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@suprainfinitgallery

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@ Baiculesti 29
Upcoming exhibition: Tainǎ | @paulowirz
Upcoming artfair: @offscreen_paris | Daria Koltsova

POSTS STORIES REELS TAGGED

Off screen à la Chapelle de la Pitié Salpêtrière.
Daria Koltsova @koltsovadarya chez @suprainfinitgallery (1-2)
Livia Melzi @liviamelzi chez Salon/H @galeriesalonh2 (3-4)
Rinus Van de Velde @rinusvandevelde chez Galerie Max Hetzler @galeriemaxhetzler (5)
Ken Ohara chez @valeriebach.lapatinoireroyale (6)
Laurent Miller @laurentmillet_atelier chez @galeriebinome (7-8)
Esther Mathis @esthermathis chez @liviegallery (9)

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A few moments from the opening of “Taina” by Paulo Wirz at Suprainfinit Gallery.

Through brass figures, velvet-coated panels and recurring symbols, the exhibition unfolds around ritual, belief and the ways meaning is constructed and decoded.

Moving through repetition, accumulation and reconfiguration, “Taina” explores transitions between the sacred and the everyday, while leaving its visual language open to interpretation.
“Taina” is on view at Suprainfinit Gallery until 30 November.

👉 Explore the Romanian Art Week programme at artweek.ro

Art Connecting People.
#RomanianArtWeek

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Discover “Taina” with the artist himself.

Join Paulo Wirz for a guided tour at Suprainfinit Gallery and step inside the ideas, symbols and processes behind the exhibition.

From brass figures and recurring pictograms to ritual, belief and transformation, the tour offers the chance to experience the works alongside the artist and hear directly about the thinking behind them.

📍 Suprainfinit Gallery

👉 Explore the programme and enroll at artweek.ro

Art Connecting People.
#RomanianArtWeek

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“Taină” opens today at Suprainfinit Gallery.

Paulo Wirz brings together brass figures, velvet-coated panels and recurring symbols in an exhibition shaped by ritual, belief, transition and the act of assigning meaning.

Through repetition, accumulation and reconfiguration, “Taină” invites visitors to decode a visual language where the sacred, the everyday and the cryptic continuously intersect.

17 October, 18:00
📍 Suprainfinit Gallery, Combinatul Fondului Plastic

👉 Explore the programme and enroll at artweek.ro

Art Connecting People.
#RomanianArtWeek

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last 2 days our exhibition Apparatus 22 - Wrestling with Utopia at wonderful @artwill_com / strada Duetului 54. you can find find us on both days from 10-18)Also today the first edition of @artweek.ro opens in several cities In Ro.
#bucharest #utopia #apparatus22 #artwill #joinus

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Meet 𝗦𝗨𝗣𝗥𝗔𝗜𝗡𝗙𝗜𝗡𝗜𝗧 𝗚𝗮𝗹𝗹𝗲𝗿𝘆, part of Romanian Art Week 2026.

Founded in Bucharest in 2015, SUPRAINFINIT Gallery takes its name from the utopian, pluralistic universe imagined by the artist collective Apparatus 22. Dedicated to conceptual art practices from Eastern and Central Europe, the gallery works with emerging, mid-career and established artists, with a strong focus on newly commissioned works and large-scale installations.

Since relocating to the Combinatul Fondului Plastic complex, the gallery has continued to engage local and international audiences across a wide range of media, while also extending its programme through SEQUENCE, a vitrine programme at its second space in the Mântuleasa neighbourhood.

As part of Romanian Art Week 2026, SUPRAINFINIT Gallery joins museums, galleries and independent spaces across Romania in opening new ways to discover the contemporary art scene.

17–25 October
Explore the programme at artweek.ro

Art Connecting People.
#RomanianArtWeek

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[RO] Ce legătură au plăcuțele ceramice care cad de pe blocuri cu cluburile underground de la Teheran până la New York? Mai multă decât ai crede, și vorbim despre asta într-un artist talk.

Vineri, 16.10, de la 18:30, te așteptăm la un artist talk în expoziția Late Summer Spritz: Arhitecturi ficționale, cu Roberta Curcă și APPARATUS 22, în discuție cu arhitectul Dimitrie Grigorescu. Moderează Maria Grigorescu, asistent curator al expoziției.

Vrei sa vii? Scrie TALK în comentarii și îți trimitem toate detaliile în privat.

Roberta Curcă adună de câțiva ani plăcuțele desprinse de pe fațadele blocurilor și fotografiază clădirile care încă le mai poartă, înainte să dispară sub polistiren. În expoziție, le dă o viață nouă: un portret și o plantă, construite din plăci ceramice.

APPARATUS 22 compun naturi statice din cuvinte, pornind de la nopți în care dansul a fost și un gest politic, iar ringul de dans, un loc unde oamenii puteau fi liberi. Le găsești pe pereții de la Nivelul 3 al muzeului și, sincer, merită citite de aproape.

Iar Dimitrie Grigorescu ne ajută să ne uităm altfel la orașul prin care trecem zilnic.

📍 MARe/Muzeul de Artă Recentă, Bd. Primăverii 15

Vrei să vii? Scrie TALK în comentarii și îți trimitem toate detaliile în privat.

@robertacurca @apparatus_22 @larisa_sitar @grigph23 @grigorescudimitrie @gaep.gallery @suprainfinitgallery

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[ENG] What do the ceramic tiles falling off apartment buildings have in common with underground clubs from Tehran to New York? More than you might think, and we’re talking about it in an artist talk.

Friday, October 16, starting at 6:30 PM, we invite you to an artist talk as part of Late Summer Spritz: Fictional Architectures, featuring Roberta Curcă and APPARATUS 22, in conversation with architect Dimitrie Grigorescu. Moderated by Maria Grigorescu, assistant curator of the exhibition.

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This autumn, SUPRAINFINIT Gallery presents “Taină” by Paulo Wirz, curated by Paolo Baggi.

Through solitary and grouped brass figures, velvet-coated panels and recurring symbols, the exhibition develops a visual language around ritual, belief and the act of assigning meaning. Heads, hands, feet, bottles and fruits become recurring elements, while red threads, perforations and constellation-like structures suggest systems of connection and decoding.

“Taină” unfolds through transitions, accumulations and reconfigurations, exploring how symbols and elements of ritual shift, adapt and acquire new meanings over time.

Discover “Taină” during Romanian Art Week 2026.

17–25 October
Explore the programme at artweek.ro

Art Connecting People.
#RomanianArtWeek

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Sezonul de toamnǎ-varǎ în București 🌞.

#bucuresti #coffee #summer #munteanupestetot #evenimente

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At @offscreen_paris, @koltsovadarya presents “The Kiosk” (2024) and “Postcards from Home” (2023 – 2026)— a found kiosk whose windows and racks are filled with stained-glass « postcards, » each depicting a landscape on the edge of extinction.

Kiosks, ubiquitous during the artist’s childhood, formed casual meeting places of everyday life. They have gradually disappeared. Found in a junkyard and displaced into the exhibition space, the kiosk becomes an architectural remnant of the lost world, a repository for memory.

Stained-glass landscapes depict Ukrainian ecosystems threatened by war. They are based on photographs or reimagined based on memories shared by interviewers. Landscapes are simplified to the compositions of stripes and colours, a visual code, yet recognisable to those who belonged there.

What is a postcard, if not a portable fragment of land that can be saved and shared, a fragments of home that may no longer be possible to return, neither leave completely.

🤝 Presented by @suprainfinit
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À @offscreen_paris, @koltsovadarya présente The Kiosk (2024) et Postcards from Home (2023–2026) — un kiosque trouvé dont les fenêtres et les présentoirs sont remplis de « cartes postales » en vitrail, chacune représentant un paysage en phase d’extinction.
Les kiosques, omniprésents pendant l’enfance de l’artiste, servaient de lieux informels de rencontre et d’échange, faisant partie de la vie quotidienne. Ils ont progressivement disparu.

Trouvé dans une décharge et déplacé, le kiosque devient un fragment d’un monde perdu, un vestige architectural du foyer, un autre réceptacle de la mémoire.

Les paysages en vitrail représentent des écosystèmes ukrainiens menacés par la guerre. Ils sont basés sur des photographies ou réimaginées à partir de souvenirs partagés par les personnes interrogées. Ils sont simplifiés en compositions de bandes et de couleurs, un code visuel, mais reconnaissable par ceux qui appartenaient à ces lieux.

Qu’est-ce qu’une carte postale, sinon un fragment portable du lieu qui peut être transporté, conservé et partagé, un fragment du foyer ou il ne sera plus possible de retourner, ni de quitter complètement.

🤝 Présenté par @suprainfinit

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Join us this weekend📍Mântuleasa 22 for two days full of taste and good vibes. ☕️🎶

• Filter Coffee tasting all weekend @thebarnberlin
• Sniff. Sip. Chat. - Saturday, from 12.00 with @brodeon_perfumes
• Grooves by Skank Sinatra - Saturday, from 16.00 @ralucaflr

Open Hours:
Saturday 9.00 - 20.00
Sunday 9.00 - 18.00

See you there! 👋

#BeansAndDots #Weekend #DeschidemMantuleasa

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A look back at Liste 2026, booth by booth.

Booth 43
Yeo Workshop, Singapore @yeoworkshop with Wei Leng Tay @weilengt and Brandon Tay @brozm

Booth 44, Joint
Suprainfinit, Bucharest @suprainfinitgallery with David Farcaș @farkkasdavid and Daria Koltsova @koltsovadarya x Temnikova & Kasela, Tallinn @temnikovakaselagallery with Daria Koltsova @koltsovadarya and Johanna Ulfsak @johanna__ulfsak

Booth 45
max goelitz, Munich/Berlin @maxgoelitzgallery with Ju Young Kim @yuuyoungkim

Booth 46
Final Hot Desert, London @finalhotdesert with John Knight @knightmarf

Booth 47, Joint
Bukia Vakhania, Tbilisi/Berlin @bukiavakhania with David Apakidze @apakidzedavid x Kayokoyuki, Tokyo @kayokoyukigallery with Yohei Imamura @imahei2468
Booth 48
Petrine, Paris/Dusseldorf @petrine__paris with Mimmo Haraditiohadi @apalagifinest

Images: Gina Folly

Next edition:
14-20 June 2027

#Liste2026 #ListeArtFairBasel

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