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Wehaveadog

@wehaveadog_studio

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🐾 Creative workshop community_London
Led by @__.freja
A space to create, connect, and recharge

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Wehaveadog studio warehouse exhibition ✨ has come to a beautiful end — thank you to everyone who came by, and special thanks to our three furry companions: Bugi, Gutou, and Uma 🐾💙

We’re beyond grateful for the love and support over the past 6 days. Your presence made this experience truly special.

We’ll continue creating spaces for art and exchange around the world — can’t wait to see you again next time. Stay tuned for more playful and heartfelt events coming soon 🌍🎨

All artist:
@0_guan
@shutong_f.w @shutong_f
@m.c.tam @cinque.made
@wan0ng @clay_and_care
@_shituo_ @st_udioo
@__.freja
@_qinlinyang_
@benejakel
@yinren614
@oneeeeee_c
@1999jingyili
@ruboll
@shavonneshoirvo
@yufei187j3x1
@qianya09
@staywithtuesday
@hokdun._ @hw_archi
Yangjia

Curator: Freja @__.freja
Venue: SET
Special thanks to: Koma @ma_buq

#independentcurator #artcollective #artexhibition #artistsoninstagram #artinstallation #contemporaryart #setspace #londonartscene #communityart #interdisciplinaryart #emergingartist #dogfriendlyevent #wehaveadog #artanddogs #感謝支持 #艺术展览 #艺术空间 #当代艺术 #展览回顾 taken in London, United Kingdom by @wehaveadog_studio

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a year ago

⚪️[Waste” Beauty Centre I series I 2018 ] @staywithtuesday

”WASTE“ BEAUTY CENTER is our first and on going series.

We collected pictures of the”waste“ we encocunter in our daily life. And create new characters and stories from these waste“ photos.

This book describes the relationship between waste and people. We make a new creation of this image through the photos of waste,Pass the emotions that people encounter in society through this ”waste“ story.

Waste Beauty Center is Using ”waste“ to convey human emotions. Advocating the best use of everything the best of both worlds，It is the perfect relationship between people and objects.

This book uesed lenticular printing for 3D, and it collects all the characters and stores in our series,
14 in total.

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[Untitled 1， Untitled 2] - Qinlin @_qinlinyang_

Soft Pastel on Rice Paper ,2024

Those work were created during Qinlin Yang’s second residency at Künstlerstadt Kalbe (Germany, 2024).

She investigated the impact of urban siphoning on rural decline and developed a series of paintings tracing the marks of migration.

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[Material Hauntings – A Series of tactile Interviews ] - Béné Jakel @benejakel

Materials: High-fired porcelain, clear glaze,
internal LED illumination,Plaster base

Dimensions: 3 ceramic forms . Approx. 4 cm x 4 cm each

Material Hauntings is a participatory sculptural

project that transforms oral testimony into material form. Centered around a series of tactile interviews, the work explores care and healing as intimate, everyday strategies of resistance against systems of violence and erasure.

The Outputs of the interviews are not written or spoken word but rather collectively made objects.

During the interviews participants are invited to shape soft porcelain clay while engaging in a conversation about our stories of dreams, rage, survival and affection. The objects then become living testimonies of being heared, of our struggles and our dreams: reminding you that you are not alone. We are here. And we always will be.

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[Nature Float] - Freja Zhang @__.freja

Nature Float is a 96-page experimental book inspired by microbial communication, particularly slime mold. Developed over four years, it features dynamic fonts created with
programming and TouchDesigner.

Printed in Shanghai with copperplate embossing, the first edition is limited to 10 copies.

A 2025 Tokyo TDC Nominee, currently exhibited at ggg Gallery in Ginza.

#wehaveadog #exhibition #london #tdc by @wehaveadog_studio

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a year ago

⚪️[A Drawing Diary] - YuFei @yufei187j3x1

YuFei- Born in Baotou, Inner Mongolia. An independent artist working in painting and pocket-sized zine design.

A Drawing Diary Mixing What I See and What I Feel Each Day

1.“2024.8.7 – A Rainy Day”
2.“2024.8.9 – Migraine”
3.“2024.8.10 – A Dry but Fresh Afternoon”
4.“2024.8.12 – Mom’s New Dress”
5.“2024.8.16 – News: A Girl Died in a Rented Room”
6.“2024.8.25 – Felt good today”
7.“2024.9.30-Nerve pain ”
8. “2025.5.28-Annoying morning, had to go somewhere”
9.“2025.5.31- A Peeled Cucumber Is the Little Frog of My Childhood“
10.“2025.6.6- The doctor at neuro rehab was super strong“

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[A manifestation of various imaginations in life] - Yao Qian @qianya09

Yao Qian is a graphic designer from Hangzhou, primarily engaged in design work in the fields of branding, packaging, books, and exhibitions.

This graphic can represent the rhythm of musical notes, rotating eyes, or planets moving along their orbits — a manifestation of various imaginations in life.

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[Cinque copper booklets] - Vincent tam & Cin liu @cinque.made @m.c.tam

The Copper Books document material transformations in metalwork. Vol.1 is a series of diptychs exploring material tactility and material transitions during lost wax casting.

The materials record the movement of my hands, and the book records those materials through the duets of photo and line drawing. As if in a musical duet, the two instruments of photo and line bounce back and forth, rendering the same material through two different lenses.

Vol.2 looks at the manifestation of these material transitions, grounding vol.1 into tangible pieces of Cinque’s material research.

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[Yeah, You Know That Right] - Zhiyi Luo @yinren614

2024–2025
Materials: Dowling paper, colored pencils, markers
Dimensions: 210 × 148 mm (40 pages)

This zine records my delicate observations and fleeting reflections from 2024 to 2025,
weaving complex emotions throughout its imagery. Each page functions as an independent visual chapter, open to interpretation; yet together, they form a coherent, diary-like narrative that conveys emotions both intimate and authentic.

The works resonate like echoes of a dream, drifting between the unfamiliar and the familiar. Through fragmentation and reassembly, they explore—from my perspective—the subtle and intricate relationships between people, and between people and nature.

At the same time, this project attempts to use the pages as a medium to build a strange space—inviting viewers to share knowing smiles amid confusion and to feel an ineffable resonance within gentle absurdity.

#wehaveadog #exhibition #london by @wehaveadog_studio

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a year ago

⚪️[Collect, Compose, Curate] - Linlin Guan @0_guan

Material: Dust brush, Sushi brush, Cotton and Matte Viscose.

“Collect, Compose, Curate” is an ongoing, life-long project that explores our relationship with everyday objects and routines. Through the acts of collecting, composing, and curating sculptural pieces, it invites us to reconsider the idea of functionality.

My work reframes ordinary items within both artistic and functional contexts, challenging conventional notions of practicality and structure. Infused with humour, poetry, and a trace of melancholy, the project acts as a quiet, continuous protest against the banality of daily life.

#wehaveadog #exhibition #london by @wehaveadog_studio

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⚪️[Transparent Tiger / Mask] -Yang Jia

Technique: Engraving, hand coloring, Chine-collé
Size: 257mm × 182mm
Year: 2022
Concept: Everyone experiences moments of sadness or stress. These feelings are like a transparent tiger—unseen by others but undeniably present. It’s as if a heavy mask is placed over us day after day, making it hard to relax. by @wehaveadog_studio

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⚪️Clay and care - Wanling Hong @wan0ng @clay_and_care

In the quiet hum of the studio, where clay gathers breath and memory, I shape vessels that echo the stillness and depth of the Song Dynasty—a time when simplicity bore the weight of grace.

My practice is a conversation with the past, spoken not in words but in curves, in pale
glazes, in the hush of form that holds more than it reveals. Each piece begins as earth, unformed and waiting, and through touch, repeated, meditative, patient, it becomes something more - a whisper of history, a gesture toward utility, a poem for the hand. I am drawn to that moment where a bowl is not just a bowl, but a quiet keeper of time, of nourishment, of the unsaid.

The lineage of Song ceramics moves through me like a distant river, guiding each decision with restraint and reverence. Glazes are chosen with care, like selecting words for a delicate verse; the palette remains hushed, the surfaces soft, inviting touch.

In the meeting place between ancient rhythm and contemporary breath, I craft objects meant to be held, and lived with, that hold not only what we place in them, but the silence, the slowness, the stillness of making.

#wehaveadog #exhibition #london by @wehaveadog_studio

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