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When Jay Phipps built Old Westbury Gardens on Long Island in 1906, he wanted it to be as English as possible to suit his own taste and that of his English bride, Dita. The designs were made by George Crawley, an old family friend who had already worked on the Phipps house on Fifth Avenue, Manhattan, for Jay’s parents.  Crawley was not, though, a trained architect but a connoisseur. The tale is told in ‘Old Westbury Gardens: Days of Grace’ on Long Island, which will be published by Triglyph Books on October 6.

The son of a railroad contractor, Crawley had been to both Eton and Harrow, followed by Trinity College, Cambridge, where his aesthetic sensibilities blossomed. The portrait painter Oswald Birley – another Trinity man although 16 years Crawley’s junior – described him as impulsive, generous, extravagant, living very much for the moment. Having tried various commercial ventures without much success, his association with the Phipps family gave him the break into the world of design that he needed. In 1910 Consuel Vanderbilt, separated from her husband the Duke of Marlborough, employed him to make Crowhurst Manor in Surrey even more lyrically medieval than it had originally been – a home that could hardly have been more different from Blenheim. 

Not only did Crawley, the consummate Englishman, bring his innate cultural knowledge to bear on the architecture of Old Westsbury Gardens but he chose craftsmen – mostly English – who were the best of their kind. Based in Cheltenham, the craftsman and contractor H. H. Martyn claimed that his men could equal the incomparable 17th-century virtuoso of fruitwood carving Grinling Gibbons. Everything was of the best.

In 1919 Crawley succeeded in buying a set of gates from Combermere Abbey in Shropshire and made by the greatest of English blacksmiths Robert Bakewell about 1730. They are now the entrance to Old Westbury Gardens, where, in Crawley’s words, they look “extremely handsome and dignified, & quite unique”.

📸 @dylan_location
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