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Max Machado

@macayado

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Making @quiethours.space
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Join us in Beachwood Canyon Saturday October 10 from 11-3pm for an afternoon of art, conversation, and @house.coffee.la, as we gather around works in progress by artist Alejandra Jiménez, approaching the midpoint of her 60 day residency with Quiet Hours.
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Grits | A Documentary Short by Aaron J. Jackson, 2026 Overtown - Miami, FL Runtime: 18 minutes, 57 seconds. Works by @unkleclarence Curated by @laurynn_l Produced by @macayado | @quiethours.space From the family photographs and memories that inspired the work to the conversations happening throughout the room, the night became a reflection of what Grits meant beyond the photographs themselves. In this scene, Arthur Alexander reflects on what he took away from the work. Clarence’s decision to stay true to his family, his roots, and the things that make him who he is. In a city like Miami, where so many different experiences and backgrounds come together, that connection to where you come from can mean even more. That idea sits at the heart of Grits: knowing where you come from, holding onto it, and allowing those experiences to shape what you create. Thank you for everyone that help participated and contributed in this beautiful short: @macayado @osoclose @akeembrownlee @craigdoee @cloudmanlou @lordlaflare @saschabainess @jukeem ‘Grits’ is now available to watch on YouTube! Link in bio! #Lifestyle #Bajjful
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9.24.26 Grits Anniversary 6pm-9pm at @greenspacemiami | Film & Conversation 9pm-till late at @no_seasons_ / @offsite.miami food, drinks & music
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“I look out the window and see the squirrels running in infinities, and humming birds floating outside my door. It feels like I’m in the right place.” Quiet Hours Resident Artist Alejandra Jiménez (@pnto.cer0) arrived in Beachwood Canyon a week ago, and is settling into her 60 day residency with @quiethours.space. Alejandra Jiménez (b. 1999, Madrid, Spain) is a Miami-based painter whose work explores the intersection of personal mythology, the collective unconscious, and the animistic. Stay tuned for open studio announcement, taking place October 10-11 Cover image @shotbyclaraaa Additional images @clauarelllano
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A year ago, I got the chance to document the closing night of @unkleclarence ‘Grits’ exhibition curated by @laurynn_l and hosted by @quiethours.space More than anything, I wanted the film to feel like being in the room, hearing the stories, seeing the family, feeling the energy, and understanding the memories behind the work. What started as a documentation of an exhibition became a small piece about Clarence’s family, the stories passed down, the memories of his great-grandmother’s home, and the roots that continue to shape who he is and how he sees the world. Through conversations with Clarence, Lauryn, and Max from Quiet Hours Gallery, we were able to hear different perspectives on the work and what the exhibition meant to them. I wanted the film to capture more than the photographs. The conversations, the family, the reactions, and the energy surrounding the closing of the exhibition. Grits: A Short Film & Conversation A Film by Aaron J. Jackson Produced by @macayado | @quiethours.space Moderated by @_reginaldoneal_ Sept. 24th | 6–9PM Green Space Miami 7200 Biscayne Blvd. Unit A Miami, FL 33138 RSVP Link in bio!
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Join us on September 24th as we celebrate the anniversary of Grits, a solo exhibition by Clarence S Josey II, curated by @laurynn_l Since the opening of Grits on September 25th, 2025, my family’s story and history have continued to travel. My goal was for the work to be seen and felt, and we did just that. It’s a huge honor to see my family’s story continue to live beyond the exhibition and find its way into other spaces. With four works from Grits currently on view at @greenspacemiami “Count it all Joy” - it’s only right that we celebrate the anniversary here. I’m excited to bring Grits back and share an evening centered around the people that help this show become what it is today. The evening will include a screening of a short film about the closing day of Grits by @byaaronjjackson , followed by a conversation moderated by @_reginaldoneal_ reflecting on the work, the exhibition, and the community that supported the show. Music & refreshments by No Seasons will be provided. 6 PM - Doors Open | 7:10 PM - Short film screening | 7:30 PM - Conversation moderated by Reginald O’Neal after party at No Seasons 9pm - till RSVP Link in Bio Thank you 🖤
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Exhibitions are better when you can sit on the ground. Tianjin, Florida is now open by appointment. Thank you to all that turned up for the opening reception on Sunday. 📸: @aminayasmin_
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"Artists you should know" 🔥 Drop your thoughts about him in the comments below👇🏻 Photographers: @alfonsodrn & @macayado @artter.co @arttermag are what you need as an artist! ©️All visual elements featured in this carousel are part of a curated and creatively edited presentation by ARTTER magazine ©2026. While some original footage or imagery may be sourced from third-party creators, the overall concept, sequencing, and design of this carousel are original works. All rights to the final composition are reserved. #arttermag #art #artcollector #femaleartists #andrewarocho
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Some random pics and vids from my 2 month residency with @quiethours.space !! I will be returning for my solo with @sabbatikalspace on August 2nd👋🏼 see you there 🫦
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Margo Hannah, a longtime collaborator and friend, was recently featured in a sound series hosted by Scaffold Sounds titled ‘Environmental Play’. The series draws attention to the space around us and how our efforts can, and should, directly shape it. We were thrilled to receive images from her test set, where she wears our brand. The set took place at Quiet Hours for Scaffold Sounds, with photography by Max Machado. View her full set at @scaffoldsounds by @quiethours.space. Photo credits courtesy of @macayado.
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Scaffold Sounds is the audio nozzle for @quiethours.space. A way to tell stories through a new medium, specifically highlighting the individuals who create the visual identities of our cities. Music changes us, guides us, and elevates us. It can also motivate us to take part in the fabric of what’s being built around us, before the environmental scaffolding is up and the passive path we’re on swallows us whole. It cuts through the clutter of false abundance, reveals the truth, and inspires participation. I hope Scaffold Sounds can do its part here. Launches Friday at Noon est. - Max
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