A look back at (Dis)consent: A Night of Performance and Interactive Installations, presented by
@uaad.art and
@mesh_art_center on Aug 2 💛
3 groups of artists brought together performance, interactive AI, and speculative ecology to examine agency and consent in systems where our choices are increasingly shaped by algorithms, interfaces, and institutions.
🪩 Katherine Helen Fisher
@khfdance’s 𝘾𝙮𝙗𝙤𝙧𝙜 𝙈𝙞𝙧𝙧𝙤𝙧 𝙄𝙄 explored AI, audience data, and collective authorship. 🤳Mengna Da
@yumedaaa’s 𝙎𝙊𝙐𝙍 𝙂𝙐𝙈𝙈𝙄𝙀𝙎 𝘿𝙊𝙉’𝙏 𝘾𝙍𝙔 turned the audience into operators of her own body, examining data extractivism and digital labor, with live music by Chienn Tai
@desigh.llc. 🐝 Shihan Zhang
@shihan.design’s 𝙐𝙣𝙩𝙞𝙡 𝙩𝙝𝙚 𝘽𝙚𝙚𝙨 𝙍𝙚𝙩𝙪𝙧𝙣 reimagined pollination as embodied labor in a speculative post-ecological future, with movement performance by
@dddyiliny.
The evening concluded with a conversation on authorship, desire, play, and algorithmic control, moderated by
@_paigek, co-founder of MESH_Arts.
Curated by Amy Xiaofan Jiang
@amyjiang517 Artists:
Katherine Helen Fisher w/ Shimmy Boyle
@classicshimmy, Hyperreal Labs and C. Finley;
Mengna Da w/ Chienn Tai;
Shihan Zhang w/ Mingyong Chang
@mingyong_art , Han Zhang
@hanzhangpqqo, Ziwei Liu, Jiaye Leng, Yilin Ye.
Photo credits:
@isabellaindolfi, co-founder of MESH_Arts,
@david__liuuuu, @amyjiang517
Technical Support: Enddle Jianhao Zheng
@enddle.work , David Liu @david__liuuuu
Thank you to everyone who came, participated, played, questioned, and made the night what it was🧡