS Curaduría / Curated by Sonia Becce Agustina Woodgate trabaja desde 2010 con animales de peluche que, maltrechos, con rastros de intenso desgaste por el uso, son descartados y abandonados en organizaciones benéficas o tiendas de segunda mano. Esos juguetes, que alguna vez funcionaron como receptores de afecto, cuidado e identidad, y fueron amados hasta el agotamiento, pasan a ser un desecho de las sociedades de consumo. Desde los comienzos de su trabajo, la artista se ha enfocado en los procesos que configuran las memorias colectivas, utilizando materiales diversos –rezagos de operaciones manuales o industriales– que se resignifican al ubicarlos en nuevos contextos. Los peluches de Woodgate, todos producidos industrialmente en China, se exportan a Estados Unidos y de ahí la artista los traslada a la Argentina. La migración de continente en continente califica cada una de sus “paradas”: fabricación, consumo y reutilización. @analiasabanstudio @sonia.becce @lawoodgate @cachafaz_ok @somosmeridiano #barroartecontemporáneo #barro_cc BARRO Caboto 531 La Boca, Buenos Aires
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👄BUENOS AIRES Inauguración / Opening Sábado / Saturday 30 MAY, 3-7 PM [Muestras / Exhibitions] Analía Saban & Agustina Woodgate SEGUNDAS VIDAS Curaduría / Curated by Sonia Becce La exhibición Segundas vidas se desarrolla en dos momentos. La primera sala, que reúne obra reciente de Analía Saban, constituye la primera muestra individual de la artista en Buenos Aires, en más de 10 años. La segunda presenta una nueva serie de ARC (Animal Rug Company), un proyecto que la artista Agustina Woodgate comenzó en 2010. - The exhibition Segundas vidas unfolds in two parts. The first room, featuring recent work by Analía Saban, marks the artist’s first solo exhibition in Buenos Aires in more than ten years. The second room features a new series of ARC (Animal Rug Company) works, a project that Agustina Woodgate began in 2010. BARRO Caboto 531 La Boca, Buenos Aires @analiasabanstudio @lawoodgate @sonia.becce @cachafaz_ok @somosmeridiano #barroartecontemporáneo #barro_cc
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جولة في مقامات البينالي تتوزّع هذه المقامات عبر المساحات الداخلية والخارجية، لتُحوّل المواقع إلى مساحات تنبض بالحياة والتفاعل؛ حيث يخلق الصوت والضوء والحركة لحظات من التلاقي، والراحة، والحضور الجماعي. هنا، يتجلّى الفن فضاءً حياً وتجربةً معاشة. A Walkthrough of the Biennale’s Arenas Spread across indoor and outdoor spaces, the Arenas transform sites into places of activation—where sound, light, and movement create moments of encounter, rest, and collective presence. Art unfolds as space, and space becomes experience.
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