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Amy Revier

@amyrevier

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‘Attunement’ @casa_yali Venice, Sept 13 - Nov 21
also: @the.silent.traveller + @spazio.revier

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Join us this Venice Glass Week for a very special project by @roberta.angelini_ for YALI GLASS.

Inspired by the Japanese art of natural, spontaneous flower arranging, participants in NAGEIRE will create unique compositions using botanical elements gathered from the Venetian Lagoon and vases from the YALI collection.

The workshops will run every morning from 10am till noon during the week in the YALI courtyard, with each finished arrangement captured on Polaroid. As @theveniceglassweek unfolds, the images will form an evolving portrait of Venice, one told through its flora, Murano glass, and the people who bring them together.

Here you can see Roberta’s daughter at work gathering the materials for the workshops in a special matching set from Amy Revier’s The Silent Traveller, which is available to purchase in the Yali Store.

📍Ramo Malipiero 3079, Venice, Italy

📸 Images courtesy of @oliverhaas_photography . Special thanks to @the.silent.traveller @amyrevier

#Venice #TheVeniceGlassWeek #Nageire #Workshop

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After the summer break, we’re back with a new season at CASA YALI.

Save the date for Attunement, the second chapter of Amy Revier’s residency at CASA YALI. Following The Blue of Distance, the exhibition presents a new body of work exploring weaving, glass, and fragrance as interconnected forms of material heritage.

Amy Revier — Attunement
Curated by Marina Marques
CASA YALI
Sept 12th 6 - 10 pm

On the occasion of The Venice Glass Week 2026 and the Venice Art Biennale.

More coming soon.

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Attunement (Music Field Coat), 2026

This piece is a study on the coat as a remnant of two acts — as a kind of recording device — sitting somewhere between Rome and Venice, carrying traces of two years of building work in Italy within a single sculptural coat.

The exterior silk textile was woven last year in Rome and remained for months as a kind of scroll or mysterious field upon the studio table — a piece I did not yet fully know what to do with. Later, it found its counterpart and was married to an interior cashmere ‘drawing’ woven this year in Venice during a live performance with the experimental harpist and composer Andrea Vecchiato @avecchiatoooo for @casa_yali . As Andrea played, I wove in response, attempting to translate something immaterial into material form.

The piece was woven from material developed through new relationships I’ve made over the last two years in Biella, with sixth-generation Italian silk and cashmere mills, spinning and dyeing sculptural multi-ply threads for me to build with. Marrying two pieces from a specific place and time, waiting sometimes a year or so until they find each other, is something I hope to continue with. Currently installed @casa_yali @yaliglass in Venice

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thinking about red

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making, translating, extracting, splicing, covering, keeping, filtering, setting free, part II of my artist in residence @casa_yali & planting deeper roots in Venice @spazio.revier

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four weeks of making / rebuilding the studio in Venice @casa_yali marking time thus far with an evening Open Studio, Friday March 27, 7 PM Sound Performance by @avecchiatoooo at @casa_yali San Marco 3079, Ramo Malipiero 30124 Venice, come for drinks, say hello & see a preview of the May show

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So grateful to have met Amy Revier ❤️ @amyrevier
An incredible artist, a beautiful soul, and truly one of the best people I’ve ever met. Thank you for visiting us and for the inspiring conversations, warmth, and kindness you shared. Some meetings stay with you forever ✨
Always welcome at our place.
A person carrying great knowledge of textile 😇
Tej - I am inspired a lot by @amyrevier

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#ArtistVisit #TextileArtist #SlowArt #ArtAndSoul #MeaningfulMeetings ArtBeyondBorders IndianArtHouse JaipurArt GratefulMoments

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continuing research on net making / new images of a recently finished handwoven series in London. Netto (What Remains After Deductions) is an installation of layered, interchangeable woven textiles, conceived around the symbolism of a net. Nets were historically used to obtain sustenance and nourishment, to sift, filter, and preserve what was deemed valuable. Crafted collectively from humble plant fibers, they represented an open, porous, and transparent system of threads tied together by hand.

Over time, the simple net has evolved into a more complex and often opaque system, evident in concepts like the internet, networks, and financial metrics such as net worth, net profit, and net gain. The panels installed in this home aim to open a dialogue on this evolution of the net, its dual nature of open/closed, rigid/adaptable, to catch/to keep/to filter/to release. Each weaving was intuitively made from hand grown, hand-tied bast fibers: ramie, kudzu, pina, mulberry, hemp, & stainless steel. It’s a difficult one to photograph, and it changes with the light, time of day, seasons, and how the panels are layered or separated.

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Amy Revier

Blue Mountain School is pleased to present a body of new woven works by Amy Revier. The long-awaited collection of one of a kind pieces marks 10 years of collaboration and is available via the link in bio 🔗

Image: Otago Region Short Coat in 100% handspun Hanui wool from New Zealand

#amyrevier @bluemountainschool

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New woven merino and black alpaca high neck pullover jumper by Amy Revier.

The oversized Larkin Jumper has been hand dyed an ethereal shade of plain stone grey, sitting somewhere between a stormy blue and charcoal.

For more information, contact info@bluemountain.school

#AmyRevier #HostemArchive @hostem.bluemountainschool

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New woven merino and black alpaca high neck pullover jumper by Amy Revier.

In a beautiful shade of burgundy, the Guston Jumper has been hand woven into a check design, blended with 8 ply cashmere from the highlands.

For more information, contact info@bluemountain.school

#AmyRevier #HostemArchive @hostem.bluemountainschool

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New work by Amy Revier for the Hostem Archive available this week.
#AmyRevier #HostemArchive @bluemountainschool

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